Per MSDN: Do not call this function from a DLL that is linked to the static C
run-time library (CRT). The static CRT requires DLL_THREAD_ATTACH and
DLL_THREAD_DETATCH notifications to function properly.
Remove beta label for YouTube - RTMPS and make it the default. Remove
YouTube - RTMP service and move the legacy RTMP urls to the Server
dropdown list.
Only auto-select WGC for desktop capture if a battery exists and
multiple GPU adapters are present. May false-positive on desktops with
a smart UPS attached, but we don't know of a better test.
When enumerating the list of encoders offered by VideoToolbox,
there's no reason we can't use the returned ID, which allows us to
remove the hardware/software encoder specific functions. At the
same time, this does add a slight complexity when localizing the
encoder name, so we can fall back to the OS-provided encoder name
if there's not a match.
The timestamp returned by mHostTime in the AudioTimeStamp structure
is the current timestamp equivalent to mach_absolute_time(), which
is relative to the machine's time base. In order to convert this
to milliseconds, it's necessary to get the host's timebase with
mach_timebase_info() and scale the timestamp accordingly, since
the rest of the timestamp synchronization code expects the timestamp
to be in milliseconds.
This is effectively equivalent to the code which was previously in
libobs/util/platform-coca.m, but must be applied here instead.
Previously the save callback would be called when the replay buffer
hotkey was pressed and not when the saving of the replay was finished.
When the 'get_last_replay' procedure was called after the saved callback
function, it would return the incorrect path, as the path would still
be the previous path.
Attempt to schedule shared texture copies against the command queue that
the game's swap chain uses to try to reduce artifacts. The heuristics
for obtaining the queue are not perfect, so provide a toggle to use the
previous behavior.
This adds the ability to use a secondary black-and-white video as a mask
between source A and B of the transition. The greyscale value of each
pixel is used as the "slider" value in a linear interpolation between the
corresponding pixels in source A and source B.
The track matte can either be in the same file as the stinger itself
(next to the stinger or under the stinger, doubling the width or height
of the stinger depending of the selected layout) or a in a separate
dedicated file.
The same file/separate file behavior is controlled by the
"Matte Layout" option in the stinger settings.
Probably long time coming, but when the user changes their default audio
device in Windows sound settings, OBS will now detect it and change the
audio device automatically to the new device if it was set to use the
"Default" device.
This adds additional capture presets, including 3840x2160 and
1920x1080, in addition to the preset "High." These are guarded with
a runtime check using the @available() keyword for macOS 10.15+.
