Warns users that two separate QSV encoders can't be active at the same
time.
This should be considered a temporary solution to two issues:
1.) Encoders need to be able to report these errors themselves
2.) If the QSV encoder is ever changed to allow more than one encoder at
the same time this should be removed
Bitrate limit warnings wouldn't be correctly shown if service settings
are changed but not yet saved before modifying the bitrates/settings.
It would use the currently active service settings instead of the
changed values.
Allows the user to specify custom formatting for their recording file
names with many formatting options, viewed via tooltip. The options
have been added to the advanced settings section.
Closesjp9000/obs-studio#507
It seems more intuitive if the recording paths for the Simple
Output, Advanced Default Output and Advanced FFmpeg Output are
linked together, so that the user does not have to manage three
paths if switching between the different options.
The UI elements are also connected so that a change to one
signals a change to the others with the corresponding config
setting.
Fixes a bug introduced in 6407707a04 where if you open the settings
window the settings would always think there were new changes. It was
marking a control as changed when it shouldn't be
(Note: test and UI are also modified by this commit)
API Changed (removed "enum obs_source_type type" parameter):
-------------------------
obs_source_get_display_name
obs_source_create
obs_get_source_output_flags
obs_get_source_defaults
obs_get_source_properties
Removes the "type" parameter from these functions. The "type" parameter
really doesn't serve much of a purpose being a parameter in any of these
cases, the type is just to indicate what it's used for.
OSX has an annoying feature called "BeamSync", which on later versions
of OSX is always on. For whatever reason, Apple devs decided to force
this feature to always be on, so applications must always render with
v-sync regardless of what they set their swap interval to.
This issue would cause syncing to the vertical refresh for each
additional active display, and wouldn't allow rendering above the
current refresh rate. This caused major rendering stalls and prevented
video frame timing from being accurate.
This fixes the issue by using an undocumented set of functions to
disable BeamSync. Note that because this is an undocumented method of
working around the issue, its existence cannot be guaranteed. If the
functions no longer exist for whatever reason, it will safely do
nothing.
These really are advanced options that users shouldn't need to change
normally, so moving them to advanced makes sense, and keeps them away
from users who don't know what they're doing.
If the base resolution is set to an invalid resolution, it would cause
the output resolution to automatically change to an invalid resolution.
After the invalid resolution was set for the output resolution, it would
stay at that invalid resolution.
This fixes it so it always tries to find the output resolution closest
to what was last actually set or actually edited.
If a global audio device is disconnected or for whatever reason is no
longer available when audio settings is opened, it will erroneously
select index 0 of the combo box ("Disabled") by default because it can't
find it in the combo box. This fixes that issue by making it insert an
item in to the combo box specifying that the previously available audio
device is no longer available, and properly preserving the user's
settings.
Some streamers would accidentally hit start/stop streaming, which on
certain services would send out mass emails to all their followers.
This just adds options to general settings to optionally enable dialogs
that confirm whether to actually start/stop streaming when the button is
clicked.
Prunes code used to workaround libobs "user sources" (such as
sourceSceneRefs) and instead simply holds its own references and saves
sources it chooses with obs_save_sources_filtered.
Use explicit UTF-8 byte sequence for the "no-break space" character.
Prevents issues with certain editors, and fixes the following compiler
warning on Visual C++:
warning C4819: The file contains a character that cannot be represented
in the current code page (X). Save the file in Unicode format to prevent
data loss
(Jim) For some reason a character outside of the standard ASCII
character set was used in this source file. "Eight Spoked Asterisk",
Unicode character 0x02733. Non-ASCII characters should probably not be
used directly in source files due to potential character encoding
issues that can occur depending on the operating system and compiler.
Closesjp9000/obs-studio#485
When an encoder has been removed (such as CoreAudio) and the audio
bitrates currently configured no longer are available to the current
audio encoders anymore, it would cause GetAACEncoderForBitrate to return
false with no encoder available.
To fix the issue, instead just choose the closest bitrate relative to
the current bitrate (rounded up).
So certain high-profile individuals were complaining that it was
difficult to configure recording settings for quality in OBS. So, I
decided to add a very easy-to-use auto-configuration for high quality
encoding -- including lossless encoding. This feature will
automatically configure ideal recording settings based upon a specified
quality level.
Recording quality presets added to simple output:
- Same as stream: Copies the encoded streaming data with no extra usage
hit.
- High quality: uses a higher CRF value (starting at 23) if using x264.
- Indistinguishable quality: uses a low CRF value (starting at 16) if
using x264.
- Lossless will spawn an FFmpeg output that uses huffyuv encoding. If a
user tries to select lossless, they will be warned both via a dialog
prompt and a warning message in the settings window to ensure they
understand that it requires tremendous amounts of free space. It will
always use the AVI file format.
Extra Notes:
- When High/Indistinguishable quality is set, it will allow you to
select the recording encoder. Currently, it just allows you to select
x264 (at either veryfast or ultrafast). Later on, it'll be useful to
be able to set up pre-configured presets for hardware encoders once
more are implemented and tested.
- I decided to allow the use of x264 at both veryfast or ultrafast
presets. The reasoning is two-fold:
1.) ultrafast is perfectly viable even for near indistinguishable
quality as long as it has the appropriate CRF value. It's nice if you
want to record but would like to or need to reduce the impact of
encoding on the CPU. It will automatically compensate for the preset at
the cost of larger file size.
2.) It was suggested to just always use ultrafast, but ultrafast
requires 2-4x as much disk space for the same CRF (most likely due to
x264 compensating for the preset). Providing veryfast is important if
you really want to reduce file size and/or reduce blocking at lower
quality levels.
- When a recording preset is used, a secondary audio encoder is also
spawned at 192 bitrate to ensure high quality audio. I chose 192
because that's the limit of the media foundation aac encoder on
windows, which I want to make sure is used if available due to its
high performance.
- The CRF calculation is based upon resolution, quality, and whether
it's set to ultrafast. First, quality sets the base CRF, 23 for
"good" quality, 16 for "very high" quality. If set to ultrafast,
it'll subtract 2 points from the CRF value to help compensate. Lower
resolutions will also lower the CRF value to help improve higher
details with a smaller pixel ratio.
Selecting any supported FFmpeg format where ff_format_desc_extensions
returns NULL would crash the std::string constructor, so we pass an
empty extension instead (rtsp is one candidate format that triggers
the crash, on my machine at least)
CBR is now always on by default for streaming, so there's no reason to
have a setting for this in particular. Still available in advanced
output settings of course, but simple output mode really should be kept
as simple as possible.
This is mostly just to remove the unnecessary clutter from the output
sections. The reconnect settings are generally rarely modified by users
as it is.
I added stream delay options to advanced settings not just because I
feel it's an advanced option, but also to reduce clutter in the outputs
section and its sub-sections, which already have far too many options as
it is.
Replaces all the json/config loading/saving functions with safe
variants to reduce the chance of potential file corruption as much as
possible.
Also does a minor refactor of json writing by using
obs_data_save_json_safe for writing json files instead of manually using
obs_data_get_json and os_quick_write_utf8 each time.
This changes the way the advanced output section's FFmpeg output
settings work by allowing the user to select whether they want to output
to a file or output to a URL, and makes it so file names are
automatically generated like other recording outputs.
If they choose to output to a file, it'll only require an output
directory similarly to how other recording outputs work. They can
select a directory to output to rather than being required to type in a
full path and filename; the filename is automatically generated. The
extension is also automatically retrieved from libff depending on the
format selected.
Otherwise if they have Output to URL selected, it'll show a simple edit
box where they can type in the target URL.
When settings the base resolution, try to find the closest output
resolution to the old output resolution, and use that for its value. If
the aspect ratio is about the same, then don't modify the value. If the
aspect ratio is significantly different, then find the closest
approximation while keeping with the new aspect ratio.
This particular issue has been an annoyance for quite some time.
Adds setting profiles to the basic user interface. For each profile, a
subdirectory for the profile will be created in
[config_dir]/obs-studio/basic/profiles which will contain the settings
data for each profile.
jp9000
Jeremiah Senkpiel
bl
Charles Ray Shisler III
Palana
wayne wang