8948 lines
360 KiB
Plaintext
8948 lines
360 KiB
Plaintext
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1OCT1993
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by Stanley Lieber
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Written 2004-2010
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This book was typeset (troff -ms|lp -dstdout|ps2pdf) in New Century Schoolbook
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by the author, using an IBM Thinkpad T23 running the 4th Edition of the Plan 9
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operating system.
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Reprinted with corrections, April 2011
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1OCT1993
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1oct1993.com
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MASSIVE FICTIONS
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massivefictions.com
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This is a work of fiction. Names, characters, places and incidents
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either are the product of the author's imagination or are used
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fictitiously, and any resemblance to actual persons, living or dead,
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businesses, companies, events or locales is entirely coincidental.
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This work is released to the public domain.
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1OCT1993
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BOOK ONE
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TAB2, 1960
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tags: 1960, margaret, tab1, tab2, the_chief
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The testing was rigorous but fair. I don't know if the equipment
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had any real effect, but he started talking just the same.
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_bump bump bump clickity clickity click bump bump bump_
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Little Tommy.
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"Semen the color of old comic book pages, aged plastic, tape
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residue, dipping sauce for crayons that were flattened for a specific
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age group. You know, so they wouldn't roll away -- the crayons, not
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the age group. Dog piss on the carpet, striped wallpaper, a tray of
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stale flat bread, a portfolio of chalk drawings."
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"What else do you remember?"
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"The weather. Nothing."
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"Let's start over from the beginning."
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Aptitude tests. Memory. So far, things were progressing smoothly. I
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actually choked back a tear. I admit it: I was proud of him.
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"Son, have you figured out what's going on yet?"
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"A severed, pierced penis. In a can of Prince Albert pipe tobacco.
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Title: _Not Funny."_
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I wrote _TAB2_ on the inside of his hat and placed it on his head.
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"Let's get the hell out of here."
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Tommy hated the matching outfits. Orange toboggan hat, bomber
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jacket, military galoshes. I had told him to think of it as his
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uniform. He scratched at his buzzcut, dumbly.
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I hoisted him into his car seat.
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Winter had struck while the other boys were studying. Permafrost,
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monochrome landscape. I had Tommy out and about in the elements every
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day; we covered four miles, on average, pacing the farmer's market
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near headquarters. He was already beating up on the older boys in the
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class ahead of him.
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Or so I had forecast, when I set him on this routine.
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Reality didn't quite track. Tommy wasn't meeting his PT
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requirements. I began scrubbing his face with an abrasive washcloth
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and doubled his training hours.
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"Father, who do I have to blow around here to get a time sheet?"
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"You'll be done when I say you're done."
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The kid's mother.
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I cleared my cache and ducked into a flower shop, dragging Tommy
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behind me. He planted himself on the floor and booted up a comic book.
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I should never have bought him that thing.
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"The usual?"
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We came in here at least twice a week.
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"Affirmative. Red."
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I jammed the bundle of roses under my arm and yanked Tommy along to
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the truck. I thought he might have voiced a slight whimper, but I
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couldn't be sure so I ignored it.
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The mesh was offline in the truck. I punched the dashboard and
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Tommy let out a laugh. Finally, the HUD activated and we peeled out of
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the parking lot.
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I was thirty-three years old.
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So far, 1960 was diminishing returns.
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CU/FARLEY
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tags: 1960, margaret, tab1, tab2, the_chief
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1 October 1960 I loaded Tommy into the truck and took him to work
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with me.
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The boy perked up at the sight of the two-story displays. A damn
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sight better than the consumer grade equipment his mother used to
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review her nude home shows. We had a spare terminal so I logged him in
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with basic access and let him handle analysis on some of the
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non-essential traffic. No one would mind. With his orange cap he
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almost fit in.
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Perturbations in the mesh. We were bringing a new series of embassy
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clouds online and things were not going smoothly. I was asked to
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supervise a side-switch.
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At 07:30 Tommy spoke up, something about overlap.
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"Pop, we've got incoming."
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Three embassies were competing for the same channel. Ping errors
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were filling up the logs. I asked Tommy if he had a solution.
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"Subnet them."
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My men went into action and the crisis was averted.
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Chief gave Tommy a lollipop.
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Tommy liked the snow but touching his hand to it produced tears. I
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growled at him a bit.
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I gassed up the truck and we cut across town back to the hovel. We
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had opened a new file on Tommy. CU/FARLEY would follow him for the
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rest of his life. He'd shown aptitude. All of that testing wasn't a
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waste after all. His mother would grumble but his interest was clear,
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honest. We assigned him TAB2 and that was that.
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Inside the house I prepared a plate of sandwiches and pickles and
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we settled in to monitor the logs. Again Tommy showed initiative and
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reorganized his own desktop for efficiency. I dozed off for a while
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and when I came to he'd routed the embassy logs through his login. He
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picked out some trouble spots and saved the boys back at HQ a few
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hours of grief. I considered pulling him out of school for a few
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months until the embassies were all up and running. Heh, not likely,
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not with _his_ mother.
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Flipped on the telescreen. Presidential election. Iran.
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Can't escape it. Switched off the telescreen and back to Tommy's
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progress, trawling the logs. I showed him how to clean up a few
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streams and within a few minutes he was giving me advice on my own
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data structures. I wondered how long this could hold his attention.
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At 10:25 a page came over the wire, calling me back to HQ. I
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strapped Tommy into his seat and we were on our way.
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The truck spun through the slush and we got hung up in the parking
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lot. I left the vehicle and trudged towards the building with Tommy in
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tow; housekeeping would dig out the truck as time permitted.
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We made it up the stairs and Chief stopped us before we got to our
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terminals. CU/FARLEY was already twenty pages thick. They had decided
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to call in their investment early. I slicked down Tommy's eyebrows
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with my thumb and handed him over.
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My son and I locked eyes. Tommy full of comprehension.
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He reached up to his head and removed his orange toboggan. He
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glanced at the name I'd scrawled inside it, _TAB2,_ and then passed it
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over to me, his three-year-old arms not quite bridging the gap between
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us.
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I nodded. I understood.
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TOWARDS MYTHOLOGIZING THE COMING RESURGENCE OF COVERT WARFARE
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tags: 1961, coordinator_rex, tab1, tab2
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DIPLOMATIC POUCH MAIL
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(SB:WR-U; 10-17-1961)
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(Office of Origin: BT/FUCK)
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Son, you said you wanted to know what I do all day at my job. That
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is, since we've been separated and you've been off at school. To that
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end, I've written up this account based on notes I took sometime last
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week. I traveled from New York to New San Francisco to take part in
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one of the operations assigned to my group.
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Here is my description of what took place.
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Faint smoke wafted out of nearby chimneys. Awkward-looking clouds
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clung to the sky, a gross of cotton balls scattered at random, then
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glued down carelessly onto an enormous blue shirt. I observed the
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aerial tableaux through a crack in the curtains. My hotel room was
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cold.
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Shifting focus, I came to notice the ground directly below my
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window. It offered up only the faintest suggestion of tangibility. Its
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contours were blunted by yet another layer of new fallen snow.
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Bemused, I traced the deceptive topology at high resolution, scanning
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the area for markers before proceeding to vacate for the last time.
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I made my way out onto the balcony. Even as my room's heavy wooden
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door clicked shut behind me, I instinctively checked my pocket for the
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plastic key card.
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It was present.
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Coat tucked and breath stale, I tunneled through the mounting
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drifts, trudging towards the front office. I swiped my key card and
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slipped inside. The night clerk had dozed off, abandoning the
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assortment of RAP CHOWDER clips he had pulled up on his terminal. He
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was probably inebriated. Stealthily, I snuck past him.
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Moving down the hall, I edged past a throng of blinking, chattering
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vending machines. My trench coat trailed along behind me, probably, I
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thought, getting dirty. I bustled once more into the laundry room,
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tossed my knapsack down on a table and placed my hat on the dryer.
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Laundry was done.
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After stowing my garments, I dropped my room card on the front desk
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and called for a taxi. Yawning, I leaned up against a support column
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and strained to hear the closing salvos of the RAP CHOWDER season
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finale. It seemed I had not alerted the night clerk to my presence.
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That suited the situation fine, as my taxi would not show up for some
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time and I was in no mood for small talk.
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An hour later I detected the heat signature of a car engine and
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then the slush of tires racing through black snow. It was my ride.
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The taxi driver wasted no time and engaged his car horn, initiating
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a blast of sharp, targeted audio. _Modus operandi_ endemic to the
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American service industry: never in a hundred consecutive life
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sentences would he have thought to come into the hotel and fetch me.
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Remind me sometime to tell you about Hanoi, and the driver who
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actually did.
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I tossed my knapsack over my shoulder and hopped into the cab. The
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driver was a tough looking Arab, equipped with the usual rough shaven
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beard and a giant, furry parka. He had a three-dollar cigar clenched
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tightly between his brown teeth. As he spun the orange cab out of a
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snow bank, I leaned back into my seat with a sense of detached
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curiosity. The Motel 6's automation was apparently inoperable; I
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checked my balance and discovered that I hadn't even tipped the desk
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clerk on my way out.
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The driver propelled us across the bridge and on to JFK, where
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eventually he halted the cab and told me to get out. I tossed him a
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single hundred dollar bill and he affected only the slightest nod
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towards the meter. I didn't budge, so he gave me the finger, then sped
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off into the freezing smog. I had to laugh.
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Soon, I was aboard my plane.
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Floating safely above America, I rang for my stewardess. She
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brought out some coffee and loaded it up with a fair amount of cream.
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Somewhere over St. Louis, I was enjoying a fifty-dollar cup of
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Folger's Crystals. Unlike most passengers, I didn't fall for their
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upselling to a more rarefied blend -- I know from bitter experience
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that no matter what you order, on a government airplane you end up
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drinking the same cup of coffee. It still befuddles me that no one
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ever seems to notice this. Menus are nothing more than a racket they
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try to put over on unsuspecting consumers. What you actually get is
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whatever they have too much of on a given day. Anyway, a cup of coffee
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is a cup of coffee.
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Finally, we approached New San Francisco. Tires screeched across
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the runway. Air pressure in the cabin shifted to sea level. Presently,
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a voice came over the intercom, announcing our impending arrival. I
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gazed at the surface of my leaf, pretending to read a newspaper
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article. Shrewdly, I had opted not to activate the pay-device.
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"At the tone, all passengers will unbuckle their seat-belts and
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disembark in an orderly fashion."
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There was an almost deafening racket of clacks and clatters.
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"Once again, thank you for flying Federal Airlines."
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"Like we had a choice," came a muffled retort from several rows
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back.
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A number of heads from various sections of the plane snapped around
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to face the speaker, all of them in perfect synchronization.
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Immediately, I ascertained which of my fellow passengers were Air
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Marshals.
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I returned my leaf to the seat-back in front of me, then reached up
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into the compartment above my head to withdraw my bags. Nothing seemed
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to be missing.
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Exiting the plane, I was forced to elbow a few tourists out of my
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way. Nothing too unusual; a young Pioneer Scout had nearly caused me
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to trip and fall. Children were everywhere in coach, clogging up the
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isles with their sluggish movements. This would not have been a
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problem if I'd taken a seat in first class, where children are
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generally forbidden, but such an expenditure would have raised flags
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with the wrong people, and on this flight I was concerned with keeping
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things -- as far as those wrong people were concerned, anyway --
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quiet. Friendly shoving had become commonplace during the average
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disembark, and so my excess physicality went unnoticed.
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On the way into the terminal I passed through a metal detector. My
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sidearm triggered a shrill cacophony, followed by an array of hastily
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drawn weapons. I flashed my TSA card discreetly, at waist level, and
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got through the checkpoint without much hassle. As you know, with my
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credentials I am authorized to carry a concealed firearm. I can
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activate its logging processes mid-flight, or even pull it out and
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wave it around if I so desire. In this way it would have been trivial
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for me to clear a path through the crowd by sending everyone diving to
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the floor. I don't need to tell you that I restrained myself. Even
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with non-networked weaponry such as my own, flashing a gun would have
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attracted attention from the mesh.
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I wandered into a nearby pay-zone and called for another cab. My
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long-range implant was by now producing only blips and bleeps. For
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some reason, disabled.
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My experience with that last cab driver in New York had put me on
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edge. I recalled now that when I climbed into his vehicle he had
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shifted his eyes instantly to my left earlobe, pausing for a bit
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longer than I would have liked. He was careful, also, to look me up
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and down several times, tracing all of the obvious marker points. I
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noticed even though he had really been quite subtle about it. To my
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mind, this was uncommon and suspicious behavior for a New York cab
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driver. I found myself considering the implications. Something might
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be going on with the cabbie unions here in the States. Warily, I
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loaded my Colt and stuffed it into the cargo pocket of my trousers.
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When my taxi finally arrived I slid into the back seat and gave the
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driver a once-over of my own. Ditto. The same type as in New York. An
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immigrant. Although this fellow, rather than expose his bushy eyebrows
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and lice-infested hair to the world, sported a grey taxi cap with a
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dark, translucent visor. He was chomping a duty-free cigar (unlit) and
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taking sips from a can of Stro's Light. From the looks of him, a
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Russian educated Paki.
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Before shifting the car into gear, the cabbie pivoted around in his
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torn seat. With no small effort, he stuck out his free hand, then
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moved his eyes back to me. Sensing the inherent purpose of the
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gesture, I pushed a fifty towards him, extending it just far enough to
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catch in the tips of his fat fingers, then settled the rest of the way
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back into my seat. The driver remained motionless, silent. His seat
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creaked under the weight of his body.
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"Take me to the Embassy," I growled as harshly as I could muster,
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"And put some stank on it. I have an appointment to keep."
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With a squeal of tires and a strangled burst of exhaust smoke, we
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were off.
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After a short interval we careened to a stop in front of the
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Embassy. I evacuated the back seat and leaned into the taxi's front
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window, glaring at the driver, adopting an aggressive posture. In
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response, the Paki clenched my collar into his fist and pulled me in
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even closer. It seemed he wanted to share a few words.
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About time.
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"Meter say _five hundred_ and fifty, stupid fart."
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He spit out his cigar, which came to rest lightly on the floor.
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My cue.
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I rammed the barrel of my Colt into his throat. He recoiled against
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the seat with a muffled thud, spilling beer all over his lap. I then
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gripped him by the hair and smashed his head into the dashboard,
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smirking bemusedly because his forehead had just taken out the meter,
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and because his pants were now soaking wet as if he'd burst his
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bladder. He fumbled groggily in his seat and steered his cab the hell
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out of there. I wouldn't have believed it, but the cabbie trade had
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actually grown more belligerent in my absence. As a corollary, I'd
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just saved the government five hundred bucks. You have to stay sharp
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on the basics.
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I stomped up the stairs of the Embassy and kicked open the door,
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which hadn't been latched to begin with. Gradually, I got myself into
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character.
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The place was fossilized as ever. All of the antiques, artifacts
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and arch-politicos were still glued into place, practically inert. The
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room was artificially quiet, which also conformed to my mental
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inventory from previous visits. All right then, noise-cancelers were
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|
still being employed. What was new, here, was that the place had
|
||
|
apparently been outfitted as a nano-blank zone. I wondered why.
|
||
|
|
||
|
Good thing I had thought to pack my Colt and not bothered with the
|
||
|
network weaponry.
|
||
|
|
||
|
Without warning, a butler sidled up to me, whispering that he
|
||
|
wanted to take my coat. I kicked him out of the way. He tumbled into a
|
||
|
chair, looking dumb. I decided to ham it up in my new role and barked
|
||
|
at him that I hated being touched by the help. He muttered something
|
||
|
and I made a show of ignoring him as I pushed on into the long central
|
||
|
corridor.
|
||
|
|
||
|
Quickly locating the correct cube cluster, I burst into the
|
||
|
Coordinator's office and dropped down onto his horsehair sofa. His
|
||
|
eyes moved to meet with my own and then just as casually returned to
|
||
|
his pressure screen. I remained silent. After a few minutes passed, he
|
||
|
realized that it would be up to him to initiate the conversation.
|
||
|
|
||
|
"I'm sure you are aware," he finally said, agitated but monotone in
|
||
|
his murmur, "That this sudden reappearance of yours will make certain
|
||
|
impending maneuvers more... _awkward..._ for my department. I will have
|
||
|
to make up another acceptable room for you here in the embassy, and
|
||
|
re-issue your cash and supply requisitions." He wiped his forehead,
|
||
|
the pitch of his voice lowering steadily as he continued to speak,
|
||
|
resembling nothing so much as the air being let out of a bicycle tire.
|
||
|
"I'll also have to find a way to pay for all of this, since you are
|
||
|
still officially off of my books."
|
||
|
|
||
|
Well, that didn't seem like much of an obstacle to me. I was a
|
||
|
diplomat and this was his embassy. I was sure he could come up with
|
||
|
something. Run the standard algorithm of embassy lawyers, numerous
|
||
|
layers of complex accounting, and a few million dollars out of the
|
||
|
discretionary fund. Throw in a gaggle of highly trained Georgian
|
||
|
prostitutes and no one would ever be the wiser. This was, after all,
|
||
|
his area of expertise.
|
||
|
|
||
|
_Why not just write it up as a series of business lunches,_ I
|
||
|
thought to myself.
|
||
|
|
||
|
But I chose not to say any of that out loud. Instead, I sat
|
||
|
motionless, staring, thinking about Iran and 1959, wondering why I'd
|
||
|
bothered to haul his perforated ass back home with me. He must have
|
||
|
guessed what I was flashing on, because he quickly dropped the
|
||
|
pretense of busting my balls and cut straight to the conclusion of his
|
||
|
prepared speech. He hated going through the motions as much as I did.
|
||
|
|
||
|
"Okay. I give in," he mouthed, the vitriol now suspiciously absent
|
||
|
from his voice. He had put up his token resistance, which for the
|
||
|
purposes of budgetary documentation would have to suffice. He tossed
|
||
|
me my pass and all of the needed cards, already made out and
|
||
|
validated, packed into a large manila envelope. He held it out with
|
||
|
one hand, not looking away from whatever it was he was scribbling,
|
||
|
somewhat erratically, into his leaf. I had never known he was
|
||
|
ambidextrous.
|
||
|
|
||
|
"Tom," he said to me as I left the room, "Let's not botch this up,
|
||
|
not like the last time I had to rely on you. You know what I'm talking
|
||
|
about."
|
||
|
|
||
|
The wisecrack was wholly unnecessary.
|
||
|
|
||
|
I halted. I wanted to launch into him, but quickly reversed myself
|
||
|
and resolved to just let him have his insults.
|
||
|
|
||
|
Son, at this point the man is little more than a torso. His
|
||
|
titanium legs are encased in medical plastic, but that hardly
|
||
|
represents a cosmetic improvement. Below the elbows, his arms are
|
||
|
tracked with skin grafts, and must be covered up by shirtsleeves even
|
||
|
in summer. True, the substrate now conceals more firepower than I
|
||
|
could ever hope to lift with my merely human-gauge limbs, but
|
||
|
technically he was correct. During the war, I'd botched the rescue
|
||
|
attempt that had made all of his "improvements" necessary. After all,
|
||
|
he'd still possessed both of his legs when we were dispatched to
|
||
|
Tehran. For this, I do carry some measure of responsibility.
|
||
|
|
||
|
Turning again, I looked down at the manila envelope and said
|
||
|
nothing. I closed his office door gently on my way out.
|
||
|
|
||
|
|
||
|
As I hoofed it down the south corridor, I fished through my
|
||
|
envelope of cards, digging out the one that would open my room. It
|
||
|
stated: Room 1097, Tenth Floor, Second Hall. I pocketed the room key
|
||
|
and made my way toward the central security elevator, arriving just in
|
||
|
time to glimpse the doors snapping shut.
|
||
|
|
||
|
I located the stairwell.
|
||
|
|
||
|
With little effort I advanced to the tenth floor. Swiping my key
|
||
|
card, I pushed the security door open and proceeded into the hallway.
|
||
|
|
||
|
As I reached the door of my actual room, I fished out the card
|
||
|
again and shoved it into its slot. The whole door frame quivered as I
|
||
|
ambled inside. This place was antique, but I didn't mind the clumsy
|
||
|
old mechanisms, in spite of what my diplomatic status might have
|
||
|
entitled me to. I wouldn't end up using all of that new equipment
|
||
|
anyway.
|
||
|
|
||
|
I suppose the room itself was quite impressive, by conventional
|
||
|
standards. A hot tub was situated, or sunk into, really, the middle of
|
||
|
the floor, equipped with its own bar. The carpet was some sort of deep
|
||
|
white pile. I don't know, but it looked expensive. Cathedral windows
|
||
|
with variable display angles. Universal remote. The furniture was a
|
||
|
posh mixture of vintage and the very latest in network enabled. I
|
||
|
waved my hand in front of the couch and seats around the room
|
||
|
reconfigured themselves to my pre-loaded, custom contour. A few more
|
||
|
gestures and my temperature/humidity preferences were transferred to
|
||
|
the local mesh.
|
||
|
|
||
|
I have not devoted much of my attention over the years to the ins
|
||
|
and outs of fully-integrated interior design, but I can tell you that
|
||
|
this wasn't the work of amateurs. I wasn't able to locate a single
|
||
|
bug. Good for them. There's no telling what kind of footage this room
|
||
|
has been able to capture, during the periods between wars when it has
|
||
|
been used to house foreign dignitaries.
|
||
|
|
||
|
I'm afraid my reputation preceded me here and I did not expect many
|
||
|
frivolous trifles, but, still, a few of the line items from my
|
||
|
standard rider were missing -- and remain missing, above my complaints
|
||
|
-- which continues to annoy.
|
||
|
|
||
|
Well, that's about all I have time for right now. I have quite a
|
||
|
bit of work to do before I can turn in for the night. You know I'm not
|
||
|
much of a writer, but I hope this has given you some idea of what an
|
||
|
average day of mine is like here at the embassy.
|
||
|
|
||
|
Hope to see you soon.
|
||
|
|
||
|
|
||
|
ADVANCE
|
||
|
|
||
|
tags: 1963, margaret, tab1, tab2, the_chief, violet
|
||
|
|
||
|
All told, it was three years until I saw him again. Draped in
|
||
|
something reflective, outfitted for stresspants.
|
||
|
|
||
|
He appraised me, amused.
|
||
|
|
||
|
"I don't suppose you objected too strenuously, when they told you
|
||
|
what it was they planned to do to me."
|
||
|
|
||
|
Six years old. Circumcised. Ready to start public school.
|
||
|
|
||
|
"Son, I've been doing my best to provide for your future. You're
|
||
|
getting the best education tax dollars can buy."
|
||
|
|
||
|
"Prove it, Dad. They cut off my _stick."_
|
||
|
|
||
|
By 1963, the war had started.
|
||
|
|
||
|
"They didn't cut it off. They've trimmed back the excess skin.
|
||
|
Hygienic benefits. Read up on your New Jack Testament. It's part of
|
||
|
the package."
|
||
|
|
||
|
I'll admit, the family tended to shunt Tommy aside. We had shelled
|
||
|
into advanced operations and were channeling most of our attention to
|
||
|
the tactical situation above ground. Probably some things slipped by
|
||
|
unnoticed.
|
||
|
|
||
|
"Nobody ever asked what I wanted."
|
||
|
|
||
|
Maybe I should have sent him back to his mother. He seemed more
|
||
|
attuned to her.
|
||
|
|
||
|
"Irrelevant. You're not old enough to have an opinion on this.
|
||
|
Here, hop on up here. Help me parse these filter rules. We have
|
||
|
incoming."
|
||
|
|
||
|
|
||
|
"You old fuss budget!"
|
||
|
|
||
|
My daughter.
|
||
|
|
||
|
"Why don't you give him a break. He's been studying all summer."
|
||
|
|
||
|
"This wasn't strictly my decision, Violet."
|
||
|
|
||
|
"Lies! You're the ranking officer now."
|
||
|
|
||
|
"He's going to learn a lot more by observing us here than he would
|
||
|
diddling with you and your mother back at home. Praying. Whatever it
|
||
|
is you do."
|
||
|
|
||
|
"You're wearing him out."
|
||
|
|
||
|
"It's part of the training. He'll endure."
|
||
|
|
||
|
|
||
|
"Well, gee. I would advise that you get yourself a good lawyer.
|
||
|
Tommy's peer group is quite litigious. See you never."
|
||
|
|
||
|
Violet slammed a lot of doors, that year.
|
||
|
|
||
|
|
||
|
The dream was this:
|
||
|
|
||
|
My wife, my sister and Violet wandering through HQ. Someone I don't
|
||
|
remember from high school walking up and smearing grease paint on my
|
||
|
face, saying "Don't you remember me?"
|
||
|
|
||
|
My wife, my sister and Violet walking through someone's house as a
|
||
|
shortcut. The women stop to pick through the occupants' belongings. I
|
||
|
advise them not to continue but they've become unresponsive. The
|
||
|
occupants of the hovel wake up and sound the alert for their extended
|
||
|
family, who appear from out of nowhere and accost us.
|
||
|
|
||
|
Hometown Security arrives with shock troops and we are all
|
||
|
separated and detained. I am interrogated by Jeff from _CURB YOUR
|
||
|
ENTHUSIASM._
|
||
|
|
||
|
|
||
|
By 1963 I had quit smoking, but still I made routine trips to the
|
||
|
balcony to clear my head and to stare at the snow. There's no telling
|
||
|
what my handlers thought of this. Ten below zero and there I was, out
|
||
|
there in my shirtsleeves.
|
||
|
|
||
|
Well, fuck 'em.
|
||
|
|
||
|
I was close. Ten more months and the agency would have recouped on
|
||
|
my advance. Then I could start in on the mortgage. Savings. Things
|
||
|
would start to look up.
|
||
|
|
||
|
Mostly.
|
||
|
|
||
|
Tommy was still a worry. Soon they'd want to draft him.
|
||
|
|
||
|
I wasn't sure he was ready.
|
||
|
|
||
|
|
||
|
MEN OF VISION
|
||
|
|
||
|
tags: 1963, margaret, plinth_mold, tab1, tab2, william
|
||
|
|
||
|
The bombs are still falling when they outfit me with this stupid,
|
||
|
spamming _hat_ and instruct me to cart around young cousin William, the
|
||
|
other male child on the premises, so that he might bask in the
|
||
|
unfiltered sunshine, breathe in the unfiltered air, be exposed,
|
||
|
finally, to the city above ground. This isn't posed as an elective
|
||
|
course of action; I'm given formal orders and nudged in the direction
|
||
|
of the outer doors.
|
||
|
|
||
|
I tell them I don't see as how it's a good idea -- what with the
|
||
|
declining birthrates, the continuously falling bombs, the constant
|
||
|
danger of disfigurement and death -- but I might as well be set on
|
||
|
mute when it comes to registering above the din of the war room. My
|
||
|
thoughts are not considered.
|
||
|
|
||
|
Children, creatures endowed with no special mastery over the
|
||
|
evolved traditions of warfare, are expected to find their own way, to
|
||
|
get in where they fit in, to drive unique footholds into the imposing,
|
||
|
existential mountain dubbed survival. Honestly, I've never considered
|
||
|
this state of affairs to be a cause for concern. I've never shied away
|
||
|
from a difficult climb. Have preferred, in fact, to traverse peaks of
|
||
|
despair, regarding them as nothing more than simple clumps of grass
|
||
|
gathered at my feet. The one permanent handicap I've endured is this
|
||
|
responsibility to my cousin, William, who is so young, who cannot even
|
||
|
fend for himself. Others of his age are expected to survive by dint of
|
||
|
their own industriousness. William, for his part, is basically
|
||
|
immobile. Self-sufficiency has been altogether ruled out.
|
||
|
|
||
|
The war effort consumes most of the adults' attention. Slowly,
|
||
|
William and I have been pushed from one room to another, down long
|
||
|
hallways and through half-open doorways, with barely any recognition
|
||
|
paid to how we are being treated. No one includes us or keeps much
|
||
|
track of us now that the fighting has percolated into the city. With
|
||
|
new air strikes arriving daily we are the least of the adults'
|
||
|
concerns.
|
||
|
|
||
|
I work with what I am given.
|
||
|
|
||
|
It is in these streets that I have learned my trade, have begun to
|
||
|
earn my keep. I've developed an affinity for commerce -- an aptitude,
|
||
|
you might say -- and happily contribute a percentage of my earnings
|
||
|
back into the household. Apparently, I am a natural born hustler. So
|
||
|
says my uncle. It has come to the point where I'm afraid the adults
|
||
|
will finally realize their neglect. It is conceivable that they may
|
||
|
even forbid us, William and myself, to leave the compound on our own.
|
||
|
This would negatively impact revenues, which would be unacceptable. It
|
||
|
would also harm our family's standing in the community, which would be
|
||
|
equally unacceptable. My products are in high demand. It is with a
|
||
|
constant awareness of this precarious balance that I, over these past
|
||
|
few months, have striven to make the skills of the street my own. I
|
||
|
have adapted myself to its unsteady rhythms, mastered its sundry
|
||
|
particulars, balanced weight through the hood until my various
|
||
|
criminal activities have become as second nature to me, a collection
|
||
|
of reflexive actions as simple as walking into the kitchen or emptying
|
||
|
my bladder. This sympathy with the tidal nature of currency is hard
|
||
|
won, but it allows me to function freely, wholly invisible to the
|
||
|
financial surveillance algorithms employed by HQ. I should say,
|
||
|
invisible so long as I remember to hold back that reasonable
|
||
|
percentage for the family. It is true, my triple-a reputation would
|
||
|
quickly dissolve into scandal if ever I became so sloppy as to arouse
|
||
|
the interest of my father's men. Let us observe, then, that my
|
||
|
operations have never attracted their attention.
|
||
|
|
||
|
Add to my already formidable grip the legitimate pay from William's
|
||
|
promenades, and I'm already better than halfway to my new shield
|
||
|
jacket. I count it as a demonstration of my utility that I'm able to
|
||
|
provide my own armor. A new shield jacket would doubtless preserve me
|
||
|
through countless future crises (that is to say, if I'm not found
|
||
|
skewered by shrapnel before the thing is even delivered). Thus I have
|
||
|
concluded that even my supposedly lamentable character traits (such as
|
||
|
my unquestioning greed) may, at last, be construed as facets of pious
|
||
|
virtue. Until I am allowed to participate in weapons training, I will
|
||
|
content myself with the paper chase. I will gild the runway. Keeping
|
||
|
William and myself alive is merely the start of what I hope to
|
||
|
accomplish.
|
||
|
|
||
|
I assume that Mother and Father are cognizant of all this, to some
|
||
|
degree. In my view, this whole bang-up -- the war -- is simply an
|
||
|
excuse to seek out and extract ever larger sums of money from the tax
|
||
|
base. The whole conflagration merely serves to increase trade, which
|
||
|
serves to increase tax revenues, which results in more war.
|
||
|
Fortunately for me, the family doesn't seem too keen on auditing my
|
||
|
activities. The fact that my relatives' economic interests are
|
||
|
currently seen to overlap with my own is a kind of happy accident,
|
||
|
perhaps of the sort depicted in children's cinema, or in certain of
|
||
|
the ancient, sequentially illustrated pamphlets collected by my
|
||
|
father. In reality, my family's enlightened self-interest drives a
|
||
|
free exchange of goods and services, a marketplace that in turn
|
||
|
benefits the entire community. My own present activities, in spite of
|
||
|
the myopic moral objections offered by my sister, contribute to this
|
||
|
aggregate effect. Taxes (and thus, war) are merely inevitable. Yes,
|
||
|
I've done some reading on the topic. I readily admit. But the ideas
|
||
|
I've argued with Father stand on their own, heedless of any
|
||
|
pseudo-intellectual hem-hawing. I dare say that they are self-evident.
|
||
|
If only I could get him to understand: even in wartime, altruism is
|
||
|
_beside the point._
|
||
|
|
||
|
The kid in the cart doesn't realize I'm only in it for the money.
|
||
|
He digs his fingernails into the palm of my hand, obviously frightened
|
||
|
by the noises on the street. We round a corner and a rather large
|
||
|
building comes apart right in front of us. He buries his face into my
|
||
|
coat just as we're pelted with a boiling shock wave of dust. For some
|
||
|
reason he looks to me for protection. Of course, this toddler's
|
||
|
intellect is incapable of assessing the true complexity of our
|
||
|
situation -- he's not yet up to the task of cynical apprehension --
|
||
|
but perhaps in the end he is right to place his faith in me. It is
|
||
|
unquestionably within the realm of my interests to ensure that he
|
||
|
survives these trips to the surface. The profit motive is clear. It's
|
||
|
right there in my contract.
|
||
|
|
||
|
I pause to reflect on the brilliant symmetry of our arrangement and
|
||
|
it dazzles me all over again. I cannot help but marvel as I trace its
|
||
|
subtle mechanism: William survives; I profit.
|
||
|
|
||
|
I strive to gather my thoughts.
|
||
|
|
||
|
The dizzying effect persists, even as large sheets of smart glass
|
||
|
are de-integrating everywhere around us. A rapture similar to my own
|
||
|
seems to have overtaken William. I am enthralled as he adopts a
|
||
|
distant, distracted gaze, his jaw falling slack almost against his
|
||
|
shirt. He is serene now in his repose, more contented than either of
|
||
|
us have any right to be, given the circumstances.
|
||
|
|
||
|
I believe that my hand, which he continues to grip quite tightly,
|
||
|
is starting to bleed onto my trousers.
|
||
|
|
||
|
Torn from my reverie, I reply with a gentle squeeze, communicating
|
||
|
to William that we are going to be all right. I guide his chair across
|
||
|
the street, away from the perambulating dust cloud that by now has
|
||
|
puffed up its chest to encompass half of the block. If the trailing
|
||
|
wisps of this mess are not to gum up the works of William's chair,
|
||
|
we'll need to find our way into a shop or an office or a foyer rather
|
||
|
quickly.
|
||
|
|
||
|
|
||
|
Adults are hurling themselves to an fro, generally kicking up more
|
||
|
commotion than is warranted by the simple demolition of a midtown
|
||
|
office building. I reign in young master William and tether him to a
|
||
|
banister, then set off to fetch an adult. In short order I'm
|
||
|
breast-stroking through a sea of white lab coats. It is clear to me
|
||
|
now that we've ended up in some sort of medical clinic.
|
||
|
|
||
|
It takes only a moment to evaluate the new surroundings, and I
|
||
|
remain lucid enough not to dust myself off before approaching one of
|
||
|
the nurses. That would be tantamount to chucking one of my tools into
|
||
|
the trash.
|
||
|
|
||
|
"There's just no end to it," I hear one of the doctors remark,
|
||
|
circumnavigating the perimeter of a nearby cubicle. His voice is
|
||
|
filled with work-a-day resignation. I rotate my body to face him so
|
||
|
that I might appraise him visually.
|
||
|
|
||
|
Half a second passes. His profile fits, so I launch myself
|
||
|
purposefully in his direction. I'm going to try to smear hand prints
|
||
|
onto his coat before he has a chance to form a dispassionate
|
||
|
impression of me. Once I've struck, he'll be forced to take in my
|
||
|
appearance, to consider my circumstances. The ploy is guaranteed to
|
||
|
work, given his type.
|
||
|
|
||
|
"This spamming war just goes on and on."
|
||
|
|
||
|
His remark is sympathetic in nature. I take his words as an obvious
|
||
|
cue to redouble my approach velocity, step fully into the field of his
|
||
|
vision and wipe my arms across his chest, submitting my filthy
|
||
|
clothing and runny nose for his inspection.
|
||
|
|
||
|
"Excuse me, sir, might I inquire as to what it is that has just
|
||
|
taken place, out on the street?"
|
||
|
|
||
|
I let the question hang there, resonating in the stale clinic air.
|
||
|
I'm play-acting now as if I'm stupid, asking after that which I'm
|
||
|
clearly not equipped to understand. He buys into this mailbox full of
|
||
|
spam because I'm merely a child, seven years of age, and therefore,
|
||
|
self-evidently, not yet sophisticated enough to mount a motivated
|
||
|
deception.
|
||
|
|
||
|
Oh, the folly of experience.
|
||
|
|
||
|
I tilt towards him perceptibly, making sure he takes notice of my
|
||
|
garb. His eyes fall upon me in silence and then there is a gap of some
|
||
|
seconds before I finally detect a twinkle in the center of his
|
||
|
mechanical eye. At last, he's picked up on it. He's located the
|
||
|
transceiver. He's got a make on my ID.
|
||
|
|
||
|
This, of course, changes everything. His demeanor, not thirty
|
||
|
seconds ago the sort of bemused half-attention one pays to a
|
||
|
poverty-stricken child, is now replaced with that of a Green hobo
|
||
|
ready to snatch a million dollar bill from the Church collection
|
||
|
plate. I am well acquainted with this shift in disposition,
|
||
|
immediately recognize his "tell," and so may now reflect that my
|
||
|
gambit is almost certainly working.
|
||
|
|
||
|
"Well, hello there, young fellow!"
|
||
|
|
||
|
He dings my helmet.
|
||
|
|
||
|
"You see, recently, some _bad men_ have taken it upon themselves to
|
||
|
provide our city's skyline with a series of aesthetic improvements.
|
||
|
You may learn in school, in the coming years, about a social
|
||
|
interaction often referred to -- referred to _in the literature,_ that
|
||
|
is -- as _politically motivated violence._ Or, for short, PMV."
|
||
|
|
||
|
"Splendid and fascinating!" I exclaim, masking a considerable
|
||
|
amount of mental activity with a merely adequate portrayal of
|
||
|
child-like wonder.
|
||
|
|
||
|
Allow me to explain. Throughout the preceding scene my mind has
|
||
|
been occupied, simultaneously, on three fronts: affecting to extract
|
||
|
details of the bombing attack without also giving away my real aim;
|
||
|
shuffling through numerous possible _non sequiturs_ with which to
|
||
|
counter his inane stammering, none of which must come across as
|
||
|
excessively practiced lest I inadvertently alert him to the fact that
|
||
|
I'm on the grift; and, to complicate matters, keeping an eye on what's
|
||
|
going on around us in the office, paying particular attention to my
|
||
|
physical location relative to all possible exits. It has only been in
|
||
|
situations like this that I have, after so many years, felt well and
|
||
|
truly engaged with the world. A fickle melancholy now descends over
|
||
|
me, and I resist the urge to withdraw, to run outside, to find myself
|
||
|
peering over the railing and thoughtfully evacuating my stomach.
|
||
|
Characteristically, I maintain my hold on the situation. I press on.
|
||
|
|
||
|
The doctor, for his part, sinks into a portrait of exquisite
|
||
|
confusion.
|
||
|
|
||
|
"Say, son, what _are_ you two doing in my clinic?"
|
||
|
|
||
|
William's chair is knocking back and forth, gently, blissfully
|
||
|
unaware of the limits set by my tether. I turn my eyes back to the
|
||
|
doctor very slowly, straightening my posture and raising my voice.
|
||
|
|
||
|
"Sir, I was carting around my little brother here when the building
|
||
|
at 25765 St. Aecstopher's Cross did fall down nearly on top of us. I'm
|
||
|
afraid I have sustained some sort of injury, as my arm seems to have
|
||
|
gone missing."
|
||
|
|
||
|
I do the trick with my shoulder, slipping my arm, and he gasps as
|
||
|
it re-appears in my sleeve. Absentmindedly, I look down and say, "Oh,
|
||
|
_there_ it is."
|
||
|
|
||
|
He fails to laugh. Instead, he puts in a respectable effort to
|
||
|
wrinkle his eyebrows, to grow more visibly concerned. Privately, I
|
||
|
want to be disappointed with this reaction, to ask him if somehow the
|
||
|
humor hasn't translated, but I _will not_ break character over a single
|
||
|
flat joke.
|
||
|
|
||
|
|
||
|
Now, this fellow knows when he smells a five-star dinner. He's
|
||
|
recognized which house we're from. Dad's pressure screen is probably
|
||
|
glowing red even as we commence negotiations. I think I can actually
|
||
|
feel the chips twitching in my wrist and neck, as both regions are
|
||
|
crying out to be scratched. Or maybe it's just my allergies.
|
||
|
|
||
|
Without warning, something seems to click into place in the
|
||
|
doctor's head. He lunges towards me.
|
||
|
|
||
|
Almost before I can unlatch William, the man's taken me up into his
|
||
|
arms, ferrying me into an examination room. He unloads me gently onto
|
||
|
a table and smooths me onto its stiff, white paper. A microwave sweep
|
||
|
to stem the spread of various bacteria. It will be interesting to
|
||
|
learn which perilous -- though certainly, at this clinic, treatable --
|
||
|
ailment he has diagnosed me with, now that he realizes I've membership
|
||
|
in a truly superlative insurance program. That's when he notices my
|
||
|
eyes.
|
||
|
|
||
|
"Son --" His own eyes get stuck gliding over William's gilded
|
||
|
chair. "Son, are you... _blind?"_
|
||
|
|
||
|
"Of course I'm blind, you jack-ass!"
|
||
|
|
||
|
Okay, here I will admit that I've broken character and degenerated
|
||
|
into an emotional outburst. I wrench my face back into a pathetic sulk
|
||
|
and twitch only once, trying to restore equilibrium. I remind myself
|
||
|
to act my age. Let _him_ guide the scene.
|
||
|
|
||
|
"How long have you been wandering the streets out there, without
|
||
|
being able to see where you're going?"
|
||
|
|
||
|
An easy one.
|
||
|
|
||
|
"It's never really been an issue. I mean, I seem to know my way
|
||
|
around the neighborhood pretty well. Everyone here knows _me._
|
||
|
And twenty-twenty vision isn't a panacea against belly-flopping
|
||
|
architecture, as I think was proved out there today."
|
||
|
|
||
|
"Hm. I suppose it was. I admit, you do seem capable. But still,
|
||
|
blindness is a serious complaint for one who spends so much time
|
||
|
outdoors. I would imagine it's also quite demoralizing, when your
|
||
|
obstructed vision is rated against that of your peers, wouldn't you
|
||
|
agree?"
|
||
|
|
||
|
Like I said, I'm a million dollar bill lying face-up on the
|
||
|
sidewalk.
|
||
|
|
||
|
Presently, he claps me into another chair, this one missing the
|
||
|
sanitary strip of paper, and begins attaching things to my face. I
|
||
|
open my mouth to try another approach but he simply reaches down and
|
||
|
plugs it with a wad of medical gauze. I suppose we'll have to continue
|
||
|
our discussion once he's finished tinkering with my eyes.
|
||
|
|
||
|
|
||
|
He's a few hours getting on with it, and so by the time he's taken
|
||
|
down my numbers and confirmed them multiple times against his network
|
||
|
queries, William and I are left to amble along home. Once again I have
|
||
|
to point out: here we are, children, alone on the streets after dark,
|
||
|
where a war is still being waged. (Admittedly, the firing usually
|
||
|
stops when the sun goes down.) Sure, plug me into a machine to fix my
|
||
|
eyes, and then send me right back out into the war zone. What was the
|
||
|
point? I could just as easily have enjoyed this kind of treatment from
|
||
|
the boys back at HQ. In any case, I have now been outfitted with an
|
||
|
outlandish plastic headband. It encircles the top half of my face and
|
||
|
displays a pleasant array of colored shapes, monochrome to onlookers
|
||
|
and passers-by. Aside from the cosmetic effects, my vision seems
|
||
|
unchanged.
|
||
|
|
||
|
We exit the clinic without having gathered any useful intelligence.
|
||
|
Ditto for the tally of unburdened currency we have to show for our
|
||
|
trouble. No doubt this will have been a complete waste of an
|
||
|
afternoon, distinguished only by the irritation of a needless medical
|
||
|
procedure. I've wasted a lot of time that could have been devoted to
|
||
|
shoring up my grip. William looks up at me, visibly disappointed.
|
||
|
|
||
|
At an intersection, I am surprised to note that I can now see
|
||
|
things I have never been able to see before.
|
||
|
|
||
|
In some ways it is confusing, this trying to peer between the fat
|
||
|
cubes of light that gyrate before my eyes. At first I am not quite
|
||
|
sure how to adjust, even as I attempt to keep walking. Slowly the
|
||
|
input begins to make sense; to help, rather than hinder, my
|
||
|
navigation.
|
||
|
|
||
|
On balance, I will say that there is much to recommend in these
|
||
|
additional streams of information, all dancing betwixt each other and
|
||
|
pouring unstoppably into my face. The interface is intuitive,
|
||
|
hands-free. I can see where such a device could be considered useful.
|
||
|
I'm even getting telemetry now from HQ. What has this motherspamming
|
||
|
optometrist _done_ to me?
|
||
|
|
||
|
|
||
|
I seem to have gotten quite a ways down the street on my own. I've
|
||
|
inadvertently left William back at the intersection, his chair bobbing
|
||
|
in sync with the traffic. When I return to his side I see that he has
|
||
|
pulled out his knapsack and begun to tear off little strips of paper,
|
||
|
creasing them into slim, rectangular folds that bear a striking
|
||
|
resemblance to illegal tobacco cigarettes. He offers one to me and I
|
||
|
accept, gripping it between my second and third fingers, leaning back
|
||
|
against the enormous smart glass windows of the FIRST MULTINATIONAL
|
||
|
BANK. Eventually, I bring the sliver of paper up to my lips, deftly
|
||
|
feigning inhalation. Smooth flavor...
|
||
|
|
||
|
William looks up at me with those preposterously large eyes of his
|
||
|
and, for the first time today, puts forth the effort to straighten out
|
||
|
his spine and stutter a few words. In spite of the pain it causes him
|
||
|
he wants to speak to me. You have to admire his grit.
|
||
|
|
||
|
"T-T-Thomas, it's been a fun day, and it is r-r-rather late --
|
||
|
_ungt!_ -- but, if it's all the same to you... I... I would prefer that
|
||
|
we tarry here for a while, and p-p-pickle in the ebb and flow of
|
||
|
the... c-c-cool night air."
|
||
|
|
||
|
I raise my cig to him and nod respectfully. We both jump as a
|
||
|
building collapses, somewhere off in the distance. On this night, the
|
||
|
city will not be afforded its usual dusk-to-dawn reprieve.
|
||
|
|
||
|
Gingerly, I work the length of gauze out of my mouth and begin to
|
||
|
unroll its damp wad of fabric onto the sidewalk. William's glassy eyes
|
||
|
reflect a light that seems to originate from no obvious source. He
|
||
|
recognizes what it is I've managed to smuggle out of the doctor's
|
||
|
office. There is more here than just the blood and spittle sopped up
|
||
|
by the rags.
|
||
|
|
||
|
A selection of tiny hand tools glistens in the light of the street
|
||
|
lamp. These are the final pieces we'll need to render our
|
||
|
reverse-engineering shop, hidden for now in a vacant ammo closet on
|
||
|
the sixth level, fully operational. Once I can get a hold of a few
|
||
|
more classified schematics, we can begin undercutting the importers
|
||
|
and kick our minuscule operation into full gear. We'll even be able to
|
||
|
outfit William's chair with its own shield jacket and an independent
|
||
|
comms package, all of our own design. No more relying on the adults or
|
||
|
outsiders for our gear.
|
||
|
|
||
|
I briefly consider cutting Father in on this action. The notion is
|
||
|
dispersed by the echoes of mortar fire reverberating across the river.
|
||
|
Try as I might, I know he just couldn't be made to understand. This
|
||
|
world we've arrived at, crowning from the great, vaginal maw of
|
||
|
nothingness bequeathed to us by our ancestors, brooks no quarter for
|
||
|
the elderly, or for those sad individuals still nostalgic for the
|
||
|
unambiguous adversaries of eras past. Pop would be happier lobbing
|
||
|
rounds at the enemy, clawing defiantly as he sinks into his grave,
|
||
|
still convinced he's making some sort of falsifiable, empirical
|
||
|
contribution to his generation's most momentous struggle.
|
||
|
|
||
|
What a load of bollocks. Dad has wasted his entire life on this
|
||
|
nonsense.
|
||
|
|
||
|
I decide it's best to keep my opinions to myself. William tends to
|
||
|
be sentimental when it comes to family.
|
||
|
|
||
|
Speaking of which, the boy has gotten busy, grunting and drooling
|
||
|
onto his shirt. All evidence of his brief flash of lucidity is gone,
|
||
|
vanished. Might as well never have happened. He's making a mess of his
|
||
|
clothing.
|
||
|
|
||
|
I snatch up the little bundle of tools before he spoils them.
|
||
|
Sometimes you wonder why you even bother. With William, the sentiment
|
||
|
is amplified. I suppose I do feel for him.
|
||
|
|
||
|
We're both of us looking forward to the end of this war.
|
||
|
|
||
|
No, really. Hear me out.
|
||
|
|
||
|
I've grown weary of the grind. I want to be free of William, free
|
||
|
of this duty.
|
||
|
|
||
|
I worry that the adults have already compromised our security. I
|
||
|
can't imagine the Green insurgents will ever give up. Do you see what
|
||
|
I'm saying? It's frustrating that the family pursues this stagnant
|
||
|
vision of religious purity. We can't all be ideologues. Or not of the
|
||
|
type my father admires, anyway. We have to be in this to win it. We
|
||
|
have to get in where we fit in. And that might not include the Church.
|
||
|
|
||
|
For now, I suppose, I'm content to focus on having a smoke and
|
||
|
getting rich.
|
||
|
|
||
|
I'm convinced it's the only way I'm going to survive.
|
||
|
|
||
|
|
||
|
VISOR TECHNOLOGY
|
||
|
|
||
|
tags: 1964, actron, tab1, tab2, the_chief
|
||
|
|
||
|
The new gear seemed to suit Tommy fine.
|
||
|
|
||
|
Indeed, over the past month he'd hardly complained. The visor
|
||
|
allowed him to dominate. Sometimes even with the older boys. Now, he
|
||
|
came home with money in his pocket.
|
||
|
|
||
|
He still hadn't been drafted.
|
||
|
|
||
|
When I'd sent him to the clinic, I was only vaguely aware of what
|
||
|
they might install in his head. This modern equipment was beyond my
|
||
|
expertise. Above my pay grade, as we used to say. Now, it looked as if
|
||
|
some improvements had been pushed to Tommy's firmware, even in the
|
||
|
last fifteen minutes. All I could do was shake my head.
|
||
|
|
||
|
The tactical advantage was clear. I was just glad HQ had agreed to
|
||
|
pay for it all.
|
||
|
|
||
|
|
||
|
Reagan was starting to concern us. Would he poison the public on
|
||
|
Bush? J. K. Rowling might run for President in 1968. Naturally,
|
||
|
something had to be done.
|
||
|
|
||
|
I decided to involve Tommy. I was allowed complete discretion when
|
||
|
it came to personnel. I thought that with the enhancements he'd prove
|
||
|
useful. At least as useful as before.
|
||
|
|
||
|
And he had been pretty useful, before.
|
||
|
|
||
|
I got him out of bed and brought him in to work.
|
||
|
|
||
|
|
||
|
The Chief was having a bit of a problem with a can of bi-partisan
|
||
|
gravy.
|
||
|
|
||
|
"I can't get this spamming thing opened."
|
||
|
|
||
|
Tommy quickly found a weak spot in the can's lid, using his visor.
|
||
|
"No problem," he said, and opened the can.
|
||
|
|
||
|
"Next time, I'll just go with the low-fat deli shtick."
|
||
|
|
||
|
"None of that stuff is very good for you," Tommy chided.
|
||
|
|
||
|
The Chief could only roll his eyes.
|
||
|
|
||
|
|
||
|
"Well, shit on my Christmas! The boy's found another one."
|
||
|
|
||
|
Campaign contributions. We'd put Tommy on the trail of J. K.
|
||
|
Rowling's backers. The financial streams were now running through the
|
||
|
boy's system. He was even better at this than the machines.
|
||
|
|
||
|
"It's old man Jerrymander."
|
||
|
|
||
|
"The Molds," I said, making eye contact with Tommy.
|
||
|
|
||
|
We'd had a hell of a time keeping this guy out of the race.
|
||
|
Strictly speaking, he wasn't even legal; an immigrant from some border
|
||
|
state that had been excluded from the new American union. But he'd
|
||
|
leveraged his wealth to rig local rules in one of the communities he
|
||
|
controlled. We'd missed it before it was too late. It had caused some
|
||
|
friction here at HQ. Who was to blame? We all had a bit of a problem
|
||
|
with Mold's politics.
|
||
|
|
||
|
"So I guess if he can't run, he'll put up a guy who can. Sounds
|
||
|
like a good strategy to me."
|
||
|
|
||
|
"No, not analysis," I ordered. "You concentrate on the streams."
|
||
|
|
||
|
"Yes Father," Tommy replied.
|
||
|
|
||
|
|
||
|
After a while he seemed to tucker out. I brought up some comic
|
||
|
books on my leaf and sent him over to a corner. The Chief had allowed
|
||
|
his own son to tag along that day, and so the two of them spent a few
|
||
|
hours together, chewing on slices of lunch meat and catching up on
|
||
|
back issues of ACTRON. Harmless entertainment, in my opinion.
|
||
|
|
||
|
But Tommy had hit on something important. If Jerrymander Mold
|
||
|
really was angling again to get his claws into the election, we could
|
||
|
expect a lot of activity down south in the next few weeks. It was
|
||
|
likely the attacks on the city would only intensify.
|
||
|
|
||
|
The boy's visor had amortized in only a month.
|
||
|
|
||
|
|
||
|
PAPER WINTER
|
||
|
|
||
|
tags: 1966, mother, tab1, tab2, violet
|
||
|
|
||
|
Violet's Diary
|
||
|
|
||
|
1 October 1966
|
||
|
|
||
|
It had all crumpled. Violet moved her eyes across the sky but could
|
||
|
not find its edges, the corners of a vast, dirty sheet of paper that
|
||
|
canopied the entire city. Fibrous swirls stirred and unrolled before
|
||
|
her, contriving illusions of focus. Violet stared silently past the
|
||
|
rooftops, ignoring the city and directing her gaze forward into space.
|
||
|
Or rather, she thought, she _would_ have been staring into space, if
|
||
|
not for this endless, sprawling white that inevitably drew one's eyes
|
||
|
back into the soot. Her mask observed the scene with detachment. On
|
||
|
its face, it did not register whether Violet felt one way or the other
|
||
|
about the situation. More broadly, about anything at all. The lack of
|
||
|
visibility was of personal concern, to be sure; but it was nothing
|
||
|
that should mar Violet's appearance to others. The mask was certain of
|
||
|
this. After all, Violet had configured the settings herself.
|
||
|
|
||
|
Violet turned away from the window and directed her face towards
|
||
|
the central corridor of her family's apartment. A line of green
|
||
|
squares tracked her hand as it traveled from the window back down to
|
||
|
her side. Turning in bright arcs, the dots of color followed by
|
||
|
half-steps, floating gradually closer to the reflector on the opposite
|
||
|
side of her body. Chimes had sounded, there in the room, and Violet
|
||
|
knew at once that she was meant to answer the door as quickly as
|
||
|
possible. Her mother had not yet emerged from her preening room, her
|
||
|
father was still in his bath, probably drinking, or perhaps by now
|
||
|
bloodying his hands on the broken pieces of his bourbon glass. She
|
||
|
could not slump any further without endangering her balance, so she
|
||
|
straightened herself, careful not to put any undue strain on her
|
||
|
stabilizers. Finally, this action prompted her mask to register a
|
||
|
minute change in her facial expression. Inside, a joint clicked.
|
||
|
|
||
|
"My back feels like it's being folded into paper airplanes," she
|
||
|
muttered into her faceplate.
|
||
|
|
||
|
Presently, there emerged between the doorway's mechanical lips a
|
||
|
familiar, angular-faced woman, who reeked alternately of whiskey and
|
||
|
of the orchids that were pinned to her billowing yellow coat. Violet's
|
||
|
grandmother swept into the apartment and at once commenced to critique
|
||
|
the child's appearance. She was able to issue several disconnected,
|
||
|
declarative statements before being overcome by the rolling contours
|
||
|
of her own formal wear. Violet giggled. This animation of the old
|
||
|
woman's garb was not without its effect. Soon enough, bony hands
|
||
|
pushed through the bright folds of cloth and found purchase on
|
||
|
Violet's arm. The hands proceeded to travel. Violet's fingers were
|
||
|
studied at length before it was stated authoritatively that she would
|
||
|
now turn over her tobacco pouch and put away her pipe. Nicotine, her
|
||
|
grandmother said, stains the hands.
|
||
|
|
||
|
When Grandmother fled the seclusion of her estate, which was by now
|
||
|
quite seldom, she would insist upon stowing a small animal within the
|
||
|
sleeves of her baroque accouterments. As a matter of course, one such
|
||
|
animal was present today. The _Shih Tzu_ nipped wildly at Violet's mask
|
||
|
as she leaned forward to embrace the old woman around her waist.
|
||
|
Violet made no attempt to pull away from her grandmother or from the
|
||
|
dog. Her mask maintained its aloof composure, sensors indicating that,
|
||
|
beneath its porcelain exterior, Violet's flesh likewise held close to
|
||
|
its default settings.
|
||
|
|
||
|
The formal greetings finally concluded, Grandmother seated herself
|
||
|
and began smoothing out the creases in her dog's black velvet dress. A
|
||
|
spate of frivolous conversation ensued; meaningless, serving only to
|
||
|
mark the passage of time and to calm the old woman's nerves until at
|
||
|
last she would be reunited with her son.
|
||
|
|
||
|
|
||
|
Brill cream.
|
||
|
|
||
|
A wristwatch.
|
||
|
|
||
|
He was now able to make out a lot of what was there, sitting on the
|
||
|
bathroom shelf. Paper-white reflected in the mirror, streaming in from
|
||
|
the window. It was snowing. It was daylight again. Still?
|
||
|
|
||
|
A buzzer. His face seemed permanently affixed to the bathroom
|
||
|
floor. Two or three of his teeth scratched along the tiles and
|
||
|
vibrated in sympathy with whatever that racket was, echoing down the
|
||
|
hall. A pool of saliva had formed around his chin. Slowly, he came to
|
||
|
the realization that the current arrangement of his limbs was
|
||
|
uncomfortable.
|
||
|
|
||
|
When his arms didn't work, he shifted attention to his legs. He
|
||
|
pushed himself over to the door and noticed that it remained locked
|
||
|
from the inside. Still, it was a no-go on getting it to open again. At
|
||
|
this point he couldn't even pull his arms up off of the floor, much
|
||
|
less manipulate a key.
|
||
|
|
||
|
Movement in the hallway flagged his attention as a whole set of
|
||
|
keys (worn externally) brushed the doorknob in passing. The sound
|
||
|
passed very quickly. Presumably, Violet, on her way to the kitchen.
|
||
|
|
||
|
Just then, the remainder of last night's double-malt scotch
|
||
|
flickered into view, diffracting the snow-light and catching his eye.
|
||
|
The bottle lay motionless in a blurry field of illumination, an
|
||
|
unconvincing square of warmth let in by the bathroom window. He
|
||
|
realized then that the odds were narrowing with regards to his
|
||
|
non-functional arms. Oh no, not again. He lunged wildly and tried to
|
||
|
chew the words out of his mouth, protesting the locked door,
|
||
|
proclaiming his innocence, but instead of the familiar taste of his
|
||
|
own lies, his tongue caught on a jagged fixture of gauze and surgical
|
||
|
tape. Fragments still wedged into the space where a molar had lived.
|
||
|
|
||
|
He popped several fasteners by artificially expanding his belly and
|
||
|
got out of his suspenders and Italian pants. The shirt and vest had
|
||
|
become a straight jacket, detaining him against his will; flailing
|
||
|
around on the mat beneath the sink, he tried to squirm out of them.
|
||
|
Finally down to his underpants, he slid over to the bathtub and pushed
|
||
|
himself up, over its lip, into the gaping, porcelain mouth. The water
|
||
|
was quite warm, as far as he could tell. The porcelain, cold.
|
||
|
|
||
|
Head upside-down, hanging over the edge of the tub, he could just
|
||
|
make out a snow drift on the neighbors' roof. He had to stop then and
|
||
|
laugh because it looked like the house was wearing a beard.
|
||
|
|
||
|
He had been awake for close to half an hour. It should have taken
|
||
|
no more than four seconds (at the outside) for his arms to come back
|
||
|
to life, but the scotch was complicating matters. His shoulder gave an
|
||
|
inch, and a splinter of pain shot through his elbow, shattering
|
||
|
violently at his wrist.
|
||
|
|
||
|
Motor functions had still not returned to his arms.
|
||
|
|
||
|
A pounding came at the door and it was faster than he could sink
|
||
|
his bottle into the tub. The soapsuds were mostly dispersed now,
|
||
|
traveled behind his legs and back. He realized, too late, that his
|
||
|
glass was still on the sink. None of this would look good to Violet.
|
||
|
He hoped it was the boy.
|
||
|
|
||
|
The lock clicked, and turned, and then the heavy wooden door swung
|
||
|
inward.
|
||
|
|
||
|
Appearing at the foot of the tub was his nine year old son, head
|
||
|
poking through the shirt Thomas had struggled to tear out of only
|
||
|
moments before. It fit him like a circus tent. The boy was completely
|
||
|
oblivious to his father's predicament.
|
||
|
|
||
|
"Dad," he said. "The Vice President will arrive soon."
|
||
|
|
||
|
_Soon,_ he thought. But Thomas could not yet speak. He was too
|
||
|
drunk.
|
||
|
|
||
|
Presently, his wrist began to turn, forming his hand into a fist
|
||
|
beneath the water. His grip was so tight that it drew blood from the
|
||
|
skin graft stretched around his palm. He could hear some nonsense
|
||
|
about Redaction Day dinner from a telescreen three rooms away. If his
|
||
|
mouth had been working, he would have screamed for them to turn the
|
||
|
damned thing down. So loud.
|
||
|
|
||
|
His mother would arrive within the hour, no doubt with her husband
|
||
|
in tow. He hadn't even wanted them to know where he lived.
|
||
|
|
||
|
The Vice President. The spamhole.
|
||
|
|
||
|
Now, where were his pants.
|
||
|
|
||
|
Again, his kid was waving his arms around like a shot pigeon and
|
||
|
looking as if he had something especially urgent he wanted to say.
|
||
|
|
||
|
_What?_
|
||
|
|
||
|
"Dad!"
|
||
|
|
||
|
He heard a weird grating sound in the left side of his head,
|
||
|
followed by a long hiss that seemed to issue from his own mouth.
|
||
|
Lateral stimuli?
|
||
|
|
||
|
Thomas blinked, involuntarily, and his arms fell off, right into
|
||
|
the bathtub. He heard the _bloop,_ and then he heard them hit bottom,
|
||
|
rolling around underwater. Suds splashed onto the floor and also onto
|
||
|
his cleanly pressed pants, which were right where he'd left them,
|
||
|
draped over the edge of the sink. He looked around, disgusted. How was
|
||
|
he going to get himself out of the tub? His daughter would be livid.
|
||
|
|
||
|
But he was also suddenly sober. In half of a second he'd come fully
|
||
|
awake. Yes, it was not too soon to say he'd hatched himself a
|
||
|
Redaction Day plan.
|
||
|
|
||
|
The idea burned in his mind, seemed to radiate sufficient heat to
|
||
|
alter the temperature of the room. Old favors would be called in. They
|
||
|
would not make a fool of him this year. Things were definitely
|
||
|
starting to look up.
|
||
|
|
||
|
"Tommy, get me my phone."
|
||
|
|
||
|
"Sure thing, Pop!"
|
||
|
|
||
|
Thomas, Sr. looked around the room. He fished in his pants pocket
|
||
|
and found the other flask.
|
||
|
|
||
|
"Fuck it," he thought, and took another drink.
|
||
|
|
||
|
|
||
|
D.I.V.O.R.C.E.
|
||
|
|
||
|
tags: 1967, margaret, piro, tab1, tab2, the_chief, violet
|
||
|
|
||
|
While we waited for NO/MOAR to calm down, overtime was channeled
|
||
|
into other projects.
|
||
|
|
||
|
Tommy was doing well, he'd started his ops training in the fall. I
|
||
|
had asked to have him assigned to Piro, the son of an old buddy of
|
||
|
mine, and probably the most experienced instructor at the Farm.
|
||
|
Everything seemed to be going as planned.
|
||
|
|
||
|
Then we ran straight into PM/DAWN. I was out of the house for six
|
||
|
months.
|
||
|
|
||
|
|
||
|
Here again, I have to say, Tommy was a big help. On his trips home
|
||
|
he'd advise HQ on tactics. He had a knack for anticipating how the
|
||
|
enemy would respond to our provocations. It was bad of me, but again I
|
||
|
found myself wondering how hard it would be to pull him out of
|
||
|
classes, to get him more directly involved in the operation. He was
|
||
|
shaping up to be our most promising young asset. I stopped worrying
|
||
|
about whether or not he could handle a regular assignment. He was more
|
||
|
than ready; anyone could see it.
|
||
|
|
||
|
But the boy needed to be in school. On this, I honestly agreed with
|
||
|
his mother.
|
||
|
|
||
|
So, we had reached an impasse. I left him where he was.
|
||
|
|
||
|
One day I was catching up on the backlog of paperwork when the
|
||
|
Chief dropped something new on my desk. Immediately, I recognized the
|
||
|
name of my daughter. It was printed there in the byline.
|
||
|
|
||
|
I had never once taken a drink on the clock, but I found myself
|
||
|
wondering after a bottle.
|
||
|
|
||
|
I looked over the folder. It appeared to be excerpts from Violet's
|
||
|
diary, circa 1966. Key portions had been circled, some of them were
|
||
|
flashing.
|
||
|
|
||
|
The phone rang.
|
||
|
|
||
|
It was Violet's mother.
|
||
|
|
||
|
It was my wife.
|
||
|
|
||
|
|
||
|
As I say, I didn't even drink.
|
||
|
|
||
|
I still don't know why Violet wrote it; the bulk of it was
|
||
|
obviously fictional. Some elaborate account of my supposed boozing and
|
||
|
general drunkenness. Wholly fabricated. In any case, the facts were
|
||
|
irrelevant. The girl's mother caught wind of the mention of alcohol
|
||
|
and that was that. It didn't matter that she'd never even seen me take
|
||
|
a drink. We were getting divorced.
|
||
|
|
||
|
I hung up the phone.
|
||
|
|
||
|
Well, this would complicate dealing with PM/DAWN, almost certainly.
|
||
|
|
||
|
I didn't want to draw things out -- I knew the last thing the kids
|
||
|
needed was the added drama of having to wait for me to show up and
|
||
|
take my lumps -- but I needed to make a few stops on the way home. I
|
||
|
realized that, with my few personal belongings, I had very little that
|
||
|
would be of interest to the children. Even Margaret's scriptures said
|
||
|
that this was no way to make an exit from your family. Protocol
|
||
|
required that I turn over, to each of them, some artifact to remember
|
||
|
me by.
|
||
|
|
||
|
Prop-effects from here at HQ were no good; Tommy had spent his
|
||
|
whole childhood playing with them out in the warehouse. He knew they
|
||
|
were junk.
|
||
|
|
||
|
There was nothing of interest in my truck, either. By habit, I kept
|
||
|
it as clean as my office. Briefly, I considered giving Tommy the
|
||
|
vehicle; but then I remembered that he was only nine years old. The
|
||
|
truck was unlikely to be of use to him, at that age.
|
||
|
|
||
|
What else.
|
||
|
|
||
|
The Chief was in, so I couldn't sneak into his office and rummage
|
||
|
through his mess, either.
|
||
|
|
||
|
It looked as though I'd be paying a visit to a GANGSTERMAX theme
|
||
|
store. Find something there. Thus equipped, I could face the children,
|
||
|
explain to them why this would be my last evening living with them at
|
||
|
home.
|
||
|
|
||
|
I hoped that the local branch would have what I needed in stock.
|
||
|
|
||
|
Or at least something approximate.
|
||
|
|
||
|
|
||
|
(18:54) < tommy> trds
|
||
|
|
||
|
(18:54) < tommy> i guess he's not going to be home for a while. you
|
||
|
know, you still have time to change your mind.
|
||
|
|
||
|
(18:54) < violetCRUSH> Oh, fuck him.
|
||
|
|
||
|
(18:55) < violetCRUSH> Mom's not going to stand for this.
|
||
|
|
||
|
(18:55) < tommy> for him being late when he had to stop off at the
|
||
|
store?
|
||
|
|
||
|
(18:55) < violetCRUSH> Haha, no, you idiot. just watch.
|
||
|
|
||
|
(18:55) < tommy> i really wish i could be home to stop you from doing
|
||
|
this.
|
||
|
|
||
|
|
||
|
"An old belt?"
|
||
|
|
||
|
"Son, you know I don't actually drink. But I won his belt twenty
|
||
|
years ago, riding an electric bull."
|
||
|
|
||
|
Tommy's connection cut out, momentarily.
|
||
|
|
||
|
"You were drunk," he resumed.
|
||
|
|
||
|
"Well..."
|
||
|
|
||
|
I was spinning this stuff out of thin air. I hesitated for too
|
||
|
long.
|
||
|
|
||
|
"Of _course_ he was drunk! Can you imagine Dad climbing onto an
|
||
|
electric bull under any _other_ circumstances?"
|
||
|
|
||
|
"This is stupid," Tommy said. "Have you been drinking behind our
|
||
|
backs all of these years or not?"
|
||
|
|
||
|
|
||
|
"An analog microscope? But... _why?"_
|
||
|
|
||
|
"This belonged to me in college, Violet."
|
||
|
|
||
|
"But all the glass has been removed!"
|
||
|
|
||
|
"I... it broke, some years ago."
|
||
|
|
||
|
"I suppose I can use it as a bookend."
|
||
|
|
||
|
"That's my girl. Good thinking. Adapt to the situation at hand."
|
||
|
|
||
|
Tommy cut out, rather abruptly. This time on purpose. He seemed
|
||
|
disgusted with the whole affair. Good, son, put it into your training.
|
||
|
Violet kept trying to resume the connection, but he was gone.
|
||
|
|
||
|
"What a kick in the chest-balls, Dad," Violet said. "You could at
|
||
|
least have bought us something _expensive."_
|
||
|
|
||
|
|
||
|
I cleaned out my den with a minimum of fuss. Most of my gear was
|
||
|
networked and took up little physical space. It wasn't a big job.
|
||
|
Violet helped me pack my things out to the truck.
|
||
|
|
||
|
Margaret never even entered the room. Violet said she was waiting
|
||
|
until I was gone. The sour old bitch.
|
||
|
|
||
|
Well, I don't suppose she deserved that.
|
||
|
|
||
|
"You know I get your room when you're gone," Violet said, elbowing
|
||
|
me in the ribs.
|
||
|
|
||
|
"That's what this is all about, isn't it?" Of all the... I had
|
||
|
finally put it all together.
|
||
|
|
||
|
"And what if it is?"
|
||
|
|
||
|
My only daughter. The sour little bitch. I don't care what you
|
||
|
think, I won't take it back. _She definitely deserved it._
|
||
|
|
||
|
"We'll see if you're still smiling when your brother and I are in
|
||
|
Ohio this summer."
|
||
|
|
||
|
That shut her up. Her training was topmost in her mind. I could cut
|
||
|
her off. Let her sit in my den. _Reading_ about the training.
|
||
|
|
||
|
"You don't know what you're doing, Dad."
|
||
|
|
||
|
And she was right. I didn't.
|
||
|
|
||
|
|
||
|
VIOLET RETURNS FROM THE WOODS
|
||
|
|
||
|
tags: 1967, margaret, tab1, tab2, violet
|
||
|
|
||
|
As I say: at that moment, I had no way of knowing how far it would
|
||
|
go.
|
||
|
|
||
|
Once Violet was sure I had left, she burst out of the house and ran
|
||
|
into the woods, making a production of whatever tears she was able to
|
||
|
muster. She stumbled over a tree limb and managed to tear her
|
||
|
stockings on her way to the ground. For increased verisimilitude she
|
||
|
also affected to scrape her elbow on a rock. Her face (and mask)
|
||
|
contorted accordingly.
|
||
|
|
||
|
Margaret observed all of this from the kitchen window, cursing me
|
||
|
audibly for having driven the girl into the forest. Her fists clenched
|
||
|
stiffly and her arms began to flail about, a spontaneous gesture of
|
||
|
maternal rage. I would have laughed even if I'd been standing there.
|
||
|
Funny. Predictably, she proceeded to bang one of her hands into a
|
||
|
cabinet corner, drawing blood. With this, she sat down on the floor
|
||
|
and began to cry.
|
||
|
|
||
|
Much was made of her injury back at HQ. Some of the guys actually
|
||
|
felt sorry for her.
|
||
|
|
||
|
Ah. My tender-hearted compatriots. Let them sit at the dinner table
|
||
|
with the woman. Then we could talk.
|
||
|
|
||
|
By now the Chief had filled me in on the plan. I would be brought
|
||
|
up on charges before a tribunal. The trial would be pushed through
|
||
|
with a minimum of publicity. In short order it would be decided that I
|
||
|
was to serve out a five year sentence in minimum security. Of course,
|
||
|
I would still operate with relative impunity from my cell. Assignments
|
||
|
would be passed to me via the usual covert methods. Meanwhile, the
|
||
|
divorce would be finalized without me. An Agency lawyer would be
|
||
|
dispatched to handle the case, making sure that the children were well
|
||
|
taken care of. Margaret could fend for herself.
|
||
|
|
||
|
So far, I was unable to offer a single objection.
|
||
|
|
||
|
Next, I would be drummed out of the service. I would be stripped of
|
||
|
my seniority and pension. To compensate, my Turkish accounts would be
|
||
|
reinstated. I would be provided a bottomless slush fund and unlimited
|
||
|
personnel. All requisitions would be rubber-stamped. Best of all, I
|
||
|
would have my pick of assignments from the general pool. (Within the
|
||
|
boundaries of the fall line-up.)
|
||
|
|
||
|
"This is just like Iran," the Chief observed.
|
||
|
|
||
|
And indeed he was right. If they were trying to frustrate me, it
|
||
|
was going to take more than fulfilling every bullet-item on my wish
|
||
|
list.
|
||
|
|
||
|
"So long as we don't get canceled in the first season," I said,
|
||
|
also referring to our defunct Iranian program.
|
||
|
|
||
|
The Chief took my meaning.
|
||
|
|
||
|
|
||
|
The purpose of the divorce/prison subterfuge was to free up vital
|
||
|
Agency resources.
|
||
|
|
||
|
Namely, myself.
|
||
|
|
||
|
The war had tied a number of key assets to specific regional
|
||
|
theaters; a change that had been mandated from the top down. This was
|
||
|
not how the Chief liked to operate. Presidential authority had
|
||
|
encroached upon the Agency's domain, and the Chief was ready to turn
|
||
|
things right-side up again. The only problem was, authority for force
|
||
|
replenishment had not been returned to the Agency.
|
||
|
|
||
|
So, the Chief said, a number of non-essential agents would have to
|
||
|
die.
|
||
|
|
||
|
Others, such as myself, would simply go to prison.
|
||
|
|
||
|
Again, like Iran. Laundering, we called it.
|
||
|
|
||
|
|
||
|
Once she was sure that Margaret had finished the chores, Violet
|
||
|
returned to the house. Streaks of soft mud had accumulated around her
|
||
|
eyelids, conveying the impression of an afternoon spent sitting in the
|
||
|
dust, consumed by uncontrollable sobbing. Remarkably, Margaret herself
|
||
|
was still in tears.
|
||
|
|
||
|
The two females sat at the kitchen table, foreheads touching.
|
||
|
Blubbering and sputtering loudly. I had a leaf close at hand and
|
||
|
immediately began to jot down notes.
|
||
|
|
||
|
I was surprised to notice one of the surveillance operators dabbing
|
||
|
at his own eyelids with a handkerchief. This was an extraordinary
|
||
|
display for a professional. He had obviously failed to detect the
|
||
|
covert communication that was passing between the females of my
|
||
|
household.
|
||
|
|
||
|
I recorded his handle in an adjacent column.
|
||
|
|
||
|
|
||
|
The next day, Violet shared her story on the playground. Her fellow
|
||
|
students were enthralled. Violet had inherited a particular skill at
|
||
|
narrative, it was true. From myself or from her mother I could not
|
||
|
say.
|
||
|
|
||
|
She led her friends over to the reflecting pool in preparation for
|
||
|
her big finale. Her mask wobbled in and out of coherency, but the
|
||
|
other children seemed oblivious to its significance. She had gained a
|
||
|
fuzzy penumbra. Was she having second thoughts?
|
||
|
|
||
|
"My father doesn't know I know this, but... _he's a secret agent!"_
|
||
|
|
||
|
Gasps for air. Unintelligible, involuntary vocalizations.
|
||
|
|
||
|
Here I would have the last laugh: her schoolmates would soon learn
|
||
|
that I was little more than a drunk who had abused his children and
|
||
|
who had been dumped into federal prison for his trouble.
|
||
|
|
||
|
We would see how Violet would recover from this blow to her
|
||
|
credibility.
|
||
|
|
||
|
|
||
|
Relaxing at home, Violet took her time moving her belongings into
|
||
|
my den. Margaret hadn't even complained about the mess. From time to
|
||
|
time, Tommy would stop by. Near the end he could barely contain his
|
||
|
disapproval of the new decor. Pink stripes and red carpeting; plus all
|
||
|
of Violet's junk. But in deference to Margaret's authority, he said
|
||
|
nothing.
|
||
|
|
||
|
It's too bad he didn't speak up. Some friction might have slowed
|
||
|
Violet down.
|
||
|
|
||
|
Emboldened by the great success of her first deception, Violet
|
||
|
would soon go to work on her mother.
|
||
|
|
||
|
|
||
|
KUDEN
|
||
|
|
||
|
tags: 1968, dante, piro, ralph, tab1, tab2
|
||
|
|
||
|
Tommy and his group made their way over to the 9th green.
|
||
|
|
||
|
"This is the 9th green," Piro announced. "Please stack your
|
||
|
lunches, or line them up neatly along the outer edge of the training
|
||
|
area. It would be appreciated if you could put the lunches into your
|
||
|
gear bags, if there is no extra room along the tree line. It will be a
|
||
|
while before we are ready for a snack."
|
||
|
|
||
|
Most of the boys complied.
|
||
|
|
||
|
"Now, if there are no preliminary questions, we can begin."
|
||
|
|
||
|
"Sir," Dante interrupted.
|
||
|
|
||
|
"Yes, Dante?"
|
||
|
|
||
|
"Ralph isn't here."
|
||
|
|
||
|
"Isn't here?"
|
||
|
|
||
|
"He hasn't caught up with us yet. I think he spilled his gear bag
|
||
|
in one of the sand traps."
|
||
|
|
||
|
"I see."
|
||
|
|
||
|
Piro dispatched a pair of camp counselors to fetch Ralph.
|
||
|
|
||
|
"Now. Tommy, please attack Dante with your _hanbo."_
|
||
|
|
||
|
Hesitantly, Tommy rose to his feet. His camp uniform flapped in the
|
||
|
cool breeze. Standing in the darkness, he could no longer make Dante
|
||
|
out against the tree line.
|
||
|
|
||
|
So, improvise.
|
||
|
|
||
|
Tommy lunged wildly, waving his _hanbo_ around like a parade flag.
|
||
|
He ended up taking three or four steps towards where Dante ought to
|
||
|
have been standing. He was starting to wonder if he should adjust
|
||
|
course when he felt what seemed to be a hand brushing against his
|
||
|
visor, which caused him to blink uncontrollably. This disrupted his
|
||
|
movements such that he fell directly onto his face. A beat later,
|
||
|
Dante had tripped over his own _hanbo_ and fallen on top of him.
|
||
|
|
||
|
_"Saru mo ki kara ochiru,"_ Piro said, extending an arm towards
|
||
|
Tommy to help him up. "I see the problem. Because of the darkness, you
|
||
|
are both effectively blind."
|
||
|
|
||
|
"No shit," said one of the other boys.
|
||
|
|
||
|
|
||
|
"Actually," Tommy ventured, "Because of my visor, if I had enabled
|
||
|
the functionality, I would be quite able to see in the dark."
|
||
|
|
||
|
Piro was not impressed. "Yes. Then that explains your fall."
|
||
|
|
||
|
"I tripped! What do you want from me?"
|
||
|
|
||
|
"Get up."
|
||
|
|
||
|
|
||
|
It went on like this for several hours. The nine boys finding any
|
||
|
and every excuse to fall on their asses, and Piro obliging them
|
||
|
happily. I don't know about the Agency, but I was certainly getting my
|
||
|
money's worth. At a certain point, the two older students returned
|
||
|
with Ralph in tow. It had taken them quite a while to coax him out of
|
||
|
the sand trap.
|
||
|
|
||
|
He had lost a contact.
|
||
|
|
||
|
"Ralph. Please. Attack Tommy with your _hanbo."_
|
||
|
|
||
|
"My...? Oh. I left that back at the cabin."
|
||
|
|
||
|
"I see. Here, you may use mine."
|
||
|
|
||
|
"Oh. Well... Sure."
|
||
|
|
||
|
Ralph assumed an offensive posture and then tore off running
|
||
|
towards Tommy. Only, Tommy standing wasn't where he had been, moments
|
||
|
before. _Nothing_ was where Tommy had been. Ralph looked around. It was
|
||
|
nearly pitch black. All he could distinguish in the night was the tops
|
||
|
of the trees. He could not even see his own feet.
|
||
|
|
||
|
Ralph's optic revelation was interrupted by the unlikely sensation
|
||
|
of his left arm being wrenched fully out of its socket. Tommy had
|
||
|
somehow entangled his arm with his own short staff. As Ralph cried out
|
||
|
Tommy sank deeper into his stance, fully applying the technique. At
|
||
|
length he released the pressure and fell back into a defensive stance.
|
||
|
Ralph collapsed to the ground, writhing and spitting, nursing his
|
||
|
damaged limb. Through his tears, he could just make out Tommy's
|
||
|
silhouette, skylined against the clouds above the trees.
|
||
|
|
||
|
"Oh bull_shit,"_ cried Ralph. "I quit!"
|
||
|
|
||
|
|
||
|
Towards the end of the training session, Piro began to pick on
|
||
|
Tommy.
|
||
|
|
||
|
"Tommy, with me."
|
||
|
|
||
|
"Again? But I've gone the last ten times in a row."
|
||
|
|
||
|
"What can I say? You're good at falling. Let's see if you can keep
|
||
|
it up even when you're tired."
|
||
|
|
||
|
"It's a shit parade and you're riding the big float," said one of
|
||
|
the other boys.
|
||
|
|
||
|
Piro triangulated the reverberations and then pointed directly at
|
||
|
the source of the remark.
|
||
|
|
||
|
"You're next."
|
||
|
|
||
|
In the middle of Piro's sentence Tommy launched himself into the
|
||
|
air, a full-body tackle aimed squarely at Piro's chest. He could feel
|
||
|
himself making contact even before it happened. On this, his first day
|
||
|
of training, his confidence as a fighter was already on the rise. He
|
||
|
was a natural not only at strategy, but even at the blunt, physical
|
||
|
stuff.
|
||
|
|
||
|
Piro stepped lightly out of the way of Tommy's assault, digging his
|
||
|
fingers into the slim space between his visor and his face. He twisted
|
||
|
Tommy's body around in a spiral, somehow gaining the leverage to flip
|
||
|
himself over Tommy's back. Next, the equal and opposite reaction:
|
||
|
Piro's movement sent Tommy hurtling over his head into a tree. The boy
|
||
|
went limp and collapsed to the ground, unconscious.
|
||
|
|
||
|
"We're finished here for tonight, boys. We'll meet on the 9th green
|
||
|
again tomorrow, after the cookout. Twenty-three hundred hours, sharp."
|
||
|
|
||
|
Immediately following Piro's departure, Dante rose to the occasion.
|
||
|
He knelt over Tommy's inert body and began to take down his trousers.
|
||
|
|
||
|
"Come on guys. We'll give him a Scottish Samurai while he's
|
||
|
asleep."
|
||
|
|
||
|
|
||
|
CLASS 68
|
||
|
|
||
|
tags: 1968, 1983, dante, piro, ralph, reginald, tab1, tab2
|
||
|
|
||
|
"I hate Ohio! It's crazier than a dick in an ashtray out here!"
|
||
|
|
||
|
"Son, I don't care if the instructor cuts your fingers off. Your
|
||
|
tuition is costing taxpayers money. Think NASA. You suck it up and
|
||
|
make me proud."
|
||
|
|
||
|
"This combatatives SME... Piro. They tell me he has photographic
|
||
|
reflexes."
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Dad..."
|
||
|
|
||
|
"I trained with his father. He'll get you off to a good start.
|
||
|
Learn your basics. Then you can complain."
|
||
|
|
||
|
"I'm experiencing some mild discomfort, Dad."
|
||
|
|
||
|
"I should say you are! Remember, I'm familiar with your physical
|
||
|
stats. The pain will pass."
|
||
|
|
||
|
"Whatever. I guess. My knees feel like toothpaste."
|
||
|
|
||
|
|
||
|
Tommy clicked off and straightened his uniform. Shortly, a tram
|
||
|
would arrive to take the boys bar hopping. First on the itinerary was
|
||
|
THE VULVA POLE. Reginald's idea. Tommy hoped they would have time to
|
||
|
grab a bite to eat before moving on to THE TIZENAUS. Dante's idea. He
|
||
|
spun through his calendar app. Scheduling headaches, even at camp.
|
||
|
|
||
|
"A pigeon can't drop shit if it never flew."
|
||
|
|
||
|
The password was correct. Tommy minimized the lock and a few of the
|
||
|
guys from his class ambled into his room.
|
||
|
|
||
|
Reginald appraised the situation. Tommy was going overt.
|
||
|
|
||
|
"I see. We're assuming the ladies can't resist the uniform."
|
||
|
|
||
|
"Where's Ralph," Tommy asked, smoothing down the front of his
|
||
|
jacket. Reginald always had the freshest gear.
|
||
|
|
||
|
"Fapping in his room again," said Reginald. "We didn't interrupt."
|
||
|
|
||
|
"Just as well," Tommy sighed. "We're all logged out, right?"
|
||
|
|
||
|
"Probably not Ralph."
|
||
|
|
||
|
"Oh right. I guess he doesn't mind that they log everything we do."
|
||
|
|
||
|
"For him, I think that's part of the appeal."
|
||
|
|
||
|
|
||
|
Click. Click.
|
||
|
|
||
|
Shoulder almost out of joint.
|
||
|
|
||
|
Piro eased the pressure only slightly, but it was enough for Tommy
|
||
|
to snake out of his hold.
|
||
|
|
||
|
"You had better hope you didn't let me go on purpose. Sir."
|
||
|
|
||
|
Piro didn't answer, so Tommy continued.
|
||
|
|
||
|
"I guess you didn't see that coming. It's a little something I've
|
||
|
been working on with the guys. _I must create a system or be enslaved
|
||
|
by another man's."_
|
||
|
|
||
|
"Blake. Good. I assume you're telling me that you haven't yet
|
||
|
mastered the techniques I assigned to you."
|
||
|
|
||
|
"Well, I haven't engaged in rote memorization. But I'll assume the
|
||
|
fact that I'm standing over here, no longer restrained by your hold,
|
||
|
indicates that I've familiarized myself with the basic principles."
|
||
|
|
||
|
Tommy's posture didn't alter. Piro's gaze remained steady. The
|
||
|
other boys in the training group thought anything could happen.
|
||
|
|
||
|
"Talking to me that way is... ridiculous."
|
||
|
|
||
|
"Doing this for three hours a day is ridiculous. Do you really
|
||
|
think I'm learning anything from you?"
|
||
|
|
||
|
Piro continued to stare.
|
||
|
|
||
|
"Boys, take five. Tommy. Over here."
|
||
|
|
||
|
"What, you want some more of this?"
|
||
|
|
||
|
"I think you'll understand once we begin."
|
||
|
|
||
|
|
||
|
I guess really I should have stayed glued to the monitors. After
|
||
|
all, it was my son. But I couldn't study every moment of his
|
||
|
experience. That probably marks me as a bad parent.
|
||
|
|
||
|
I've no defense.
|
||
|
|
||
|
I had originally intended to be present for his graduation, but at
|
||
|
the last minute I was called away to put out fires in another
|
||
|
department. Quotas.
|
||
|
|
||
|
I hold onto this earliest transcript because somehow, the later
|
||
|
material is no longer extant. The available photos are even older. For
|
||
|
some reason, mixed in with the logs from the camp, there are old
|
||
|
snapshots from Tommy's primary school. Evidently, that's all that's
|
||
|
left from the surveillance we ran. I'd ask Piro about it but let's
|
||
|
just say we're no longer on speaking terms.
|
||
|
|
||
|
|
||
|
[Interruption as I answer incoming messages.]
|
||
|
|
||
|
|
||
|
In the end, I hope Tommy can live up to his early promise. When I
|
||
|
lost track of him he was well on his way to providing excellent ROI.
|
||
|
Even with the ego problem. Essentially, he was a sure thing.
|
||
|
|
||
|
'68 was a long time ago, but not so long ago that he'd be inactive
|
||
|
just yet. If he stayed in.
|
||
|
|
||
|
I should look him up. He's probably not that hard to find. With my
|
||
|
access.
|
||
|
|
||
|
What am I saying. I'm retired.
|
||
|
|
||
|
|
||
|
DULL CARE
|
||
|
|
||
|
tags: 1969, tab1, theodore_roosevelt, volume_1
|
||
|
|
||
|
"Well well, I've not seen one of _these_ in quite some time."
|
||
|
|
||
|
Our cell was crammed floor to ceiling with the things, box upon
|
||
|
box, but for some reason, the weathered newsprint of _this_ particular
|
||
|
comic book held singular importance. He was being very careful with
|
||
|
it, and I had to cough into my shirtsleeve to mask an involuntary
|
||
|
guffaw. He stowed the comic's bag and backing board before he
|
||
|
continued.
|
||
|
|
||
|
"Just look at it. I'd grade this as at least a VF/NM. Unfortunately
|
||
|
it wasn't slabbed. You see, there once existed any number of companies
|
||
|
that would take a comic book and grade it meticulously before sealing
|
||
|
it permanently in archival grade plastic, which would guarantee--"
|
||
|
|
||
|
"I know what 'slabbing' means," I said.
|
||
|
|
||
|
He was talking in captions now.
|
||
|
|
||
|
Volume_1 had the largest comic book collection in the entire cell
|
||
|
block. This was significant as, in our facility, comic books were
|
||
|
traded as currency. In point of fact, these specific comic books were
|
||
|
valued as well above average reads. I don't mean to pun: they were
|
||
|
literally encoded with information critical to the continuity of the
|
||
|
United States government.
|
||
|
|
||
|
This was all he managed to tell me before we were interrupted.
|
||
|
|
||
|
"Shh! Someone's coming!"
|
||
|
|
||
|
Volume_1 was desperate to get the issue back into its bag, board
|
||
|
and long box. I couldn't figure out why; there were plenty of comics
|
||
|
in our cell to go around.
|
||
|
|
||
|
We could hear them talking.
|
||
|
|
||
|
"Productivity is down."
|
||
|
|
||
|
"Have you thought about reducing headcount?"
|
||
|
|
||
|
"Ha ha ha ha ha!"
|
||
|
|
||
|
After the guards had passed, I turned back to Volume_1. "I don't
|
||
|
think I've ever asked you why you were in here."
|
||
|
|
||
|
"I kept sending these instant messages. My manager was monitoring.
|
||
|
Frequently, I guess. Evidently, the content of my messages offended
|
||
|
his protected sensibilities. Based on his religion. Felony
|
||
|
Insensitivity."
|
||
|
|
||
|
"I see. Which heresy?"
|
||
|
|
||
|
"Chicago Cubs."
|
||
|
|
||
|
Nothing more needed to be said.
|
||
|
|
||
|
Volume_1 went back to his comic book and I watched him flip through
|
||
|
it, gingerly supporting its spine on the flat of his hand.
|
||
|
|
||
|
|
||
|
Soft chimes surfaced slowly at the periphery of my awareness,
|
||
|
progressively drawing into focus. It was time for Volume_1's shift. He
|
||
|
stopped extracting comics from yet another long box and scooted it
|
||
|
back under his bunk. Bushed, I stretched out for a short nap.
|
||
|
|
||
|
At least, that's how I made it look to Volume_1.
|
||
|
|
||
|
As soon as he vacated the cell I pounced back to the floor, removed
|
||
|
the false panel and pulled out my kit and belt. I tore open a new
|
||
|
packet of FalseHand, deposited the wrapper, and in the same swift
|
||
|
motion pressed the delete button on the trash bin. I waved my hand in
|
||
|
front of the cell door and exited onto the balcony, where I was
|
||
|
greeted with quite a lot of hustle and bustle. Most of the workers
|
||
|
were scattering about between shifts. Volume_1 would return within
|
||
|
sixteen hours, so my timetable had to be executed with precision, not
|
||
|
skipping any beats. Fortunately, as a professional, I had been
|
||
|
expertly trained. There would be no problem meeting (or perhaps
|
||
|
exceeding) the requirements of my schedule.
|
||
|
|
||
|
My ride was idling on the roof. As I approached the air vehicle,
|
||
|
rotor backwash batted my hair around my face. Annoyed, I tied it back.
|
||
|
A man strapped to a gurney was removed from the back seat before I
|
||
|
boarded. He looked to be in bad shape.
|
||
|
|
||
|
I observed the red cross of the landing pad shrinking into
|
||
|
nothingness as we pulled away from the complex. The pilot of the
|
||
|
helicopter gave me a thumbs up but I stared past him, blandly, lacking
|
||
|
any awareness of his gesture. Outside of the building my implants had
|
||
|
kicked in and I was now sorting my mail.
|
||
|
|
||
|
Zoom.
|
||
|
|
||
|
|
||
|
Half an hour later they put me down near Monte Rio. By this time
|
||
|
I'd changed into a sweater and khakis. A Mercedes idled ponderously
|
||
|
about a hundred yards down the road, trickling exhaust runoff onto the
|
||
|
pavement. I lugged my duffel behind me, finally heaving it into the
|
||
|
car's trunk. Off to one side the driver stood motionless, grinning.
|
||
|
Clearly, he was amused at my efforts to avoid breaking a sweat. He
|
||
|
kept standing there and eventually I figured out that he was waiting
|
||
|
for some sort of a tip. His remarkable audacity gave me a chuckle, so
|
||
|
I dug around in my bag and passed him an old, rolled-up comic book
|
||
|
from the collection in my cell. He jammed it into his back pocket,
|
||
|
quickly, quietly, betraying no reaction, so as not to be observed by
|
||
|
the departing chopper pilot. Obviously, he was used to this sort of
|
||
|
transaction. Seemingly satisfied, the driver took his place behind the
|
||
|
wheel of the Mercedes and we sped off through the countryside.
|
||
|
|
||
|
We accelerated into a steady incline, passing through many stands
|
||
|
of trees before finally arriving at a very small entryway that
|
||
|
branched off of the main highway.
|
||
|
|
||
|
The driver navigated the Mercedes through a series of security
|
||
|
checkpoints, and soon I was deposited into one of the "new member"
|
||
|
parking lots of the Green. Presently, a small, open-roof shuttle
|
||
|
appeared, ready to escort me through the main gates of the encampment.
|
||
|
|
||
|
|
||
|
The trees of the Green were monstrous. I mean to say that
|
||
|
literally: I was half-convinced they were moving. Of course, they
|
||
|
weren't. I detected no other signs of life in the general vicinity. No
|
||
|
animals. The hiking trails were deserted.
|
||
|
|
||
|
Not all was dead: I rounded a curve in the path and spotted my
|
||
|
first vantage point, glowing yellow, centered in my field of vision.
|
||
|
|
||
|
The tree was quite large. It would do.
|
||
|
|
||
|
I hoisted my bags onto my perch, then setup the comms package
|
||
|
before unjacking myself and turning on the beacon. I waited for the
|
||
|
trigger.
|
||
|
|
||
|
Nothing.
|
||
|
|
||
|
The by-laws of the Green forbade surveillance equipment of any
|
||
|
kind. I now surmised that this policy was enforced through active
|
||
|
intervention, jamming of a sort I was not familiar with. My
|
||
|
chronometer didn't even work. I would have to go manual.
|
||
|
|
||
|
I climbed down from the tree just as the sun was creeping below the
|
||
|
horizon and commenced wandering along paths, searching for Bannister
|
||
|
Colon.
|
||
|
|
||
|
|
||
|
When I found him, he was pulling on a Hawaiian cigar and waxing
|
||
|
political with a few friends in front of a large, gas bonfire. The
|
||
|
Eagle's Nest loomed beyond, wavering in and out of coherency through
|
||
|
the flames and smoke. The trees seemed to be swallowing it and
|
||
|
spitting it back out again, unsure of its potential toxicity.
|
||
|
|
||
|
"The high ground is attained through the stacking of bodies,"
|
||
|
Bannister said blandly, as if reading from a script.
|
||
|
|
||
|
My man Colon.
|
||
|
|
||
|
The others cackled, extending a wave of unrestrained mirth along
|
||
|
the necklace of fat bellies draped around the bonfire's ashen neck.
|
||
|
Each man appeared to have modeled his personal grooming and liturgical
|
||
|
wardrobe upon that of President Theodore Roosevelt, patron saint of
|
||
|
the Green. The aesthetic was an unfortunate portrait of crass largess.
|
||
|
The body language a study in historical inaccuracy. Our former
|
||
|
President would have been appalled at such a display. I shuddered
|
||
|
despite myself.
|
||
|
|
||
|
Indeed, this was a strange scene: to a man they reclined completely
|
||
|
in the buff, from balding head to lotioned, shoeless foot.
|
||
|
|
||
|
_Preverts._
|
||
|
|
||
|
|
||
|
The _Prevert_ tradition is older than the technology that makes it
|
||
|
possible.
|
||
|
|
||
|
It took me a while to wrap my head around that one.
|
||
|
|
||
|
I'm only aware of the technology's existence because my grandfather
|
||
|
was a member of the Green. Otherwise I would never have been selected
|
||
|
for this mission. Traditionally, problems within the Green are handled
|
||
|
internally.
|
||
|
|
||
|
Membership is not hereditary. I was never invited into the ranks of
|
||
|
the Green itself. Not that I would have joined them even if offered
|
||
|
the chance. By the time I was of age I had long since departed for
|
||
|
Iran, exercised my own unique will and signed on for my first tour of
|
||
|
duty in the armed forces, trudging hip-deep into my own army of
|
||
|
olive-skinned bodies.
|
||
|
|
||
|
Whatever, the organization had stopped accepting outside inquiries
|
||
|
some time in the 1920s, after a breach of security had resulted in
|
||
|
front page articles around the world that exposed the interaction
|
||
|
between certain political leaders and boy prostitutes taking place
|
||
|
within its walls.
|
||
|
|
||
|
Obviously, that was only a cover story.
|
||
|
|
||
|
|
||
|
Before long things started to pick up around the bonfire, activity
|
||
|
sparking within the self-satisfied circle of fat.
|
||
|
|
||
|
From out of nowhere each man produced a small device and strapped
|
||
|
it to his hand. Instantly, the bonfire extinguished itself and the
|
||
|
surrounding woods fell silent. Only the sound of the men's chattering
|
||
|
teeth broke the stillness, settling into a steady rhythm that
|
||
|
resonated unpleasantly in my skull.
|
||
|
|
||
|
I began to hear what sounded like an injured animal, whimpering
|
||
|
softly from within the center of the makeshift circle. The fire was
|
||
|
out, but I couldn't imagine how it could have cooled so quickly, or
|
||
|
how anything living could have survived the flames that had subsided
|
||
|
only moments before.
|
||
|
|
||
|
The men's mouths spread wide and their chattering teeth became
|
||
|
visible, reflecting in the sickly moonlight. I felt something hard
|
||
|
coalesce in the pit of my stomach. For some reason the scene was
|
||
|
affecting me physically. A hint of the taste of vomit trickled into my
|
||
|
mouth.
|
||
|
|
||
|
A child had appeared. A boy.
|
||
|
|
||
|
Dumbly, he bounced between the bare bellies, clawing and scratching
|
||
|
and kicking against the men of the circle. They didn't seem concerned
|
||
|
with his evident distress. Blood seeped from some of the scratches he
|
||
|
was inflicting, against the men and against himself.
|
||
|
|
||
|
Oblivious, he didn't seem to care. Lacking in empathy, the men
|
||
|
didn't care either.
|
||
|
|
||
|
I never cared for this part of the process, myself.
|
||
|
|
||
|
|
||
|
_Preverts_ rape themselves.
|
||
|
|
||
|
According to legend, it goes back to Caesar. Symbolically, anyway.
|
||
|
Candidates in the world-ruling business have long been vetted through
|
||
|
an exotic procession of pomp and ritual.
|
||
|
|
||
|
The technology I mentioned truly is remarkable. It's not exactly
|
||
|
time travel, _per se,_ because the men themselves, the initiators,
|
||
|
don't actually travel through time. The same holds true for their
|
||
|
victims. Rather, _space_ is bent in such a way that interaction with
|
||
|
the past is non-paradoxical. Lateral. Frankly, it's beyond me. I've
|
||
|
seen it in action so I no longer try to make sense of it. It just
|
||
|
works.
|
||
|
|
||
|
I shifted uncomfortably as the service continued.
|
||
|
|
||
|
Each man, when it was his turn, spit out his cigar and touched the
|
||
|
surface of his wrist device. The boy would jerk uncontrollably towards
|
||
|
him, drawing temporarily into his grasp. Simultaneous with this
|
||
|
motion, the child's face morphed to resemble that of his captor,
|
||
|
uncannily regressed to childhood. This alternating promenade continued
|
||
|
for some time, though the participants were carrying out their
|
||
|
observance at an unnerving pace. As each man embraced the boy he
|
||
|
continued to whimper, weakly, and my skull tightened around my brain.
|
||
|
|
||
|
With each tap of the wrist, a different face.
|
||
|
|
||
|
My orders were clear: only interrupt them once they'd finished with
|
||
|
what they'd come to do. It was imperative that the ritual proceed to
|
||
|
completion.
|
||
|
|
||
|
Habitually, I always followed orders, even where inconvenient. That
|
||
|
was my calling card. That was why they gave me these jobs. A Green
|
||
|
mission was no exception, on either account.
|
||
|
|
||
|
Soon, the ritual concluded. It was time for me to intercede.
|
||
|
|
||
|
I checked my weapons before leaping into the clearing. Then, with a
|
||
|
single, smooth motion, I laid down the entire congregation of
|
||
|
important men. Nerve agent spilled across their undulating frames and
|
||
|
splattered against the big wooden benches behind them. Sloppy.
|
||
|
Uncharacteristically so. I paused to scold myself and clean up the
|
||
|
evidence.
|
||
|
|
||
|
The organic material in the benches was starting to melt. Running
|
||
|
out of time, I abandoned them.
|
||
|
|
||
|
I made my way over to the boy. His features had stopped changing
|
||
|
and now he wore the wrong face. Great.
|
||
|
|
||
|
Returning to the mound of boiling fat, I fished out the proper hand
|
||
|
and used it to thumb the appropriate controller. Suddenly, the correct
|
||
|
face coalesced on top of the boy's body. I introduced myself and asked
|
||
|
him a few questions.
|
||
|
|
||
|
"Son, what's your name?"
|
||
|
|
||
|
"Thuh..."
|
||
|
|
||
|
"Yes?"
|
||
|
|
||
|
"Th-Theodore... R-R-Roosevelt."
|
||
|
|
||
|
The face. The Name. Not what I had expected.
|
||
|
|
||
|
Definitely a bigger job than I was being paid for.
|
||
|
|
||
|
Frankly, I was appalled.
|
||
|
|
||
|
But: Orders. Reputation. The things I actually cared about. I would
|
||
|
follow the script.
|
||
|
|
||
|
I raised my weapon, logged in, and emptied my full clip into the
|
||
|
boy's face.
|
||
|
|
||
|
Finally, the woods fell silent.
|
||
|
|
||
|
|
||
|
THE BAD STUDENT
|
||
|
|
||
|
tags: 1969, frankie_willard, prince, tab2, cheryl
|
||
|
|
||
|
I tear a sheet from my notebook. After some fidgeting I manage to
|
||
|
produce a cigarette. I lean back against the concrete wall of the
|
||
|
building, my rat-tail poking into the scruff of my neck. It's rather
|
||
|
uncomfortable. There is a commotion from somewhere, over near the
|
||
|
basketball courts. After a brief period of silence, the school bell
|
||
|
rings. I curse, sub-audibly, taking my place in line. I'm careful not
|
||
|
to crumple the cigarette as I conceal it within my sleeve.
|
||
|
|
||
|
Recess is over.
|
||
|
|
||
|
I'm antsy. I shift my weight from one leg to the other. This
|
||
|
jostling brings to mind Frankie Willard, made to stand with both feet
|
||
|
planted inside of a single tile on the floor. Punishment for having
|
||
|
spoken out of turn. Frankie complained that because of his great size,
|
||
|
he would surely topple over if he were not permitted to sway from side
|
||
|
to side. The teacher sarcastically denied his request -- structural
|
||
|
integrity be damned. No, Frankie would have to stand firmly within the
|
||
|
square, maintaining his posture for the duration of the class. At the
|
||
|
time, I too had regarded Frankie's claims as spurious. Does an office
|
||
|
building need to sway from side to side? It seemed ridiculous. A man
|
||
|
should be able to stand still.
|
||
|
|
||
|
Today I'm of a mind to view Frankie's situation in a different
|
||
|
light. Standing still in this line is impossible. Despite myself, I've
|
||
|
begun to sway from side to side. Fuck it, Frankie was right all along.
|
||
|
|
||
|
At the moment, no one is watching me. I disregard protocol and
|
||
|
resume my cigarette. Smoke slinks from the burning cherry, a string of
|
||
|
ten-dimensional nothingness. Or so I choose to perceive.
|
||
|
|
||
|
The boy in front of me rotates his head to an obtuse azimuth, asks
|
||
|
to bum a cig. I am more than happy to oblige. From my pocket I produce
|
||
|
two slender folds of paper, offering one to my companion. He's still
|
||
|
in possession of the lighter I made for him, so we're all set. Good to
|
||
|
go. From time to time, I'm happy to supply free product, as a short
|
||
|
demonstration will often serve to spark demand. When one's business is
|
||
|
illicit, establishing the perception of good-natured magnanimity is
|
||
|
wise. Happy customers are quiet customers.
|
||
|
|
||
|
And quiet is a baseline necessity for my mission.
|
||
|
|
||
|
|
||
|
Just as the fresh cigarette taste is making itself apparent, our
|
||
|
teacher pokes her head around the corner. She notices us stragglers,
|
||
|
lately fallen away from the back of the line. She's displeased to note
|
||
|
that we're still here, leaning up against the wall, each man enjoying
|
||
|
an individual smoke. She approaches swiftly and proceeds to bend our
|
||
|
ears. That's when she realizes who I am. Quite comically, this new
|
||
|
awareness halts her scolding, mid-sentence. She directs the other boys
|
||
|
back to the classroom and then turns to me, a stupid look on her face.
|
||
|
She pulls me by my rat-tail into a deserted corridor. The contact is
|
||
|
exhilarating.
|
||
|
|
||
|
I'm going to score.
|
||
|
|
||
|
The woman has been shooting me these kinds of looks all semester. A
|
||
|
couple of times she's caught me adjusting my visor, straining to catch
|
||
|
a peek through her blouse. Instead of voicing an objection she usually
|
||
|
just smiles. It's crossed my mind that she may even _fancy_ my attempts
|
||
|
to look down her shirt. Consider: she's the only one of our first
|
||
|
grade teachers who will wear shorts in summer. To my knowledge, this
|
||
|
is technically against the rules. I turn these thoughts over in my
|
||
|
mind, one after the other, as I consider my immediate future.
|
||
|
|
||
|
She tightens her grip on my shoulder.
|
||
|
|
||
|
I brace for a kiss.
|
||
|
|
||
|
Instead, she snatches the cigarette from my lips and sends it
|
||
|
careening over her shoulder, skittering down the corridor. Well, that
|
||
|
wasn't quite what I expected. I think to myself that it's convenient
|
||
|
this corner of the building is devoid of traffic. Could she have
|
||
|
planned our confrontation days, even weeks, in advance? Have things
|
||
|
really progressed to that level? Gradually, the woman is drawing my
|
||
|
attention to infinite new dimensions, threading my string through
|
||
|
myriad vortices, the resulting matrix a blunt satire of our
|
||
|
tessellating material realm. _She's_ the teacher? I'm fit to burst.
|
||
|
|
||
|
|
||
|
She parts her lips as if to speak. Softly, softly.
|
||
|
|
||
|
This must be it.
|
||
|
|
||
|
"So. You believe that folding pieces of paper into the shape of a
|
||
|
_cigarette,_ then _selling_ them to your classmates is a good way to
|
||
|
make _friends,_ Thomas?"
|
||
|
|
||
|
The tenderness I sensed only moments before is now vanished. She's
|
||
|
trying her best to be stern. I can't say why, exactly, but this only
|
||
|
excites me more.
|
||
|
|
||
|
"So far it seems to be working fine," I offer, straining, barely
|
||
|
containing myself. "I have plenty of friends."
|
||
|
|
||
|
"I've seen you outside, pretending to smoke, for weeks now. The
|
||
|
students here look up to you, and I'm disappointed in how you've
|
||
|
chosen to repay that trust. I want you to think of how you're
|
||
|
influencing them, Thomas."
|
||
|
|
||
|
"I'm not coercing anyone," I correct gently, so as not to rend the
|
||
|
gossamer fragility of the moment. "I'm simply providing a service.
|
||
|
There's an obvious demand and I'm only too happy to fill it. Surely
|
||
|
you realize, this sort of equitable transaction is the very basis of
|
||
|
our free economy, which ensures the continuity of --"
|
||
|
|
||
|
She kisses me.
|
||
|
|
||
|
|
||
|
I break free.
|
||
|
|
||
|
"-- the very _continuance_ of our society."
|
||
|
|
||
|
She doesn't seem impressed with my argument.
|
||
|
|
||
|
From my jacket I produce a conspicuously pristine piece of
|
||
|
equipment. The object fairly leaps from its place of concealment. She
|
||
|
is somewhat startled, tries to mask her reaction, but the sudden
|
||
|
adoration evident in her eyes will not be suppressed. Does she know
|
||
|
what this is, then, after all? Removing her hand slowly from my own,
|
||
|
I raise the object to my chest (her waist) and finger the switch that
|
||
|
brings it to life. She jumps as a holographic image grows out of my
|
||
|
palm. I have to adjust my visor again before I'm able to see it.
|
||
|
|
||
|
So, this is Prince Rogers Nelson. Not exactly an imposing figure,
|
||
|
but in relation to his framing, here in my hand, it hardly matters.
|
||
|
Reports indicate that my teacher is quite enamored with this miniature
|
||
|
entertainer. By all rights he was a fine composer, but some say he
|
||
|
actually considered himself to be the physical reincarnation of the
|
||
|
Egyptian Pharaoh _Ahkanaten._ There was a spate of controversy around
|
||
|
the time he decided to found his own religion.
|
||
|
|
||
|
Whatever.
|
||
|
|
||
|
The unexpected appearance of the tiny man seems to be doing the
|
||
|
trick with my teacher. As PRN begins to vibrate, I angle him beneath
|
||
|
her skirt.
|
||
|
|
||
|
"Just lay back," says Prince.
|
||
|
|
||
|
She does as he says.
|
||
|
|
||
|
While she is momentarily stunned, distracted, I remove the
|
||
|
remaining contraband from my pockets, depositing several paper
|
||
|
cigarettes onto the window ledge behind me. Shortly thereafter, the
|
||
|
spring breeze carries them away, floating them ever downwards, towards
|
||
|
the unnaturally green summer grass of the courtyard. All evidence of
|
||
|
my wrongdoing thus disposed of, I snap closed my gadget and switch to
|
||
|
manual, gazing deeply into my teacher's eyes as I finish her off.
|
||
|
|
||
|
She's some time in coming. But once sated, her body goes slack. At
|
||
|
last, I relax my arm and place my hand on her exquisite breast.
|
||
|
|
||
|
To my great surprise, she recoils. It seems I have ventured too
|
||
|
far. She smiles awkwardly and pushes me away, leans her head out of
|
||
|
the window to see what I've been up to all this time she's been
|
||
|
writhing under the ministrations of the holographic Prince. Her face
|
||
|
shoots completely red, full of blood. The view from the window, of
|
||
|
course, is unremarkable, but it's not the landscaping below that
|
||
|
concerns her. She sees the paper cigarettes scattered about the
|
||
|
courtyard and deduces that they must belong to me.
|
||
|
|
||
|
She begins to lecture me. Even these playthings, which are not real
|
||
|
at all, still set a negative example for the other students. Such toys
|
||
|
glorify the act of real smoking. I should have known better than to
|
||
|
engage in this sort of thing while at school. The premises is also a
|
||
|
commerce restricted zone, blah blah blah, etc. She is scrupulous to
|
||
|
avoid any mention of her orgasm, though I sense the experience is
|
||
|
still very much on her mind.
|
||
|
|
||
|
Overall, it proves to be a lackluster brow-beating. I consider the
|
||
|
context of present events set against the larger backdrop of my
|
||
|
mission and decide that her appraisal of my behavior is irrelevant. At
|
||
|
twelve years of age, infiltrating the first grade has been a cakewalk.
|
||
|
If this doesn't boost my grade average I don't know what will. I
|
||
|
swear, I'm ready to graduate CU/FARLEY. Let's hope my father and the
|
||
|
Chief see things my way.
|
||
|
|
||
|
I acknowledge her statements as I shove my hand into my pants and
|
||
|
scratch my groin.
|
||
|
|
||
|
As we return to the classroom, I reach out to hold her hand.
|
||
|
|
||
|
I probably don't have to tell you that I use the same hand.
|
||
|
|
||
|
|
||
|
UBICOMP
|
||
|
|
||
|
tags: 1969, potus, tab1
|
||
|
|
||
|
There is a ring of teeth around my stick and I can't pull it out. I
|
||
|
ease back and forth, gently, but the mouth won't let go. A sliver of
|
||
|
saliva escapes, spreading first around my stick's circumference, then
|
||
|
down to its base. All at once the President's head starts to move
|
||
|
again.
|
||
|
|
||
|
Textbook package delivery. Six calories of Turing gel forced into
|
||
|
the digestive track of the mark. Freed from its carriage, some of the
|
||
|
payload has already bonded firmly with the President's teeth.
|
||
|
Presently, the liquid bootstraps itself into the machinery of
|
||
|
surveillance. All logged in, phase one is complete. Other components
|
||
|
of the payload make their way into the President's circulatory system,
|
||
|
compensating for various biological ticks that would otherwise prove
|
||
|
fatal to the Commander In Chief. Phase two, loaded, completed.
|
||
|
|
||
|
I imagine there is something of an alkaline flavor. I don't know
|
||
|
how she can stand it.
|
||
|
|
||
|
Without warning, an additional teaspoon-dollop of nutrient-rich
|
||
|
paste shoots between the President's lips. Slowly, it threads down her
|
||
|
esophagus, coating her stomach's lining. I swish my stick around a
|
||
|
bit, making sure that the gel, by now teaming with expensive hardware,
|
||
|
gets a fair chance to take hold. She murmurs softly. I assume in
|
||
|
pleasure.
|
||
|
|
||
|
I glance at my watch.
|
||
|
|
||
|
Over time, the rogue cells I've introduced will create new tissue.
|
||
|
They'll get into the business of subverting dendrite structures, which
|
||
|
in turn (I'm told) will lead to the President's conscious assent to
|
||
|
our programs.
|
||
|
|
||
|
Caveat: the gel will need to be administered on a regular basis. I
|
||
|
assume I will be selected as the agent of delivery (it's of no concern
|
||
|
either way -- there are numerous agents who are up to the task). In
|
||
|
any case, the process will continue. Before the President knows what
|
||
|
is happening, she will begin to _crave_ the injections, find herself
|
||
|
inexplicably drawn to the blunt insertion of stick into mouth. Lacking
|
||
|
awareness, she'll come to regard the process as a pleasure of her own
|
||
|
devising. She may even develop an affinity for the taste.
|
||
|
|
||
|
But enough of my speculation, however well-informed. Her mouth is
|
||
|
upon me now, showing no sign of loosening its grip. Not losing
|
||
|
suction. Her eyes have rolled back into her head. She's become
|
||
|
unresponsive. Even her gag reflex has gone dead.
|
||
|
|
||
|
As an initial response to insertion, this _faux_ catatonic state is
|
||
|
not unusual. In my field-work I've observed that women will often slip
|
||
|
into semi-consciousness once they've worked the Turing gel past their
|
||
|
back teeth. In truth, I was quite alarmed the first time it happened.
|
||
|
Maybe I had dribbled psychoactive sedative onto the tip of my cock, I
|
||
|
thought to myself. But no, this brief period of unconsciousness tends
|
||
|
to be shallow, tends to pass quickly.
|
||
|
|
||
|
I decide to sneak a peek, to see how she's coming along. Her mouth
|
||
|
glides smoothly on a thick lather of saliva, sealed by the walls of
|
||
|
her throat. Her head bobs up and down, gently rotating, rhythmically
|
||
|
advancing and retreating across the length of my equipment. She's
|
||
|
quite awake now and seems to have swallowed her cares.
|
||
|
|
||
|
A strand of the President's hair has caught on my watchband, but
|
||
|
I'm reluctant to interrupt her work.
|
||
|
|
||
|
I nudge her lovingly on the ear and her entire head shifts weight
|
||
|
to the other side. Her eyes flick open and she smiles as she releases
|
||
|
my stick, seemingly unaware of the considerable amount of time that
|
||
|
has passed. I slide out, drawing a trail of spit between myself and
|
||
|
her tongue, which she stares at quizzically before flashing a
|
||
|
mischievous grin and then aggressively chewing it all back into her
|
||
|
mouth. Ordinarily this would be fine, but a pool of spittle has
|
||
|
coalesced around my scrotum, and now it traces the contour of my
|
||
|
buttocks. It is cold.
|
||
|
|
||
|
A pink square blips in the lower-left of my vision, telling me that
|
||
|
the Turing cells have gained purchase.
|
||
|
|
||
|
I engage the President verbally as she re-applies her lipstick and
|
||
|
adjusts her _coiffure._
|
||
|
|
||
|
I start making excuses, looking for a way out of the room.
|
||
|
|
||
|
|
||
|
ALL THAT IS
|
||
|
|
||
|
tags: 1970, missus_camilla, violet
|
||
|
|
||
|
Violet used her stylus to press against the reflective surface of
|
||
|
her school leaf. Presently, a margin message from Missus Camilla
|
||
|
appeared, signaling the class to begin writing.
|
||
|
|
||
|
Violet began:
|
||
|
|
||
|
|
||
|
Words are insufficient to communicate all that is.
|
||
|
|
||
|
Having 'a problem' with this would imply that I think any other
|
||
|
state of affairs is remotely possible. The fact is that I have to
|
||
|
accept my best current thinking on the subject, and right now I
|
||
|
haven't come up with any reasonable counter to the observation that
|
||
|
language is inescapably circular. To me, this means that at best we
|
||
|
can only approximate The Truth at any given moment -- and since we
|
||
|
can't make these determinations with any significant certainty (e.g.,
|
||
|
to judge the accuracy of our approximations), 'A' can only equal 'A'
|
||
|
on a localized, individual level.
|
||
|
|
||
|
And yet, 'A=A' is the fundamental assertion of logic. I think there
|
||
|
is a tendency to try and expand too far upon this basic construction.
|
||
|
The subjective assumptions applied by logic tests too often outpace
|
||
|
language's ability to accurately map the salient factors at hand. Too
|
||
|
much emphasis is placed upon how the logic is articulated, with very
|
||
|
little attention paid to the structure of the logic itself -- which,
|
||
|
presumably, should transcend the language that was used to describe
|
||
|
it.
|
||
|
|
||
|
This presents an interesting -- I'd say insurmountable -- problem,
|
||
|
and was essentially the point of my previous two papers. 'A=A.' Fine.
|
||
|
But what the hell is an _A?_ And who says so? The answer is that it
|
||
|
all depends on who you ask.
|
||
|
|
||
|
I don't think the fact that we have managed to evolve grammars
|
||
|
which are effective at managing objects and activities, effective at
|
||
|
managing the processes of machines, even, is evidence that those
|
||
|
grammars are universally descriptive of our entire shared reality.
|
||
|
Success in a single, limited area does not imply universal success on
|
||
|
a grand scale, even if many times a simple set of rules can exhibit
|
||
|
emergent behaviors that transcend the original description.
|
||
|
|
||
|
Consider the following stories. Observe how these seemingly correct
|
||
|
articulations of reality work at cross-purposes to the protagonist's
|
||
|
intentions, yet still manage to exhibit a peculiar efficacy all their
|
||
|
own:
|
||
|
|
||
|
1.) Occupied Poland. A man held a job at a stroller factory. His
|
||
|
child needed a stroller. Being short on money, and being handy with
|
||
|
his tools, the man decided to steal all the necessary parts from his
|
||
|
workplace and assemble the stroller at home. Wary of arousing
|
||
|
suspicion, he limited himself to absconding with only a single
|
||
|
component each night. After many such nights, the man took an
|
||
|
inventory and noticed that he had managed to acquire almost all of the
|
||
|
parts on his list. Finally completing the assembly, the man discovered
|
||
|
that instead of a new stroller for his son he had assembled a fully
|
||
|
functional, modular sub-machine gun.
|
||
|
|
||
|
Does this mean that a stroller is in fact the very same thing as a
|
||
|
sub-machine gun? After all, the man had worked in the factory for
|
||
|
many years and was quite experienced at his job (which consisted
|
||
|
chiefly of speed-buffing several types of polished parts as they came
|
||
|
whizzing past his station on an assembly line). In this case, the
|
||
|
value of 'A' was at first disputed; then investigated; and finally,
|
||
|
revised. In the end, would it have been sufficient to simply continue
|
||
|
referring to the finished product as a stroller? Why or why not?
|
||
|
|
||
|
2.) A radical priest gains increasing infamy with the native
|
||
|
residents of a Roman-occupied garrison town in Jerusalem. After he has
|
||
|
been put to death by a civilian court -- administered by his own
|
||
|
people, no less -- a cult religion springs up around him, and a legend
|
||
|
begins to solidify around the memory of his living days. Indeed, the
|
||
|
legend glorifies even the most mundane aspects of his life. His story
|
||
|
is at first spread verbally, but is eventually written down by various
|
||
|
scribes, disparate of geography and generation, who never quite
|
||
|
managed to cross paths with the priest or his followers. (Granted,
|
||
|
when the priest was supposedly executed, the scribes in question had
|
||
|
yet to be born.)
|
||
|
|
||
|
I'm sure you can follow this one to its obvious conclusion. After a
|
||
|
certain point, the language used to describe a legend begins to
|
||
|
transcend the actual events, to take on a life of its own. The events
|
||
|
themselves remain unobserved, wholly obscured from view. At best:
|
||
|
irrelevant.
|
||
|
|
||
|
The above are clearly examples which reinforce the notion that all
|
||
|
languages are tautologies. For this reason, 'A=A' can only apply
|
||
|
universally when the definition of 'A' is immutable, cannot be
|
||
|
tampered with as it travels from one side of the equation to the
|
||
|
other. (This fact does tend to break the discussion into many
|
||
|
different levels, including questions of control over so-called shared
|
||
|
languages [e.g., dictionaries, popular idiom], but the problem of
|
||
|
complexity comes part and parcel with the problem of precision.) 'A=A'
|
||
|
may well be subjectively true, but the equation is necessarily based
|
||
|
upon assumptions that may be incorrect. The uncomfortable truth about
|
||
|
our knowledge of the world is that it is almost always filtered
|
||
|
through a mediating source of questionable benevolence. Think about
|
||
|
that. The ultimate impossibility of neutrality. Even if we momentarily
|
||
|
eschew the likelihood of intentional misrepresentation, we must accept
|
||
|
that once language escapes our minds and begins to interact with the
|
||
|
language of others, we lose personal control over its context and
|
||
|
meaning. At this point, rationally, we should acknowledge that we can
|
||
|
no longer verify that 'A' means what we think it does. Thus, we come
|
||
|
to glimpse the limitations of logic itself.
|
||
|
|
||
|
Language initiates us into a special kind of 'cargo cult.' We
|
||
|
scramble, frothing at the mouth like so many tropical savages,
|
||
|
attempting to reenact a Reality that we're just _certain_ we've
|
||
|
experienced, all in the vain hope that we might someday entice that
|
||
|
Reality to return to us, laden with crates full of movie reels,
|
||
|
Coca-Cola, and fresh cartons of cheap American cigarettes. At that
|
||
|
point, we presume, we'd all be farting through silk.
|
||
|
|
||
|
Violet
|
||
|
|
||
|
|
||
|
DRIFT
|
||
|
|
||
|
tags: 1951, 2026, pink_floyd, tab1
|
||
|
|
||
|
2026.
|
||
|
|
||
|
The sunlight fades and I wonder after my satchel. It's here, buried
|
||
|
somewhere under the snow. Wearily, I prop up both of my arms and thumb
|
||
|
through the entries on my leaf.
|
||
|
|
||
|
I stumble upon a decades-old post.
|
||
|
|
||
|
|
||
|
1951.
|
||
|
|
||
|
So, I was laid out on the couch (free), face pressed up against my
|
||
|
camo pillow ($123.67), wondering if I should pick the dead pill bugs
|
||
|
out of the fibers of my bath robe, when a garish advert for a new Pink
|
||
|
Floyd "greatest hits" collection ($2999.99) ran across the display of
|
||
|
my telescreen:
|
||
|
|
||
|
_Order ECHOES now and we'll include blah sqwak blah niner foxtrot
|
||
|
delta sqwak blah sqwak blah_
|
||
|
|
||
|
My attention span waned and I lost the rest of the advert to random
|
||
|
static generated by a mild migraine headache (previously acquired),
|
||
|
but the damage had already been done. Slowly, the new information sunk
|
||
|
in.
|
||
|
|
||
|
Within a couple of hours I had stumbled into the bedroom. I stood
|
||
|
fondling the jewel case of a 2-disc collection of my own original
|
||
|
music (entitled: ECHOES), desperately trying to figure out how Pink
|
||
|
Floyd's handlers had managed to bug my home.
|
||
|
|
||
|
Motherspammers.
|
||
|
|
||
|
I took a swig of apple juice from a glass tumbler on the dresser,
|
||
|
then spit it back out again when I realized the surface of the drink
|
||
|
had been blanketed by a layer of dust. I needed to stop leaving those
|
||
|
things laying around where anyone could find them.
|
||
|
|
||
|
I resumed staring at the jewel case. The artwork was superior to
|
||
|
what I had just seen on the telescreen. Fucking Pink Floyd. What did
|
||
|
I ever do to them? (Besides torturing that girl in the Pink Floyd
|
||
|
t-shirt at Denny's.)
|
||
|
|
||
|
There had to be a reason why they had selected me.
|
||
|
|
||
|
I glared at the tumbler for a couple of seconds, then back at the
|
||
|
jewel case in my hands. I downed the entire glass without tasting the
|
||
|
dust. Apple juice doesn't really ferment, but at this point my
|
||
|
migraine had wedged itself in-between my frontal lobe and another slab
|
||
|
of gray matter I wasn't able to identify, resulting in a significant
|
||
|
impairment to my decision making faculties. Somehow, I kept from
|
||
|
vomiting.
|
||
|
|
||
|
Before long I detected a handful of splinters in my hand, and came
|
||
|
to the slow realization that I'd squeezed the jewel case into several
|
||
|
pieces. The dust flavor returned to my mouth, resembling the
|
||
|
sensation of pushing my tongue through ungroomed tufts of fur. I threw
|
||
|
the tumbler down and stomped back into the living room.
|
||
|
|
||
|
The advert was on again. This time tracking a sequence I hadn't
|
||
|
noticed during the previous playback. The message ran at ten minute
|
||
|
intervals, but I had yet to see it all the way through. The visual
|
||
|
rhetoric was contrived, but would probably prove effective. They'd
|
||
|
likely sell a billion copies.
|
||
|
|
||
|
I swallowed an over the counter pharmaceutical designed to combat
|
||
|
dizziness and resumed my seat on the couch. Staring at a spot two
|
||
|
feet above the telescreen, my mind began to spin down, drifting to
|
||
|
other concerns. My next shift at my corporate front-job was scheduled
|
||
|
to begin in just under five hours. Still tasting apple dust (maybe it
|
||
|
wasn't really apple dust, after all), I chewed at the air with my
|
||
|
mouth and then dozed off, resigned to whatever dreams might come.
|
||
|
|
||
|
Approximately two-hundred forty minutes elapsed.
|
||
|
|
||
|
I woke up. Two more pill bug carcasses had embedded themselves
|
||
|
into the folds of my robe. They no longer seemed to be the most
|
||
|
likely vector of leaked intelligence. In point of fact they appeared
|
||
|
organic. Quite simplistic. This new-found lucidity intensified as I
|
||
|
painted shaving cream onto my chin and then accidentally sliced the
|
||
|
skin between my nostrils.
|
||
|
|
||
|
It occurred to me that Pink Floyd might not really be ripping me
|
||
|
off. They were probably capable of coming up with such an obvious
|
||
|
title as ECHOES on their own. Their boxed set was probably being
|
||
|
manufactured even as had I decided on the title of my own collection.
|
||
|
Still, the overlap rankled.
|
||
|
|
||
|
I guessed that it must have been a case of Steam Engine Time.
|
||
|
|
||
|
For posterity's sake, I will note here that my own ECHOES
|
||
|
collection may be sampled at the following address:
|
||
|
|
||
|
|
||
|
And here I had inserted a hypertext link. A pointer to some old,
|
||
|
half-considered project of mine from my early years trying to break
|
||
|
into the music industry. I wince at the memory, irrationally certain
|
||
|
that this will be all they'll find when they finally dig my starved
|
||
|
body out of this house and this snow drift and begin to piece together
|
||
|
the circumstances of my disappearance. _Decorated Agent Leaves Behind
|
||
|
Rough Draft Of An Early Internet Posting. Family Denies Any Knowledge
|
||
|
Of Agent's Artistic Endeavors._
|
||
|
|
||
|
I lean back my head against the exposed boards of the attic floor
|
||
|
and observe as small flecks of snow float in and out between the
|
||
|
cracks in the roof. My fingers have become useless now, and I suspect
|
||
|
that I'm too weak to kick through the tile shingling. Troubling, to be
|
||
|
sure. As if to underline the point, I make an attempt to stand up and
|
||
|
one of my legs cracks and falls off onto the floor.
|
||
|
|
||
|
Well, so be it. Another opportunity to reflect on my past.
|
||
|
|
||
|
Reviewing this material I have to admit, I've had a good run.
|
||
|
|
||
|
|
||
|
IN THE END, NOTHING WORKS
|
||
|
|
||
|
tags: 2079, eva, gordon, tab2
|
||
|
|
||
|
In spite of his back, Thomas was up early the next morning. It hurt
|
||
|
to be out of bed. He slipped on his robe and dialed a reasonable
|
||
|
temperature for his bones. The floor felt cold under his feet. A draft
|
||
|
tickled his scrotum as he dragged himself down the hallway, robe
|
||
|
swishing freely between his legs.
|
||
|
|
||
|
Thomas found no paper on the front step.
|
||
|
|
||
|
Therefore, he reasoned, no newspaper could actually exist.
|
||
|
|
||
|
The number of people required to produce such an artifact could,
|
||
|
quite simply, never be forced together, never be entrusted to bring
|
||
|
such a project to fruition. Thomas dismissed the idea as self-evident
|
||
|
lunacy. As with other would-be conspiracies, this "newspaper"
|
||
|
business, if it were ever truly attempted, would immediately run afoul
|
||
|
of man's signal inability to cooperate effectively. The whole endeavor
|
||
|
would end in disaster. Thomas pictured a management team showing up at
|
||
|
the office and attempting to corral the so-called "newsmen" into some
|
||
|
semblance of order. _Let's put this edition to bed,_ the managers would
|
||
|
say. _Sure,_ their subordinates would reply, _we'll get right on top of
|
||
|
that, boss._ And then they would go to lunch. The whole concept of a
|
||
|
metropolis of workers, each synchronizing his movements to the other,
|
||
|
all in some effort to compile a grand codex of halftoned words and
|
||
|
photographs... Ostensibly a periodical source of news and
|
||
|
sports-related information... Implausible wasn't the word. The idea
|
||
|
was like something that would come out of a liberal arts college.
|
||
|
Thomas understood that in the end, nothing really worked. Thus it
|
||
|
followed that no newspaper would or could be delivered to Thomas'
|
||
|
door, on this or any other morning.
|
||
|
|
||
|
Thomas looked down. Perhaps he was surprised to see that the
|
||
|
newspaper still wasn't where it should have been. He wiped the
|
||
|
condensation from the front of his visor and planted his feet in the
|
||
|
doorway, fixing his gaze upon the concrete stoop. Why was he here? He
|
||
|
meant specifically. His eyes focused on a rough patch of masonry,
|
||
|
shaped, vaguely, like a copy of THE NEW YORK TIMES. He was slowly
|
||
|
becoming aware that his lips had chapped.
|
||
|
|
||
|
What...
|
||
|
|
||
|
He tried to remember why he was standing there, holding the door
|
||
|
open, facing out onto the street. Nothing came to mind, save for an
|
||
|
awareness of the relentless, frozen sheets of air that were blowing
|
||
|
past his face. After several moments, he became enticed by the sounds
|
||
|
emanating from inside the house, and so he retreated back into the
|
||
|
living room. He sat down by the fireplace and started to pull on the
|
||
|
hair that protruded from his chin. He would often affect this pose
|
||
|
whenever he found himself confused.
|
||
|
|
||
|
|
||
|
Presently, Eva came in with the tea.
|
||
|
|
||
|
Thomas regarded her suspiciously, conjecturing that she must have
|
||
|
prepared this tea herself, not simply poured it, pre-mixed, from a jug
|
||
|
or a bottle delivered by the government truck. It would later prove
|
||
|
that his suppositions had been correct. But at present, Eva refused to
|
||
|
discuss her inspiration. Why organic tea? He wrinkled his eyebrows
|
||
|
with palpable irritation and stared at her, knowing perfectly well
|
||
|
that his tendency towards interpreting simple results as the fruit of
|
||
|
complex machinations should not distract him so long that his tea
|
||
|
would go cold. _I'm being silly,_ he thought to himself. Next, he'd be
|
||
|
accusing her of inventing, then hiding, and finally denying the
|
||
|
existence of, his daily newspaper.
|
||
|
|
||
|
He resolved not to say anything about it for now.
|
||
|
|
||
|
|
||
|
The feed to his visor had gone dark, sometime, he thought, in the
|
||
|
past week. The boys down at the switching station had gotten so
|
||
|
wrapped up in their chatter and practical jokes that the feed had
|
||
|
ceased to be maintained. This group of teenage boys had allowed any
|
||
|
number of feed pools to become irretrievably poisoned. Obviously, the
|
||
|
problem had yet to be amended. _The cause of the service disruption
|
||
|
was the logical result of leaving unsupervised boys in charge of the
|
||
|
running system._ There. Blunt common sense. No conspiracy required.
|
||
|
|
||
|
Though it could have been sabotage.
|
||
|
|
||
|
From the perspective behind Thomas' visor, everything had simply
|
||
|
gone black. Neighborhood residents were skeptical that the city's
|
||
|
plans for replacing the youths with middle-aged housewives would yield
|
||
|
a network any more reliable than the one that already existed. The
|
||
|
real problem was that this new technology simply didn't scale. You
|
||
|
couldn't expect everyone to get online at the same time without
|
||
|
ramping up the system's capacity. Unsupervised boys or no. Thomas
|
||
|
doubted if _any_ demographic could keep the thing running without the
|
||
|
assistance of authorized Green technicians. Of course, that would cost
|
||
|
money. On a related note, did the Green Consortium really think that
|
||
|
these middle-aged women would subject themselves to working for lower
|
||
|
wages than what they could make staying at home? Like the
|
||
|
aforementioned "newspaper" idea, the scheme simply didn't wash.
|
||
|
|
||
|
How the networks had ever been built in the first place was also a
|
||
|
damned mystery. The secrets of net construction had apparently passed
|
||
|
into the realm of myth -- an area where Thomas carefully abstained
|
||
|
from treading. Just what had inspired Jeff Bezos to invent the
|
||
|
Netscape browser? The world might never know for sure. To be certain,
|
||
|
claims had been staked out by all of the usual suspects: Church
|
||
|
leaders, government agencies, atheist intellectuals -- the full gamut
|
||
|
of unreliable sources. But Thomas was confident he knew the real
|
||
|
score. He had realized early in life that they all made up stories --
|
||
|
lies, in fact -- that weren't supported by the available evidence.
|
||
|
Anyone who advanced a positive claim was merely covering an angle. _No
|
||
|
one_ knew the real history of the Green. Or, at the very least, he was
|
||
|
certain there had been mistakes in the recording.
|
||
|
|
||
|
Just as well, then, that young people not be misled by any wild
|
||
|
tales of human beings working together towards a collective goal. It
|
||
|
might make for a ripping yarn, fine, but this sort of cooperation just
|
||
|
wasn't going to happen. Not that he could see. In his experience,
|
||
|
human beings were incapable of effective organization, even if
|
||
|
sometimes his mind liked to hallucinate collaboration amongst his
|
||
|
enemies. It would make more sense if the networks had simply grown
|
||
|
themselves.
|
||
|
|
||
|
|
||
|
You had to market your trash to the trash men, or else they would
|
||
|
stubbornly refuse to take it away. Thomas knew this to be true, but
|
||
|
still he couldn't find the time to arrange his various bags and
|
||
|
receptacles pleasantly enough to attract their attention. Instead,
|
||
|
garbage would pile up for several weeks before he'd finally be forced
|
||
|
to trudge down to the edge of the yard, spit on the road, and go to
|
||
|
work creating a minimally effective layout. These city trash men
|
||
|
thought they were critics. Thomas knew full well that as insiders to
|
||
|
the waste reclamation industry, their own garbage would never be
|
||
|
subjected to the ridicule of their peers. Instead, a trash man's
|
||
|
refuse would be hauled off periodically, sight-unseen. Thomas resented
|
||
|
the situation because it just wasn't fair. He could feel his hate for
|
||
|
the double-standard solidifying in his back. Why did consumers let the
|
||
|
government get away with this?
|
||
|
|
||
|
|
||
|
Thomas spied his friend Gordon coming up the road.
|
||
|
|
||
|
"What up, G?" he asked.
|
||
|
|
||
|
"I dunno, man. Field trip around the sun, I guess."
|
||
|
|
||
|
Thomas fingered his visor until the face of his friend came into
|
||
|
focus. Gordon had that look about him, as if he'd just been slipped
|
||
|
counterfeit money. (Money. Another conspiratorial delusion. Thomas was
|
||
|
undecided as to whether this particular fiction yieled sufficient
|
||
|
utility to warrant his playing along. Convenient, since he was usually
|
||
|
broke.)
|
||
|
|
||
|
"What are you doing to your face," asked Gordon.
|
||
|
|
||
|
"What do you mean?"
|
||
|
|
||
|
"There, your face. Why are you moving your hand around as if you
|
||
|
were manipulating some sort of device, or making some sort of minute
|
||
|
adjustments to your eyebrows. There's nothing there. Just that wrinkly
|
||
|
old skin wrapped around your skull."
|
||
|
|
||
|
Thomas moved to punch Gordon in the arm. Just then, he slipped off
|
||
|
of the stairs and toppled to the ground. He felt his hip shift out of
|
||
|
its socket as he struck the hard stone beneath him. Resigned to the
|
||
|
pain, he put his hand down in the snow and groaned.
|
||
|
|
||
|
"Can you help me up, please?" he said. "My damn ass is broken."
|
||
|
|
||
|
Perversely, Thomas' visor clicked through its boot-up sequence and
|
||
|
once again resumed service.
|
||
|
|
||
|
Click. Click. Click.
|
||
|
|
||
|
But the settings were futzed. Thomas could see through Gordon's
|
||
|
pants.
|
||
|
|
||
|
"Nice briefs," he said.
|
||
|
|
||
|
|
||
|
END BOOK ONE
|
||
|
|
||
|
|
||
|
BOOK TWO
|
||
|
|
||
|
|
||
|
THE GREEN
|
||
|
|
||
|
tags: 1918
|
||
|
|
||
|
Mary lit candles while I made some adjustments to the sound levels
|
||
|
and then paced off the markers on the stage. The trees were turning up
|
||
|
their leaves and the cold breeze against my face indicated that the
|
||
|
sooner we got started, the better. The weather was in transition
|
||
|
again. I noticed that in the diminished light, the curtain seemed to
|
||
|
be reflecting the green from all around us. I looked down at my arms
|
||
|
and the same effect was showing against my skin. Mary smiled
|
||
|
acknowledgement from her corner of the stage.
|
||
|
|
||
|
I faced toward the swaying grass. The movement of the hillside
|
||
|
caught hold of me immediately -- I felt it pull against my stomach --
|
||
|
but once the playback started I had little trouble falling into the
|
||
|
correct rhythm. Insects in the trees began to organize their shrieks
|
||
|
around the activity on stage. Presently, our surroundings had settled
|
||
|
into smooth synchronization with the machines. The shift between
|
||
|
recognition and acceptance was instantaneous, complete.
|
||
|
|
||
|
I noticed after a while that this had all transpired without
|
||
|
incident, and so with the usual assistance from Mary I began the
|
||
|
second phase of the rite. Intonation. One voice, then two, joining
|
||
|
with the electronic pulses, slipping into the fold, setting down a
|
||
|
canopy atop the invisible scaffolding which was still emerging from
|
||
|
the loudspeakers. We erected a shelter of sound, continuing with the
|
||
|
program until almost all movement within sight had come to a stop.
|
||
|
Even the grass had ceased its inverted pendulum swing. A single drop
|
||
|
of water splashed against my face and I winced almost imperceptibly,
|
||
|
but did not waver in my vocalizations. We both turned to face the
|
||
|
hillside.
|
||
|
|
||
|
Then silence, from the both of us, and all at once it was over.
|
||
|
|
||
|
|
||
|
After an indeterminate period, Mary began to extinguish the
|
||
|
candles. I worked my way around the stage, detaching speakers and
|
||
|
re-coiling cords and plugs. The hillside below remained resolutely
|
||
|
still throughout this secondary performance, our movements a sort of
|
||
|
encore begging the mute appreciation of spring foliage. This silent
|
||
|
effect would persist for weeks before finally returning to normal.
|
||
|
Mary and I would fall back into our own familiar patterns. Clanging
|
||
|
about. We would complain that we missed the children, or that the
|
||
|
government had evolved beyond all recognition. It was comfortable, for
|
||
|
the most part. But the trees on the hillside were more thoughtful.
|
||
|
They would hold still for a few more days, perhaps as a reminder of
|
||
|
what had already passed. While I might climb back up to the stage some
|
||
|
afternoon, planning to relax with a book, my consciousness of the
|
||
|
synchronicity would have already expended itself. The resonance would
|
||
|
be completely drained. I was sure it would be the same for Mary.
|
||
|
|
||
|
I slept better that night than I had in a long time. A decade. The
|
||
|
temptation was always to think that if we'd take time out for this
|
||
|
observance just a little more often, if we'd simply make an effort to
|
||
|
keep these sentiments in our daily thoughts... Well, you know how
|
||
|
these things tend to work out. The truth is -- and this is as
|
||
|
important as any other detail you'd care to focus on -- the rite was
|
||
|
only to be performed once a year. That's how it had always been. And
|
||
|
the tradition, I think, was correct. Well-founded. The empty spaces
|
||
|
were in fact as significant as those caressed by the resonance of
|
||
|
conscious observance. The transition from one state to another could
|
||
|
only be measured along this sort of blunt, descending staircase.
|
||
|
Dividing awareness from its counterpart, one state from its successor,
|
||
|
empty to all filled up. How else could we perceive change at all?
|
||
|
|
||
|
As the rains started, I scooped up the last of the cables and
|
||
|
snapped shut the plastic container where they were stored when they
|
||
|
were not being used. A thoughtful crease appeared along the ridge of
|
||
|
my eyebrows, and Mary quickly rolled out the awning over the stage,
|
||
|
just as the downpour really began to break loose. We locked hands and
|
||
|
wandered the stone pathway back to the house, a silent song on our
|
||
|
lips as the rain beat clumps of our hair down against our ears. It
|
||
|
felt as if we were aging in reverse.
|
||
|
|
||
|
Rainwater spread over the green fallen leaves, sticking them to the
|
||
|
concrete, bulletin boarding them from the edge of the woods all the
|
||
|
way up to the house. We kicked them along as we made our way through
|
||
|
the spring shower, splashing forward to the doorway and its steady,
|
||
|
house-shaped warmth.
|
||
|
|
||
|
Until next year.
|
||
|
|
||
|
|
||
|
EPISODE IX
|
||
|
|
||
|
tags: 1957, margaret, paris_mold, tab1, the_chief
|
||
|
|
||
|
I couldn't get the lid off.
|
||
|
|
||
|
I bashed the base of the jar against the corner of a nearby table
|
||
|
(away from my body, so as to avoid the spray of flying smart glass)
|
||
|
and kicked the resulting debris out of my path. Moved back to the
|
||
|
terminal to finish transcribing. I had the bulk of the message keyed
|
||
|
in by the time the big kitchen door dissolved into its frame.
|
||
|
|
||
|
In sauntered Paris Mold.
|
||
|
|
||
|
He smoothly traversed the tile floor, making a beeline for the
|
||
|
object in my hand (and by extension, for me). He peered at my stats,
|
||
|
observing my progress without bothering to explain his presence.
|
||
|
Annoyed, I flashed him my teeth and continued typing. I carefully
|
||
|
unlatched the bag under my table with an obscured foot.
|
||
|
|
||
|
Paris' gaze slid from my keyboard to my shoulders to my scrambled
|
||
|
face in a continuous gesture. He maintained a blank expression that I
|
||
|
couldn't have mustered even with the help of electronics.
|
||
|
|
||
|
He cocked his head slightly to the left and began to speak. I
|
||
|
noticed there was a huge smudge of dirt on his cheek.
|
||
|
|
||
|
A detail such as that could be my anchor in the moments to come.
|
||
|
|
||
|
"That's one hell of a portable," Paris observed, nodding in the
|
||
|
direction of my table-top device. As if in response, the pressure
|
||
|
screen's broadcast antenna extended itself and locked into place.
|
||
|
|
||
|
Without warning, the room folded back upon itself, pulling all
|
||
|
sorts of visual transforms that reminded me of the programming
|
||
|
exercises given to small children at school. It appeared to be
|
||
|
modeling the cellular automata of snowflakes, tree branches, and the
|
||
|
flocking patterns of birds. Most of the standard primitives.
|
||
|
|
||
|
I gritted my teeth. Being this close to Paris Mold was like chewing
|
||
|
power cables. I knew I wouldn't be able to keep my head straight for
|
||
|
long, so I leaned in towards him and smiled in feeble agreement.
|
||
|
|
||
|
"Yes, boss."
|
||
|
|
||
|
Paris coughed.
|
||
|
|
||
|
Purposefully, I fastened the strap on my helmet, then clamped shut
|
||
|
my eyes until my sensors reached equilibrium. I risked one last glance
|
||
|
at Paris Mold, tightened my scrotum and tapped the device in my bag
|
||
|
with the tip of my boot.
|
||
|
|
||
|
There sounded a short series of digital squawks. Then the whole
|
||
|
place went wobbly and the walls began to collapse.
|
||
|
|
||
|
A look came over Paris' face. As the ceiling rushed to meet the
|
||
|
floor, he realized what I'd done. His expression was no longer
|
||
|
inscrutable.
|
||
|
|
||
|
Still, this was going to kill me, too.
|
||
|
|
||
|
|
||
|
I plopped in another pat of margarine and inhaled over the sizzling
|
||
|
frying pan. Folding the wrinkled bits of paper into the eggs, a series
|
||
|
of disconnected sentence fragments slowly came into view. I closed my
|
||
|
eyes and surveyed the partial collage. Three signatures in all. These
|
||
|
were definitely the forms I'd sought, but the fragments seemed
|
||
|
incomplete. Something was missing.
|
||
|
|
||
|
Tabasco.
|
||
|
|
||
|
I thumbed the labels of three different brands (there were several
|
||
|
on the shelf). Overwhelmed by the available choices, I went ahead and
|
||
|
emptied them all into the mix. A brief shot of green-smelling flame
|
||
|
licked the canopy above the stove. Spam!
|
||
|
|
||
|
I batted the fire with my spatula. Left-handed, because I was still
|
||
|
holding onto the frying pan. I had to guess about where the tongues of
|
||
|
flame were going to dart next.
|
||
|
|
||
|
In wandered Paris Mold. We didn't make eye contact; we couldn't
|
||
|
really, on account of my being blind.
|
||
|
|
||
|
I assumed he had come to apologize.
|
||
|
|
||
|
Mold was no longer my boss. But still he would offer me work from
|
||
|
time to time, bundled with an awkward expression of sympathy. He felt
|
||
|
responsible for my blindness and therefore made every attempt to wipe
|
||
|
clean his conscience by providing me with advance notice of his job
|
||
|
listings. I tolerated it only because I needed the work.
|
||
|
|
||
|
"Can't sleep?" he asked.
|
||
|
|
||
|
"Horseshit. I'm trying to finish my taxes."
|
||
|
|
||
|
"Still slaving away at that, eh? The deadline's coming up, you
|
||
|
know," he chided. "Why don't you hire an accountant?"
|
||
|
|
||
|
"These days, I've got plenty of time to waste. Besides, I was
|
||
|
hungry."
|
||
|
|
||
|
|
||
|
My finger hovered over the "eight" key while Paris regarded my
|
||
|
handiwork. I wasn't about to enter negotiations without some sort of
|
||
|
leverage -- even if that meant blowing his forehead into spun glass.
|
||
|
Paris wrinkled his eyebrows and made a disappointed sigh. So, this was
|
||
|
going to be it. With a flick of my finger, a shotgun would descend
|
||
|
from the ceiling and project a hot lead sandwich through Paris' face.
|
||
|
I judged from the sound of his low, even breathing that he was
|
||
|
standing right on top of the the marker. Almost...
|
||
|
|
||
|
The bandages on my face began to itch. I twitched, trying to adjust
|
||
|
the strips of gauze with my nose before they slid completely off of my
|
||
|
face. This must have created an awkward spectacle, given the
|
||
|
situation.
|
||
|
|
||
|
"What is that? Sign language?" Paris snickered.
|
||
|
|
||
|
A flash of rage. My eyes started to burn. I punched the "eight" key
|
||
|
vigorously. _Eat this, fuck sack!_
|
||
|
|
||
|
Then: A long, piercing beep as my keypad's buffer filled with
|
||
|
"eights."
|
||
|
|
||
|
Why wasn't it working? I looked down and saw nothing.
|
||
|
|
||
|
It transpired that my hands had slipped off of home row. I had been
|
||
|
mashing the wrong key.
|
||
|
|
||
|
The realization dawned, as my wife used to say, too little, too
|
||
|
late.
|
||
|
|
||
|
Paris Mold retaliated with extreme prejudice.
|
||
|
|
||
|
By force of habit, he went straight for my eyes.
|
||
|
|
||
|
|
||
|
They said I had been chewing on my left hand, apparently trying to
|
||
|
get at my chronometer. I complained that I hadn't managed to kill
|
||
|
Paris Mold, period, no matter what or when I'd tried. He was just
|
||
|
so... _there._ You know? Something to do with his training, I guessed.
|
||
|
It was this last remark that got me pulled from the operation.
|
||
|
|
||
|
They wanted to know if I was through wasting their time, if I was
|
||
|
ready to stop stalling. When had I planned to follow through on the
|
||
|
objective? Was I really so disoriented that I couldn't maintain
|
||
|
narrative continuity? And what was this nonsense I'd been ranting
|
||
|
about? Had I experienced fear in the presence of the Molds?
|
||
|
|
||
|
The words "dishonorable discharge" were bandied about over my
|
||
|
restrained body -- the first time such words had been mentioned in
|
||
|
relation to my person. It sounded to me like a threat. I could do
|
||
|
nothing but foam and thrash.
|
||
|
|
||
|
Had I really failed so completely?
|
||
|
|
||
|
The Molds still walked the Earth.
|
||
|
|
||
|
The Chief phoned while I was still strapped to the table. He
|
||
|
claimed that my wife had become pregnant.
|
||
|
|
||
|
I asked him how he knew.
|
||
|
|
||
|
|
||
|
THE PARTISAN
|
||
|
|
||
|
tags: 1949, 1950, 1951, 1953, 1954, mother, tab1
|
||
|
|
||
|
1
|
||
|
|
||
|
Mother didn't love me.
|
||
|
|
||
|
Well, who knows, but it sure was hard to tell. I assume she wanted
|
||
|
me gone by graduation. Pushing me out of the nest fit symmetrically
|
||
|
with first having introduced me to its warmth.
|
||
|
|
||
|
Only, I hadn't needed to be pushed.
|
||
|
|
||
|
Whatever the case, I wouldn't have stuck around once I'd secured my
|
||
|
means of escape. In fact, my childhood agenda came to center upon
|
||
|
vacating the nest at the earliest possible convenience. I told her as
|
||
|
much on a handful of occasions, which may have been an early source of
|
||
|
her resentment towards me.
|
||
|
|
||
|
Drifting, there. Such thoughts are useless for filling out my
|
||
|
report.
|
||
|
|
||
|
I dribble a handful of words into the document and save before
|
||
|
making a trip to the men's room. Time to call it a night.
|
||
|
|
||
|
Passing through the marketing department, I ponder the desks of the
|
||
|
new-hires, noticing for the first time that their cubicle partitions
|
||
|
and arm-thick contract binders serve as ballast against the
|
||
|
accumulation of personal effects. The design is intentional. In my
|
||
|
first few months at the company I never would have suspected such
|
||
|
subtle architectures of control.
|
||
|
|
||
|
I round the corner to the men's room and take a seat in the
|
||
|
furthest stall.
|
||
|
|
||
|
After a few minutes I'm faced with a problem.
|
||
|
|
||
|
No toilet paper.
|
||
|
|
||
|
2
|
||
|
|
||
|
I am out of work.
|
||
|
|
||
|
Real work, that is. My study group has been shut down.
|
||
|
|
||
|
It's the Greens. They're everywhere. Though admittedly they're less
|
||
|
numerous than in recent years.
|
||
|
|
||
|
Take my former manager. Matters of consequence on his mind. A month
|
||
|
ago he retracted our billet after deciding that my group had fielded
|
||
|
too many atheists. A security risk, he said.
|
||
|
|
||
|
What is this, the 1910s?
|
||
|
|
||
|
For a while now I've been sitting at home, steadily freezing solid
|
||
|
in my poorly insulated study. Not the best working environment, and
|
||
|
I'm not getting much done. On top of it all, Mother won't leave me
|
||
|
alone. I've had to resist the urge to flag her for rendition. I like
|
||
|
to think I've made the right decision.
|
||
|
|
||
|
This morning I discover that the Greens have cut loose my former
|
||
|
manager. I'm digging around in his account when the call comes in.
|
||
|
|
||
|
We're back on.
|
||
|
|
||
|
Patent disputes in the hinterlands.
|
||
|
|
||
|
The traffic orb on my desk glows a suggestive blue as I pick up the
|
||
|
phone to contact my team.
|
||
|
|
||
|
3
|
||
|
|
||
|
Well, that didn't last long.
|
||
|
|
||
|
Back to retail.
|
||
|
|
||
|
I work the counter between calls because no one else knows how to
|
||
|
operate the products we sell. Customers roll in and then they roll
|
||
|
back out, _au gratin_ waves of body fat wrapped in plastic garments.
|
||
|
The typical specimen reeks of a public cafeteria.
|
||
|
|
||
|
A man wanders into my zone and starts fidgeting with the boxes of
|
||
|
electronic equipment. He picks up a box and then sets it back down
|
||
|
without examining it. He repeats this awkward choreography at several
|
||
|
different positions along the isle. His movements seem aimless and
|
||
|
there appears to be no intelligent pattern underlying his
|
||
|
investigations.
|
||
|
|
||
|
What is going on here? The answer is that I don't care.
|
||
|
|
||
|
"Is there something I can assist you with, sir?"
|
||
|
|
||
|
Contractually, I cannot allow his anti-commercial behavior to pass
|
||
|
unchallenged. I maneuver myself between him and the shelves and then
|
||
|
read him one of the scripts I've been required to memorize.
|
||
|
|
||
|
"I am certified in twenty-seven dialects of formal sales
|
||
|
semantics, with a top-five ranking amongst appliance technicians in
|
||
|
the local Green. It would be my pleasure to interpret your needs
|
||
|
today. Thank you for choosing AT&T."
|
||
|
|
||
|
"Son, let me ask you a question. Do you actually _like working
|
||
|
here?"
|
||
|
|
||
|
I have to admit, there's no easy way to answer. I don't let it show
|
||
|
on my face.
|
||
|
|
||
|
From an obscured storage pouch the man produces a business card and
|
||
|
communicates it smoothly into my hand. Affixed to its underside is a
|
||
|
thousand dollar bill. I turn the tiny rectangle in my hand, staring at
|
||
|
it quizzically. What has just happened here? Gradually, I realize that
|
||
|
the currency is fraudulent. The thousand dollar bill is a facsimile,
|
||
|
printed on the reverse of the business card. I smile and the man
|
||
|
lights up, returning my grin. I swear I can hear his face skipping
|
||
|
gears.
|
||
|
|
||
|
"Five minutes of your time and that t-note becomes real, deposits
|
||
|
into the account of your choice. Spend it however you like."
|
||
|
|
||
|
It's hardly pocket change, and of course I'm well beyond broke, so
|
||
|
I gesture for him to proceed with his pitch.
|
||
|
|
||
|
Before I know it, he has me filling out paperwork, signing papers.
|
||
|
"Signing your life away," he announces, and smiles.
|
||
|
|
||
|
He doesn't seem to care about my previous experience.
|
||
|
|
||
|
4
|
||
|
|
||
|
I'm being sent to the front.
|
||
|
|
||
|
Well, _one of the fronts.
|
||
|
|
||
|
In modern warfare, someone has to keep the breathers running. My
|
||
|
orders are to install hotfixes and updates on the machines that
|
||
|
control the mobile flow tanks, which in turn feed the breathers. We
|
||
|
aren't permitted to install unauthorized programs, but everyone I've
|
||
|
ever worked with does so anyway.
|
||
|
|
||
|
Our Sergeant hosts a fileserver from his backpack.
|
||
|
|
||
|
The men of the platoon have taken to calling me "Mother." I assume
|
||
|
this is in reference to my careful maintenance of their breather
|
||
|
apparatuses. I don't find it amusing in the slightest.
|
||
|
|
||
|
In spite of improvements to our equipment, signal degradation
|
||
|
continues to render the mail unreliable. The satellite gear proved
|
||
|
flaky and we dumped it after the first week in the field. At higher
|
||
|
elevations we're sometimes able to establish line of sight with the
|
||
|
fleet.
|
||
|
|
||
|
Mother would probably like to hear from me. Maybe I'll drop her a
|
||
|
line the next time we're up the mountain.
|
||
|
|
||
|
5
|
||
|
|
||
|
Responding to aggressive stimuli, I discharge my service rifle into
|
||
|
the crowd.
|
||
|
|
||
|
My round exits the back of a man's skull and strikes the man
|
||
|
standing directly behind him. It then travels on to the next man
|
||
|
standing behind him. For a split second the perforated heads sync up,
|
||
|
their wounds aligning in a peculiar sort of optical tributary. As
|
||
|
quickly as it is formed, the channel collapses and the illusion of
|
||
|
coherence is lost.
|
||
|
|
||
|
This dynamic tableaux has been observed by several hovering
|
||
|
cameras. I'm struck by the way each unit edges past its neighbor,
|
||
|
vying for a better angle on the corpses lying at my feet. They seem to
|
||
|
deliberately ignore me and my fellow soldiers. I don't understand why.
|
||
|
|
||
|
A hand falls on my shoulder. It is the Sergeant.
|
||
|
|
||
|
_What's he doing here,_ I think to myself.
|
||
|
|
||
|
Oh, right.
|
||
|
|
||
|
6
|
||
|
|
||
|
Prison clothing is uncomfortable. In my case it fits well enough.
|
||
|
Some of my peers have been less fortunate.
|
||
|
|
||
|
I keep in step with the other prisoners. Occasionally, I catch my
|
||
|
reflection in the back of another inmate's jacket. Even out of uniform
|
||
|
we're unmistakably soldiers.
|
||
|
|
||
|
A guard shouts obscenities through a bullhorn and the man in front
|
||
|
of me stumbles. I think that I recognize him. Latino, approximately
|
||
|
twenty years of age. Infantry, definitely. Could it be?
|
||
|
|
||
|
When the guards aren't looking I kick him in the back.
|
||
|
|
||
|
"Keep up, asshole."
|
||
|
|
||
|
He gasps, flashing me the secret hand sign of our platoon.
|
||
|
|
||
|
I'm convinced now, and kick him again, this time less carefully.
|
||
|
Less the actor. I have him on the ground by the time the guard with
|
||
|
the bullhorn interrupts.
|
||
|
|
||
|
_"Move,_ faggots!"
|
||
|
|
||
|
We do as he says.
|
||
|
|
||
|
The data has changed hands.
|
||
|
|
||
|
7
|
||
|
|
||
|
I am free.
|
||
|
|
||
|
Released.
|
||
|
|
||
|
The spring sun sinks into my face. Mother has passed away at some
|
||
|
point during my incarceration.
|
||
|
|
||
|
I convalesce at home for two days before calling in to be
|
||
|
reactivated.
|
||
|
|
||
|
The boys will be anxious to hear about my experience behind bars. I
|
||
|
wonder how many of us are left.
|
||
|
|
||
|
8
|
||
|
|
||
|
And now it's back to the grind. Nothing has changed about the war
|
||
|
we've been fighting, though the locales tend to shift with the
|
||
|
seasons. We manage the periodic disorientation by assigning colors to
|
||
|
each theater of operations. This quarter we're in the Red. The
|
||
|
projection is that by next quarter we'll be in the Black.
|
||
|
|
||
|
One of our little jokes.
|
||
|
|
||
|
Oh yes, and no White after Labor Day.
|
||
|
|
||
|
Staffing is flexible, pending new developments. This rotation we're
|
||
|
at home. For us, domestic deployment (as with training) constitutes
|
||
|
leave. The boys are all present and we fall into our familiar rhythm
|
||
|
as we pace the perimeter Capitol Hill.
|
||
|
|
||
|
A froth of reporters churns to and fro between our lines. The
|
||
|
latest fashion in Washington is a press pass that authorizes the
|
||
|
bearer to cross military checkpoints with impunity. A stupid idea, to
|
||
|
be sure, but nobody asked my opinion. The cameras flit about as a few
|
||
|
of the reporters spill over in my direction.
|
||
|
|
||
|
One approaches me, brandishing a microphone.
|
||
|
|
||
|
"Corporal! What's your take on the continuance of the war? Can you
|
||
|
give me seven syllables on the reinstatement of compulsory military
|
||
|
service? The draft?"
|
||
|
|
||
|
I regard her from behind my service rifle.
|
||
|
|
||
|
Seven syllables? Let's see.
|
||
|
|
||
|
"I'm afraid I enlisted."
|
||
|
|
||
|
|
||
|
HALF-DANDY IN THE RUBBISH FACTORY
|
||
|
|
||
|
tags: 1918, lonnie, pennis_mold
|
||
|
|
||
|
Standing in the mirror and seeing that without a belt, these new
|
||
|
slacks are simply not going to stay up. I'm in danger of tipping the
|
||
|
balance between classical style and practicality, but I mustn't be
|
||
|
caught off guard if anyone should happen to catch a glimpse of me in
|
||
|
my civilian underclothes. I find something suitable in my closet and
|
||
|
pin myself into the pants, clipping a handful of mesh transceivers to
|
||
|
my blouse before pulling on the pressure suit and chiming for a ride.
|
||
|
Down in the tunnels, I don't want my breeches coming loose, getting
|
||
|
wound around my legs inside of the suit. Before exiting the apartment,
|
||
|
I remove a number of petals from a rose and press them between the
|
||
|
pages of my notebook. I savor the scent for a few moments before
|
||
|
concealing the book within my pressure suit and heading out the door.
|
||
|
|
||
|
At the entrance to the lowest tunnels I pause before a monstrous
|
||
|
installation, a war machine from some forgotten conflict of decades
|
||
|
past, and affix my collapsed flower to a placard situated below the
|
||
|
airplane. It is humid enough that the petals stick to its slick
|
||
|
surface with little effort. Even in this diffuse lighting, the mighty
|
||
|
nose and wings of the plane gleam immodestly, and I am ashamed to
|
||
|
experience a wave of exhilaration, prostrate as I am before such a
|
||
|
reverential display of murderous articulation. I gather myself and
|
||
|
proceed to the elevators.
|
||
|
|
||
|
|
||
|
In my mind it is all quite different than this.
|
||
|
|
||
|
I embody two discreet realities. Suffering alone, I am continuously
|
||
|
in peril of favoring one reality over the other. As of late, a new
|
||
|
barricade has been thrown up, an obstruction that permanently divides
|
||
|
these tandem perspectives of the rubbish factory. Necessity demands
|
||
|
that I pick a side and entrench my position, but my heart cries out
|
||
|
for reconciliation.
|
||
|
|
||
|
I take solace in the fact that, being made of plaster, the dividing
|
||
|
wall will eventually bow under its own weight.
|
||
|
|
||
|
If memory serves, a similar plaster wall erected around the
|
||
|
masterpiece _Il Cenacolo_ protected it from the onslaught of mechanized
|
||
|
warfare, early in the last century. No one expected a fresco to stand
|
||
|
against mortar fire, but here our fellow Leonardo had produced a hare
|
||
|
from his conical hat. The wall stood firm though the building around
|
||
|
it crumbled to dust.
|
||
|
|
||
|
I see now that such a wall can be made to serve a useful purpose.
|
||
|
Do I really wish for all the evil in my thoughts to pass so freely? It
|
||
|
is at moments such as these that I find it crucial to get something
|
||
|
down on paper, before mind's effluvium carries mind itself away on a
|
||
|
raft of sudden, fatiguing currents. In truth, I write to cleanse the
|
||
|
palate. There is a bad taste in my mouth after three weeks toiling on
|
||
|
the latest factory inventory. Lonnie plays Microsoft SOLITAIRE at his
|
||
|
desk while I scribble in my notebook.
|
||
|
|
||
|
Furthering my previous thought, let us now consider the plaster
|
||
|
wall in my mind as ballast. A shift in perspective to interpret the
|
||
|
empty, unused spaces as the most precious of cargo: a portal to new
|
||
|
understanding.
|
||
|
|
||
|
I boot up a fresh sheet of paper, reflecting upon the true nature
|
||
|
of metaphor as filler. A great sewer main has burst in my mind,
|
||
|
carrying forth copious amounts of shit and piss -- both having been
|
||
|
lodged quite stubbornly in the pipe. This is the opposite of the wall.
|
||
|
I observe as each new parcel of feces floats away, bobbling down the
|
||
|
stream. There is something that cannot be contained within a mind such
|
||
|
as my own, a mind that is slowly breaking up, dividing into dull, gray
|
||
|
cubicles.
|
||
|
|
||
|
It seems that we have come full circle.
|
||
|
|
||
|
Which way is it going to be, then? Walls to divide, or portals to
|
||
|
connect?
|
||
|
|
||
|
They are both the same. Textures that are defined, even as they are
|
||
|
described, by the perceiving apparatus.
|
||
|
|
||
|
There is a great wealth of surface detail to be absorbed, to be
|
||
|
sorted, and I do carry on exploring, but I find that there is only one
|
||
|
true form of currency, here in the rubbish factory, and that is the
|
||
|
universal reserve of the personal imagination. It proves to be an
|
||
|
_aether_ that never devalues, that is never appraised relative to
|
||
|
markets or governments -- it is the ineffable substance that
|
||
|
constitutes essential wealth.
|
||
|
|
||
|
Reaching this point of minor resolution, I close up my notebook and
|
||
|
stuff it into one of the compartments of my pressure suit. A whistle
|
||
|
sounds, groaning, pixelated. A gavel is banged and my mental courtroom
|
||
|
clears of solicitors, making room for me to think other thoughts, to
|
||
|
reconnect the cycling belt of my psyche back to the idling gears of
|
||
|
its cadaver.
|
||
|
|
||
|
It is time for lunch.
|
||
|
|
||
|
|
||
|
We men clamber into the mess hall, which has not yet reached fifty
|
||
|
percent capacity. Two- and three-man teams are clotted into
|
||
|
flesh-colored scabs around the edges of each steel table. We dine on
|
||
|
whatever has been set down in front of us by the kitchen staff.
|
||
|
Between bites of supper, we trade raucous barbs.
|
||
|
|
||
|
"And what, pray tell, is the _value_ of this thing called beauty," a
|
||
|
colleague stands up and asks, apparently to no one.
|
||
|
|
||
|
A few of the men turn around in their seats to face the speaker.
|
||
|
Some of them get up and leave altogether. But most simply pick over
|
||
|
their lunch trays and stare at their food, seemingly oblivious to the
|
||
|
philosophical gauntlet that has been thrown down.
|
||
|
|
||
|
"Ah, yes, the _dominant minority,"_ a familiar voice chimes in.
|
||
|
|
||
|
"Rather, I should say, an _aristocracy of merit,"_ counters the
|
||
|
original speaker, earning smiles from every participating table.
|
||
|
|
||
|
I appreciate exchanges like this, here in the lunch room, as they
|
||
|
afford us men the chance to unwind between extended shifts in the
|
||
|
tunnels. The work can be grueling, the hours long. The repetitive
|
||
|
plunging of gloved hands or shielded feet into the crowded arteries of
|
||
|
the sanitation lines coarsens men to fellowship. But here, we make our
|
||
|
own peace with our situation. Here, we arrive on the cusp of our
|
||
|
destinies by the strain and sweat of our honest toil. It is a kind of
|
||
|
progress.
|
||
|
|
||
|
|
||
|
Before things really get started, a triumvirate of management
|
||
|
stride into the room, enjoying a buffer nearly three meters in
|
||
|
diameter as they pass between the huddles of workmen. I grip my lunch
|
||
|
tray with trepidation as they float past my table, unsure of the
|
||
|
purpose for their visit.
|
||
|
|
||
|
What I notice first is the impeccable styling of their attire. Even
|
||
|
when down in the tunnels, these gentlemen always -- _always_ -- keep
|
||
|
their gear clean. In the general low-light conditions of the sewer, it
|
||
|
is their bejeweled teeth and resplendent gold necklaces which can
|
||
|
first be seen approaching, glittering through the humid mists of
|
||
|
municipal waste. At times, the ricocheting reflections may cause an
|
||
|
entire face to disappear, or at least, they may seem to disappear when
|
||
|
one's vision is obscured by a pressure suit mask. But here in the mess
|
||
|
hall, we all remove our helmets to talk and eat. Here, the glare does
|
||
|
not obscure but instead serves to illuminate.
|
||
|
|
||
|
The small group approaches now, my own supervisor striding to the
|
||
|
fore. His low-slung denim splits into a Cheshire grin of plaid cotton
|
||
|
undergarments. The suede of my supervisor's sneakers appears to be
|
||
|
freshly brushed, having accumulated no floating particles of detritus
|
||
|
or dirt. His tasteful, oversize polo tee asserts the classic dialectic
|
||
|
of red and white striping, situated masterfully alongside a deep blue
|
||
|
rectangle bearing numerous white stars, each of self-evident, sacred
|
||
|
significance. I am somewhat taken aback by this sudden explosion of
|
||
|
color. It is a moment I cherish even as it overwhelms me, and I
|
||
|
briefly clench my eyelids together, attempting to trigger my mesh
|
||
|
camera, to stream the scene into the pages of my department's
|
||
|
distributed memory.
|
||
|
|
||
|
|
||
|
As the managers pass my table they hesitate, stop, and then double
|
||
|
back.
|
||
|
|
||
|
My supervisor's nostrils incline perceptibly. As one, the group
|
||
|
turns to face me. I swallow the food in my mouth, which goes down the
|
||
|
wrong way, and I begin to worry about the visible stubble on my face.
|
||
|
How must I appear to them?
|
||
|
|
||
|
"Yo, ya'll have been selected, son! We're up in this place to
|
||
|
request that you authorize a temporary application fee of two billion
|
||
|
credits to secure your promotion to management. Know what I'm sayin',
|
||
|
cousin? To authenticate this ceremonial enhancement, please press
|
||
|
here, fool. Fa sho."
|
||
|
|
||
|
I place my thumb onto the reader and press down, weakly. This
|
||
|
elicits a further vocalization.
|
||
|
|
||
|
"Peace. Five thousand, G."
|
||
|
|
||
|
And then they are gone.
|
||
|
|
||
|
I am quite literally bowled over, and my lunch tray pinwheels to
|
||
|
the floor in pursuit of my limp form. Lonnie, faithful companion of lo
|
||
|
these many years, helps me back to my seat as I slowly regain my
|
||
|
composure. Gradually, the ramifications of what has just happened
|
||
|
begin to sink in. Promotion will mean an increase in my pension, new
|
||
|
quarters... and an unlimited civilian clothing allowance. I have just
|
||
|
been created anew. Afforded a repeat birth. I switch on all mesh
|
||
|
transceivers and begin capturing every possible angle of my
|
||
|
surroundings, preserving this vital moment, etching a record for the
|
||
|
corporate archives, for my descendants, for their inheritors.
|
||
|
|
||
|
|
||
|
"What up, son," Lonnie chides, adopting the formal tone of
|
||
|
management in a sort of mockery of their stiff, proper elocution.
|
||
|
"These negroes done lost they minds."
|
||
|
|
||
|
I nod my head slightly, acutely aware of the expanse that now
|
||
|
separates our respective circumstances. The great plaster partition
|
||
|
has come crashing apart in my mind, and in this instant, the dejected,
|
||
|
isolated occupants of each chamber are crushed together, the sticks of
|
||
|
pious liberty bundled into a final, immobilizing unity. I eschew my
|
||
|
former concerns, beholden as they were to considerations of slop and
|
||
|
waste. The combustion of my thoughts is now fueled solely by the light
|
||
|
of its own countenance.
|
||
|
|
||
|
Lacking a prepared response, I yield to myself completely.
|
||
|
|
||
|
My face droops into my hand. A bent elbow evenly supports the
|
||
|
increased weight of my skull, flesh and excessively powdered hair. I
|
||
|
find that I have grown suddenly weary of contemplating the great
|
||
|
weight of my responsibility. Lonnie will come to appreciate this
|
||
|
fatigue if ever he is called up, into the obdurate embrace of his
|
||
|
betters.
|
||
|
|
||
|
But at this moment I cannot expect him to fully understand. Not
|
||
|
while he still finds himself tethered to the undercarriage of our
|
||
|
labyrinth of shifting human shit.
|
||
|
|
||
|
I look at him and it is obvious he cannot understand what I have
|
||
|
become.
|
||
|
|
||
|
"Dandy," I finally reply, employing the crude language of the
|
||
|
tunnels. I burp towards the mess hall out of politeness. In the
|
||
|
resulting silence I pick at the visor of my helmet.
|
||
|
|
||
|
Lonnie makes a face, forlorn, but still he says nothing.
|
||
|
|
||
|
I wave him away. I excuse myself and leave my tray for the staff to
|
||
|
clear.
|
||
|
|
||
|
I am already running next month's numbers in my head.
|
||
|
|
||
|
Fitting my manicured hands to the master controls of the rubbish
|
||
|
factory.
|
||
|
|
||
|
|
||
|
ASDFASDF
|
||
|
|
||
|
tags: 1979, erik, roger, tab2
|
||
|
|
||
|
Thomas adjusted the focus of his visor and opened three new chat
|
||
|
windows. He joined the appropriate channel in each window, issued
|
||
|
greetings to everyone, and then banked his fighter jet into a cloud,
|
||
|
dodging enemy fire. He checked his screens but it looked like everyone
|
||
|
else was idling.
|
||
|
|
||
|
|
||
|
Roger crushed the soda can beneath her foot and stomped into the
|
||
|
building. Behind her, Erik dribbled the rest of his beverage into the
|
||
|
gutter and followed suit. Both of them were late for duty.
|
||
|
|
||
|
|
||
|
<Thomas_> Oh well, here we are again, crammed into this office when
|
||
|
it's windy and gray outside. No cold London breeze in our faces today,
|
||
|
boys! By the time you read this, I'll have flattened quite a bit of
|
||
|
real estate, I'd imagine. Oh well, where does the time go.
|
||
|
|
||
|
<Rog> Is someone stroking you off over there?
|
||
|
|
||
|
<Thomas_> That's offensive. And just where the spam have you two been.
|
||
|
|
||
|
<erikw> i'm so spamming tired
|
||
|
|
||
|
|
||
|
A flash crossed all of their screens at once. A vibrant pink square
|
||
|
that obscured half of the desktop, causing Roger (at least) to
|
||
|
misdirect her fire towards a friendly.
|
||
|
|
||
|
|
||
|
Folks,
|
||
|
|
||
|
RDO (Regular Day Off)
|
||
|
|
||
|
Since we are starting a run on training next week and through
|
||
|
September for various classes (other course scheduling to be
|
||
|
announced), we will be depending on all to help keep our levels up as
|
||
|
well as possible, as you have these last couple of weeks. Since
|
||
|
Thursday and Friday are always busy days anyway, we'd like to ask
|
||
|
anyone with their RDO on Thurs and Fri to work OT during our critical
|
||
|
time. That can be up to 8 hours starting between 7am-9am, and possibly
|
||
|
a couple more depending on how busy it is.
|
||
|
|
||
|
Then from next week on until further notice, we'd like those that
|
||
|
will, to work OT on their RDOs between the same starting times, with
|
||
|
the possible 2 hrs extra on top of the 8 if business needs are heavy.
|
||
|
If you cannot work the full 8 but can work 4 hrs between 10am-2pm or
|
||
|
11am-3pm (same for this Thur & Fri), that would help out during the
|
||
|
lunch periods. Of course working through lunch is also authorized w/
|
||
|
break splitting until further notice.
|
||
|
|
||
|
|
||
|
Thomas cleared the flash and flitted his eyes back to incoming.
|
||
|
Roger and Erik actually finished reading the entire message.
|
||
|
|
||
|
The result of their decision was immediately apparent.
|
||
|
|
||
|
Rockets in the air. Thomas vectored wildly, but it was clear that
|
||
|
convergence was only a matter of time. The air support team (the happy
|
||
|
trio, all together) cursed simultaneously.
|
||
|
|
||
|
The potential flight paths whirling in front of them were useless.
|
||
|
TelemeTry was lagging again. The sky was infinite white on every side.
|
||
|
|
||
|
Roger and Erik backed off of the target and regained control of
|
||
|
their vehicles.
|
||
|
|
||
|
Thomas, for his part, had lost the ground.
|
||
|
|
||
|
|
||
|
asdfasdfasdfasdfasdf
|
||
|
|
||
|
|
||
|
<erikw> i wasnt going to come in at all today but it turns out i've
|
||
|
already used up my personal days for the rest of the year. it's
|
||
|
fucking january!
|
||
|
|
||
|
<Rog> I was in the cafeteria and I heard Sarge talking spam about us
|
||
|
not getting 20 minute breaks anymore after this quarter
|
||
|
|
||
|
<erikw> fuck that! argh. that does it, i'm deleting his account on
|
||
|
webster. no more free zero day for him!
|
||
|
|
||
|
<Thomas_> Hey guys.
|
||
|
|
||
|
<Thomas_> I am SO not working overtime this weekend
|
||
|
|
||
|
|
||
|
asdfasdf
|
||
|
|
||
|
|
||
|
Thomas drummed his fingers on his desk absentmindedly. Presently,
|
||
|
UTF-8 characters appeared in front of his eyes, translucent, but still
|
||
|
rather annoying as they partially obscured his vision. He finished
|
||
|
logging his flight ticket and got himself up, out of his chair.
|
||
|
|
||
|
As usual, Erik and Roger were a few minutes longer in getting their
|
||
|
acts together. This was exacerbated by Erik accidentally brushing his
|
||
|
elbows against Roger's breasts, several times, in the space of just a
|
||
|
few minutes.
|
||
|
|
||
|
After she'd finished repeatedly punching him in the gut, both
|
||
|
airmen caught up with Thomas and took their places next to him in the
|
||
|
chow line, where they casually compared the features of their newly
|
||
|
upgraded visors.
|
||
|
|
||
|
"I'm always waiting for you guys. Spam like this is why we lose so
|
||
|
many airplanes."
|
||
|
|
||
|
Thomas held his serious expression for several seconds, and then
|
||
|
they all burst into laughter.
|
||
|
|
||
|
|
||
|
I'M JUST SAYING
|
||
|
|
||
|
tags: 1979, christopher, violet
|
||
|
|
||
|
"Every time I walk past your desk you're reading that damned feed."
|
||
|
|
||
|
"Do you see the flaw in this?" Violet asked. "Every time you see me
|
||
|
reading the feeds, you're away from your own desk. You'd never even
|
||
|
know I was breaking the rules if you weren't up, walking around,
|
||
|
breaking them yourself."
|
||
|
|
||
|
Frankly, there had been little to distinguish her until fairly
|
||
|
recently. The spring quarter had perhaps brought about a kind of
|
||
|
transformation. Certainly, she'd taken well to his instruction.
|
||
|
Christopher mused (to himself) that perhaps what he admired in her
|
||
|
most was his own reflection. But this was a profoundly disagreeable
|
||
|
notion, and he discarded the thought. The light from the office window
|
||
|
played softly in her hair. He would try again. There could be no harm
|
||
|
in trying.
|
||
|
|
||
|
"No, Violet, Newton did _not_ hold that the Green was eternal. A
|
||
|
gentleman of his era would not even have been able to perceive the
|
||
|
Green."
|
||
|
|
||
|
"Now you're just _lying,"_ said Violet.
|
||
|
|
||
|
_"Nullius en verba,"_ sighed Chris. "Trust, but verify. Or in other
|
||
|
words, do your own research. You see, it doesn't matter if you believe
|
||
|
me or not. This isn't a relative matter. The Green did not exist in
|
||
|
the seventeenth century -- it's not merely an assertion, it's an
|
||
|
incontrovertible fact."
|
||
|
|
||
|
"According to your essentialist bias," Violet said. "But what are
|
||
|
'facts,' anyway?"
|
||
|
|
||
|
There was no answer. It was a meaningless question.
|
||
|
|
||
|
Violet's mouth creased acutely at its corners, her eyes tracing the
|
||
|
arc of the golden ratio as Christopher shifted in his work trousers,
|
||
|
unsure of how to proceed. He could no longer remember what he had been
|
||
|
trying to say, or why. He stopped typing in order to formulate his
|
||
|
response.
|
||
|
|
||
|
"All you need to know about Newton is this: his work on optics may
|
||
|
have indeed set the stage for the eventual overturning of his work on
|
||
|
motion."
|
||
|
|
||
|
"That's _seriously_ not even true," said Violet. "Einstein was very
|
||
|
clear that his own work should not be seen to _supersede_ Newton's,
|
||
|
but merely to build upon the foundations laid by his able predecessor.
|
||
|
Newtonian mechanics is still quite viable from virtually any
|
||
|
perspective. Even today."
|
||
|
|
||
|
"I'm just saying," she added.
|
||
|
|
||
|
"And yet, you cling to this notion that Newton knew of -- communed
|
||
|
with -- the Green. That he had some sort of access to the network."
|
||
|
|
||
|
"Didn't he?" asked Violet, rolling her eyes behind her face-mask.
|
||
|
|
||
|
_"No,"_ said Chris, finding himself increasingly frustrated, in more
|
||
|
ways than one.
|
||
|
|
||
|
|
||
|
Violet drifted away. She thought to herself: _When I lay my head
|
||
|
down, now, my dreams are as stories, are no longer as the psychotic,
|
||
|
Dadaist collages to which I've become accustomed. Humble, linear
|
||
|
narratives. But what is more important to me? Lucid memories of my
|
||
|
childhood or the removal of this block, the lifting of this veil that
|
||
|
has descended, that so complicates my machinery?_ She was unaware of
|
||
|
how she appeared, laying prostrate over her desk. Consequently, she
|
||
|
was oblivious to her co-worker's mounting discomfort.
|
||
|
|
||
|
|
||
|
Christopher excused himself and retreated to the men's room.
|
||
|
|
||
|
He latched the stall. He took down his trousers and began to
|
||
|
masturbate furiously into the toilet. His heartbeat rapidly outpaced
|
||
|
the ticking of his chronometer. His breathing quickened appreciably as
|
||
|
the sweat from his forehead poured into his eyes.
|
||
|
|
||
|
Presently, a long, slow moan escaped from his lips.
|
||
|
|
||
|
It was then that Christopher noticed the presence of a co-worker,
|
||
|
seated in the adjacent stall.
|
||
|
|
||
|
"I'm just saying," the co-worker said, and folded his newspaper.
|
||
|
|
||
|
|
||
|
MY VIOLET DUCHY
|
||
|
|
||
|
tags: 1967, margaret, tab1, tab2, violet
|
||
|
|
||
|
Mother fitted Violet's mask into place, but that did nothing to cap
|
||
|
the jet of words spraying from her face.
|
||
|
|
||
|
I _hated_ my sister.
|
||
|
|
||
|
|
||
|
Violet: "All of this leaf stuff is still undecided. It'll be difficult
|
||
|
to unseat the pressure screen in this household, especially with Dad.
|
||
|
I wouldn't wager my summer vacation on that contraption. I doubt if
|
||
|
he'll buy it from you."
|
||
|
|
||
|
Thomas: "The thing about this device neither of you seem to understand
|
||
|
is that it's much more than a simple substitute for the pressure
|
||
|
screen. Just look at it's features! The interface is remarkable, even
|
||
|
to functional illiterates such as yourselves. See how it responds so
|
||
|
readily to the touch of my finger? I'm certain he'll be as excited
|
||
|
about it as I am."
|
||
|
|
||
|
Mother: "Isn't this a bit like that old LCD screen you dug out of the
|
||
|
back yard, Thomas? I don't understand what's so interesting about it.
|
||
|
It doesn't even _speak._ Violet is probably right: your father is not
|
||
|
going to compensate you for this find, I'm afraid..."
|
||
|
|
||
|
Thomas: "..."
|
||
|
|
||
|
Violet: "He's not going to allow it into the house anyway. Are _you_
|
||
|
going to tell him where you found it, or should I? _Ouch,_ Mom, the pin
|
||
|
goes into my blouse, not my neck!"
|
||
|
|
||
|
Thomas: "Sure, I'll tell him. Though I'm not convinced his consent is
|
||
|
even relevant at this point. How is he going to say no when the device
|
||
|
could prove indispensable to his work? Classical pressure screens are
|
||
|
not going to be interoperable with the new networks. Is Dad going to
|
||
|
let us go broke just so he can pretend the market still values his
|
||
|
pre-war skillset?"
|
||
|
|
||
|
Mother: "Thomas."
|
||
|
|
||
|
Thomas: "Blame the market. I didn't invent supply and demand. Finding
|
||
|
this thing in the trash doesn't _make_ it trash."
|
||
|
|
||
|
Violet: "I have to wonder if there's any significant _purpose_ to all
|
||
|
of these upgrades. In a few months time there'll be another new device
|
||
|
to replace this one, and then, in the fall, a new device to replace
|
||
|
_that_ one. Haven't you discerned a pattern yet, Thomas?"
|
||
|
|
||
|
Thomas: "I haven't the slightest idea what you're on about."
|
||
|
|
||
|
|
||
|
SHELL OUT
|
||
|
|
||
|
tags: 1969, christopher, frankie_willard, tab2
|
||
|
|
||
|
When you lay your shell down on the street, you have to expect that
|
||
|
someone is going to come along and pick it up. Frankie considered this
|
||
|
self-evident fact to be ample justification for his scooping up the
|
||
|
small piece of equipment and dropping it into his pocket. So far as he
|
||
|
could tell, no one had noticed him retrieving the device. Out on the
|
||
|
street, such random finds were rare.
|
||
|
|
||
|
Now, if only he could figure out what it was supposed to be.
|
||
|
|
||
|
|
||
|
Thomas Bright immediately recognized the shell's function. He
|
||
|
observed his friend's actions and contrived to take the object away
|
||
|
from him. By force, if necessary.
|
||
|
|
||
|
Presently, he asserted himself.
|
||
|
|
||
|
"Hey Frankie," he yelled.
|
||
|
|
||
|
The fight unspooled quickly, with Thomas shrugging off an abrasion
|
||
|
and Frankie doubling over on the pavement, nursing a lacerated fist
|
||
|
that had rolled through a patch of broken glass. Frankie's attempt at
|
||
|
securing a headlock had proven ineffective.
|
||
|
|
||
|
Thomas surveyed the battlefield, projecting a wide, mischievous
|
||
|
grin from beneath his visor.
|
||
|
|
||
|
"What?" asked Frankie.
|
||
|
|
||
|
The display of glistening of teeth had set Frankie's legs to
|
||
|
feeling remarkably naked beneath the hem of his cargo shorts. With all
|
||
|
of his extra equipment, Thomas was more resourceful than Frankie had
|
||
|
supposed.
|
||
|
|
||
|
"How many of my cigarettes would you say you burn through in a
|
||
|
week?" Thomas asked, gesturing pointedly and exhaling imaginary smoke
|
||
|
into Frankie's face.
|
||
|
|
||
|
|
||
|
Blocks of light exchanged positions in front of Thomas' eyes.
|
||
|
Discharges of air escaped through his lips at regular intervals as he
|
||
|
considered how to attach Frankie's shell to his home feed. It was
|
||
|
imperative to dump the shell's contents into temporary storage as
|
||
|
quickly as possible. By the time Thomas had established connectivity
|
||
|
with the mesh, his errant verbalizations had organized themselves into
|
||
|
a frivolous melody.
|
||
|
|
||
|
Christopher, for one, was unimpressed with the one-off vocal
|
||
|
performance. He observed that Thomas tended to drift off-pitch, which
|
||
|
was only partially ameliorated by the reverberations of the tiled
|
||
|
bathroom walls.
|
||
|
|
||
|
"Soaked in reverb, your off-key caterwauling almost resolves into
|
||
|
music," Chris stated, flatly.
|
||
|
|
||
|
"Thanks," said Thomas.
|
||
|
|
||
|
"What's the point of booting up this device if we can't connect it
|
||
|
to our other equipment?"
|
||
|
|
||
|
"I'm appalled by your doubt. As well as your seeming inability to
|
||
|
negotiate novel obstacles," Thomas complained. He laid down his tool
|
||
|
on the counter and replaced it with another from his toolbox. "Please
|
||
|
observe as I perform the necessary operations to bring this device's
|
||
|
configuration into parity with our extant systems and software."
|
||
|
|
||
|
"But Thomas, this piece of equipment doesn't conform to open
|
||
|
standards. Carrying out your plans would be at cross-purposes to our
|
||
|
SOP; the greater work of populating our testbeds with only _legally
|
||
|
unencumbered technologies."_
|
||
|
|
||
|
As the dialogue progressed, Thomas worked the casing off of the
|
||
|
shell and proceeded to probe its internals. After a brief interlude of
|
||
|
utter silence, he let out a whoop and spun around to present the
|
||
|
results of his efforts.
|
||
|
|
||
|
A holographic image of Thomas flickered into existence,
|
||
|
approximately four inches above the device. The projection aped
|
||
|
Thomas' every word and movement, allowing for a slight delay.
|
||
|
|
||
|
"Just because you can modify it doesn't make it _free_ -- that is,
|
||
|
er, redistributable," Chris tried to quip, but it had come out all
|
||
|
wrong, mixed-up, as a wave of dizziness seemed to be interfering with
|
||
|
his verbal faculties. "You can't even sell the thing now."
|
||
|
|
||
|
"Oh, give me some credit. I don't _plan on selling it. Hand me the
|
||
|
smallest forceps."
|
||
|
|
||
|
Chris could no longer tell if he was getting dizzy or merely
|
||
|
getting confused.
|
||
|
|
||
|
"Then why are we wasting time examining it?" he asked.
|
||
|
|
||
|
Thomas looked up at him, perturbed.
|
||
|
|
||
|
"For the funk of it," he said, and then added, "I'm going to fine
|
||
|
you if you keep asking me these stupid questions."
|
||
|
|
||
|
|
||
|
GENDER SMURF
|
||
|
|
||
|
tags: 1968, albert_lunsford, bob, piro, tab1
|
||
|
|
||
|
"You fucking faggot!" my co-worker cried as he leaped out of his
|
||
|
pick-up truck and clapped me on the ear.
|
||
|
|
||
|
I placed my satchel on the picnic table and opened it. We got to
|
||
|
work immediately.
|
||
|
|
||
|
|
||
|
"There's no point in shutting down the whole group," Piro pointed
|
||
|
out.
|
||
|
|
||
|
"Oh, you're absolutely right," I said. "I think we can accomplish
|
||
|
more by poisoning the well."
|
||
|
|
||
|
Piro had the black box up and running. Every message posted to the
|
||
|
Albert Lunsford group would flow through our illicit kernel module
|
||
|
before it even reached the group's database. In this way, we would
|
||
|
tamper with reality.
|
||
|
|
||
|
"I used your wife's name for one of my fake logins," Piro remarked.
|
||
|
|
||
|
I popped him in the arm.
|
||
|
|
||
|
"Hey, it was easy to remember."
|
||
|
|
||
|
"Just keep your story straight when you're posting. There aren't
|
||
|
many females active on the group; these guys will notice if you get
|
||
|
your continuity out of whack."
|
||
|
|
||
|
I pulled up a sample message.
|
||
|
|
||
|
|
||
|
Date: Sun, 05 Oct 1968 04:44:16 -0000
|
||
|
To: albert.lunsford@groups.thegreen
|
||
|
Message-ID: <gcajs0+q6lf@groups.thegreen>
|
||
|
In-Reply-To: <gc66fj+5ers@groups.thegreen>
|
||
|
User-Agent: THEGREEN-EW/0.82
|
||
|
MIME-Version: 1.0
|
||
|
Content-Type: text/plain; charset="ISO-8859-1"
|
||
|
Content-Transfer-Encoding: quoted-printable
|
||
|
|
||
|
From: "no_such_name" <nosuchname@residential.thegreen>
|
||
|
Subject: Fifteen Impossible Things to Believe Before Breakfast Or Else
|
||
|
You're a Feminist
|
||
|
|
||
|
Fifteen Impossible Things to Believe Before Breakfast Or Else You're a
|
||
|
Feminist
|
||
|
|
||
|
1. People are inherently good, and therefore communism doesn't work
|
||
|
because it postulates that human nature is trustworthy. Similarly, a
|
||
|
democratic-republic such as the United States and Territories is
|
||
|
superior to communism because it pits people's interests against one
|
||
|
another in a system of checks and balances, rather than trusting that
|
||
|
humans will, of their own accord, make the right choices. Also,
|
||
|
because people are inherently good, ninety-eight out of every one
|
||
|
hundred of them end up in Hell.
|
||
|
|
||
|
2. Women are less equal than men as human beings and therefore should
|
||
|
never have been given the right to vote. However, since women have
|
||
|
already been given the right to vote, it is a good idea to let them
|
||
|
keep it, even though they are messing up the whole world with their
|
||
|
bad choices.
|
||
|
|
||
|
3. Women are clinically insane because psychiatry is bogus medicine,
|
||
|
therefore Albert Lunsford is not insane because he has not been
|
||
|
diagnosed as such by a psychiatrist.
|
||
|
4. Only liberal feminists would consider a six-year-old boy to be
|
||
|
eligible for political asylum, therefore those who don't consider a
|
||
|
six-year-old boy eligible for political asylum are liberal feminists.
|
||
|
|
||
|
5. Most illness is a result of demonic possession.
|
||
|
|
||
|
6. Conspiracies in government are unlikely, if not impossible, because
|
||
|
the government is so large as to make keeping a secret impossible, and
|
||
|
because government employees make less money than private employees.
|
||
|
|
||
|
7. No Republican would ever accuse a public official of murder or
|
||
|
other atrocities, because to do so would be disloyal to their country,
|
||
|
and because public officials make less money than private employees.
|
||
|
|
||
|
8. A fiscal conservative is still a liberal if they do not believe in
|
||
|
God, therefore a theist who believes in extorting tax dollars at
|
||
|
gunpoint is a conservative.
|
||
|
|
||
|
9. The impending completion of Lunsford's twenty-six year graphic
|
||
|
novel project triggered a natural disaster that killed thousands of
|
||
|
people, therefore keeping the storyline in print is absolutely
|
||
|
necessary to fulfilling God's will.
|
||
|
|
||
|
10. The Dead Sea Scrolls contain a word-perfect copy of the Old
|
||
|
Testament in its entirety, therefore the other texts bundled with it
|
||
|
are of negligible value, and the 1591 King James Bible is the inerrant
|
||
|
Word of God even though different copies of the same text varied due
|
||
|
to the nature of printing technology in 1591.
|
||
|
|
||
|
11. Albert Lunsford is the first person in the history of mankind to
|
||
|
have unlocked the true meaning of the Old Testament, the New Testament
|
||
|
and the Koran, and therefore he is not a Prophet.
|
||
|
|
||
|
12. RFC #289/290 represents a Unified Field Theory of physics which is
|
||
|
not only coherent, but correct, all without reference to mathematics.
|
||
|
This theory is not given the credit it is due because comic book fans
|
||
|
are afraid to admit that Albert Lunsford is right about everything on
|
||
|
this list.
|
||
|
|
||
|
13. RFC itself is not given the credit it is due in the comics
|
||
|
industry because comic book fans are afraid to admit that Albert
|
||
|
Lunsford is right about everything on this list.
|
||
|
|
||
|
14. Failure to agree with anything in the above list is evidence that
|
||
|
you are a Marxist/Feminist/Homosexualist, and therefore not Albert
|
||
|
Lunsford, and therefore wrong.
|
||
|
|
||
|
15. Albert Lunsford's new comic book project will fail because his
|
||
|
comic book readership is comprised solely of
|
||
|
Marxist/Feminist/Homosexualists, therefore it makes perfect sense to
|
||
|
dispatch agitators who are known to be hostile to
|
||
|
Marxism/Feminism/Homosexualism to the four corners of the Green to
|
||
|
promote it.
|
||
|
|
||
|
|
||
|
I had to laugh. These guys really took this stuff seriously.
|
||
|
|
||
|
Our objective was to subtly disrupt Lunsford's operations. The
|
||
|
group was extremely high traffic, so the black box only had to be
|
||
|
active for a few minutes before our efforts started to bear fruit. I
|
||
|
grabbed another fragment to check on our progress.
|
||
|
|
||
|
|
||
|
> > > --- In albert.lunsford@groups.green, "juan_whatever"
|
||
|
> > <juan_whatever@> wrote:
|
||
|
> > >
|
||
|
> > > Did the text appear kinda messed up on "part two" on other's
|
||
|
> > > pressure screens -or just mine? Gargamel?
|
||
|
> > > Anyway, this is a pretty big deal as we continue to get insight
|
||
|
from
|
||
|
> > > the ground floor of what will probably become the world's
|
||
|
dominant
|
||
|
> > > religion some time in the future -oh, you know it'll happen:)
|
||
|
> >
|
||
|
> >
|
||
|
> > On Sun, Oct 5, 1968 at 9:48 AM, Sam <samslammer@...> wrote:
|
||
|
> >
|
||
|
> > You might have been kidding about this, juan, but it did occur to
|
||
|
> > me. Wouldn't put it past Gargamel or Satan to make Albert's text
|
||
|
harder
|
||
|
> > to read.
|
||
|
> >
|
||
|
> > I had to pull the text into a editor and get rid of all the
|
||
|
> > superfluous characters that were making the text unreadable. Few
|
||
|
> > people would probably do that, achieving Gargamel's end nicely.
|
||
|
She/He/It
|
||
|
> > would be invested in *not* having people read the Bible, Torah,
|
||
|
and
|
||
|
> > Koran and think about them deeply.
|
||
|
> >
|
||
|
> > Not sure if there's an easier way to add the text without all the
|
||
|
> > extra characters, Klaus, but more people will read the the text if
|
||
|
> > they don't have to work so hard at it. I can make offline
|
||
|
suggestions
|
||
|
> > on how to do that if it will help.
|
||
|
> >
|
||
|
> > Sam Slammerhaus
|
||
|
|
||
|
|
||
|
Perfect. The modules were functioning as designed. Even simply
|
||
|
futzing the formatting on a random selection of messages could spin
|
||
|
the group into a number of irrelevant side discussions.
|
||
|
|
||
|
Satisfied with our work, I closed up my satchel and we vacated the
|
||
|
picnic area. Using a public access point had made our insertion
|
||
|
untraceable.
|
||
|
|
||
|
|
||
|
_"No end until victory,"_ Piro said, reciting the old Gender Smurf
|
||
|
credo.
|
||
|
|
||
|
"It should be interesting to see how they react to our efforts," I
|
||
|
offered.
|
||
|
|
||
|
Piro quietly nursed his beer.
|
||
|
|
||
|
"I just hope these guys don't fly completely off the handle. Their
|
||
|
tactics are entirely unpredictable."
|
||
|
|
||
|
"Truth," I said.
|
||
|
|
||
|
We fell into silence for a few moments, each of us contemplating
|
||
|
the notion of blue-skinned rioters storming the public schools,
|
||
|
smurfing their way into the girl's restrooms.
|
||
|
|
||
|
"I have to admit I find their sexual practices disgusting," Piro
|
||
|
said at last.
|
||
|
|
||
|
"Hey, you'll get no argument from me. But so long as they remain in
|
||
|
their hovels they're not doing anything illegal."
|
||
|
|
||
|
"The whole reason we're involved with this mess is precisely
|
||
|
because they _do_ sometimes leave their hovels."
|
||
|
|
||
|
The discussion usually tended in this direction. I set them up and
|
||
|
my partner knocked them down. Point to Piro.
|
||
|
|
||
|
"I suppose there is a fear that their culture will spread, put down
|
||
|
roots in the urban centers. No one really cares about a local cult,
|
||
|
but now that they're making inroads in the national media..."
|
||
|
|
||
|
"I'll say it again: disgusting," Piro repeated.
|
||
|
|
||
|
A Gender Smurf entered the room and made a beeline for the bar. He
|
||
|
sat himself down on a stool right next to Piro.
|
||
|
|
||
|
"You guys ever thought of going blue?" he asked, by way of
|
||
|
introduction.
|
||
|
|
||
|
I clutched Piro's shoulder as he reached for his sidearm. "Don't
|
||
|
you people know Peyo was a Satanist!" he spat out, struggling against
|
||
|
my grip.
|
||
|
|
||
|
"We're not interested," I said, intensifying my stare to indicate
|
||
|
we would brook no further discussion. We got up to leave.
|
||
|
|
||
|
|
||
|
Three hours later Piro was still arguing with Bob, the Gender
|
||
|
Smurf.
|
||
|
|
||
|
"What's the big deal? Blue skin is as healthy and safe as bare
|
||
|
hands... Tell me, how would 'flesh color' have protected that
|
||
|
gentleman over there or anyone else from 'runaway shopping carts' or
|
||
|
the other so-called 'dangers' you've enumerated? Well-adjusted, blue
|
||
|
skin can actually withstand quite hazardous environments... It's
|
||
|
amazing how paranoid most people are here in North America. You should
|
||
|
try going blue outside sometime, it feels great and it's nowhere
|
||
|
nearly as dangerous as most people seem to assume. I've been doing it
|
||
|
for nearly fifteen years, up in Canada, and my skin is in great shape.
|
||
|
I'm healthy as a horse. Open your minds, gentlemen!"
|
||
|
|
||
|
"What about SPF," Piro asked, resigned to his fate as the lone
|
||
|
voice of reason in the discussion. I refused to participate.
|
||
|
|
||
|
"This calls for a two-part argument," said Bob. "One: One more
|
||
|
reason I'm really glad I don't live in the U.S. -- I'd really hate for
|
||
|
others to be telling me what color I can and can't be when I'm
|
||
|
spending my money at their store. So much for 'The Land Of The Free.'
|
||
|
The 'No Blues' policy does not have anything to do with health
|
||
|
protection or laws. It is a double standard created by corporations to
|
||
|
enforce dress codes; designed only to create a business 'image.'
|
||
|
Unfortunately, that kind of stupid mentality is getting contagious up
|
||
|
in Canada."
|
||
|
|
||
|
Bob indicated the placement of quotation marks with his fingers.
|
||
|
|
||
|
When no one objected to his first point, he continued.
|
||
|
|
||
|
"Two: Again, I don't understand how people think flimsy, flesh
|
||
|
colored skin (which seems to be totally okay at most places of
|
||
|
business, all over) can protect them from any of the 'horrible' things
|
||
|
they could catch or the usual hazards on the streets. In fact, some of
|
||
|
the so-called normal shoes people wear (platform shoes, pointy, etc.)
|
||
|
pose a greater threat to someone's health than actually walking around
|
||
|
outdoors with blue skin! For more information on how going blue is not
|
||
|
only okay but is also good for you, please surf to:
|
||
|
groups.thegreen/albert.lunsford -- A U.S. based organization of people
|
||
|
who go blue as a lifestyle choice."
|
||
|
|
||
|
Finally, I had to but in.
|
||
|
|
||
|
_"We don't. Spamming. Care."_
|
||
|
|
||
|
Piro insisted on paying for Bob's drinks. I told him to take it out
|
||
|
of petty cash -- I wasn't going to try and justify this on my expense
|
||
|
sheet. He made the necessary preparations and transmitted payment.
|
||
|
|
||
|
|
||
|
"Do you see now why I discourage talking with these people," I
|
||
|
asked, punching Piro in the back.
|
||
|
|
||
|
"I'm not sure how to explain my objection to your attitude," Piro
|
||
|
said. "It's not precisely that you're a racist, because these people
|
||
|
are not born blue. It's not really intolerance of their religion,
|
||
|
because, aside from their blue skin, white hats, and the fact that
|
||
|
they have sex with each other while wearing them, these people are not
|
||
|
fundamentally different from you or me."
|
||
|
|
||
|
I gave him a look.
|
||
|
|
||
|
"I'm just saying, there's no reason not to treat them like human
|
||
|
beings."
|
||
|
|
||
|
"Sure there is," I said. "It's our job."
|
||
|
|
||
|
|
||
|
DISSIPATION
|
||
|
|
||
|
tags: 1963, plinth_mold, saito
|
||
|
|
||
|
Click, click, click. Twelve cubes of light, each flipping past the
|
||
|
other, rotating into the slot left vacant by its predecessor. The
|
||
|
purpose of this orchestration is to massage the cortex with
|
||
|
electromagnetic oscillations in the frequency range of 8-12Hz.
|
||
|
Patients appear to derive the most benefit, Saito has noted, from
|
||
|
working through the entire routine, pausing rhythmically at the
|
||
|
completion of each sequence to allow the electronics to catch up with
|
||
|
the procession of their focus.
|
||
|
|
||
|
But what are the effects, he wonders, if the patient identifies his
|
||
|
therapeutic parlor trick and susses out the mechanism? What happens
|
||
|
when the patient's conscious mind tracks the incoming data with
|
||
|
greater precision than the machinery? Click, click, click. Saito leans
|
||
|
forward. Perhaps this particular arrangement of cubes is novel. He
|
||
|
presses a button, freezing the arrangement in memory. To be studied
|
||
|
later.
|
||
|
|
||
|
He is pleased that the treatment has proven efficacious. For the
|
||
|
vast majority of his patients, anyway. Ironic, then, that he should
|
||
|
feel so powerless to alter the degree and substance of his own
|
||
|
compulsive addictions. Contemplating this, Saito produces a pocket
|
||
|
lighter from his coat and sears the flesh of his right hand. He
|
||
|
stifles a primal yelp, burying his shame in his handkerchief (not only
|
||
|
the shame, but the evidence -- self-immolation is an offense not only
|
||
|
against the state, but against Saito's ancestors, for historical
|
||
|
reasons peculiar to his family). He then re-calibrates his equipment
|
||
|
for the next patient.
|
||
|
|
||
|
The work he is carrying out could revolutionize treatment of
|
||
|
numerous conditions, given the eventual push into mass production. For
|
||
|
uncounted moments Saito shifts out of time, is aloft, floating on the
|
||
|
awareness of what he is so very close to achieving. He finds the
|
||
|
sensation is fleeting.
|
||
|
|
||
|
Saito adjusts his _coiffure_ and smooths down the front of his white
|
||
|
coat, feeling his sweat cool against the skin of his wrists. If anyone
|
||
|
has seen him burning himself, it could result in the loss of his job.
|
||
|
|
||
|
But of what use is a job, at this point in his life? They've made
|
||
|
his impossible.
|
||
|
|
||
|
He has been forced to accept a number of compromises that limit the
|
||
|
efficacy of his design. He doubts that the latest cubes, in their
|
||
|
present form, will do much more than narcotize. Hypnotize. Amounting
|
||
|
to nothing more than an entertainment. Saito ruminates on the shambles
|
||
|
of his career before taking the lighter back out of his pocket and
|
||
|
burning several additional black marks into the flesh of his hand. He
|
||
|
tries to ignite his skin completely, but succeeds only in singeing the
|
||
|
sleeve of his coat. With the smoke, he imagines his _kami_ slinking up
|
||
|
to the ceiling, dispersing across its surface, crawling in several
|
||
|
directions at once towards the duct work and vents.
|
||
|
|
||
|
A knock -- an abrupt punctuation to his thoughts -- and the door
|
||
|
swings open, pulling his _kami_ back down to the floor. So, they had
|
||
|
seen him after all. He knows now that the charade is concluded. His
|
||
|
work is finished.
|
||
|
|
||
|
As a result of his actions his patients will suffer. But then,
|
||
|
patients are always suffering.
|
||
|
|
||
|
With his expulsion, Saito's role in the project will be expunged.
|
||
|
Because his research is considered a state secret, there will be no
|
||
|
one to complain on his behalf. His data will be reclaimed and filtered
|
||
|
for an executive summary. And then, he suspects, quietly abandoned, as
|
||
|
it is clear that the process of weaponization would exceed the
|
||
|
available funding. This, at least, is some small cause for relief.
|
||
|
|
||
|
Still, he feels as if his _kami_ has dissipated. There is nothing
|
||
|
left for them to kill.
|
||
|
|
||
|
This thought compels him to emit a tiny laugh. The thought dies,
|
||
|
strangled stillborn in his throat.
|
||
|
|
||
|
Saito flinches as the door swings inward.
|
||
|
|
||
|
Into the room bounds Plinth Mold, flanked by two of his most
|
||
|
trusted attorneys.
|
||
|
|
||
|
"Relax, Saito," says Plinth. "Let's talk patents. I'm interested in
|
||
|
what you've been working on up here, all these years."
|
||
|
|
||
|
|
||
|
DUCHESS OF MASKS
|
||
|
|
||
|
tags: 1993, saito, violet
|
||
|
|
||
|
What I hold in my left hand is different from what I hold in my
|
||
|
right. What is on my face is different still. I have so many choices
|
||
|
of how to proceed.
|
||
|
|
||
|
At any moment an alarm will sound and I will be discovered. Sitting
|
||
|
in this chair, looking over these files, wearing whichever face has
|
||
|
fallen into place as they burst through the door. How will they see
|
||
|
me? It is of no consequence what they will think.
|
||
|
|
||
|
The gray backdrop of what I have learned here throws what I know of
|
||
|
our history into menacing relief; paper shadows under fluorescence and
|
||
|
lost thoughts in the drawer. Which eyes will I use to record these
|
||
|
discoveries? With no apparent prejudice I select a mask and peer
|
||
|
through its gates, rifling numerous papers and file folders spread
|
||
|
across the floor. A slender cord tethers me to the machine under my
|
||
|
cushioned seat, which interprets the ambient state of the room.
|
||
|
|
||
|
Through these eyes.
|
||
|
|
||
|
Oh, Saito. I am afraid that I cannot clean these tracks from the
|
||
|
floor. Your actions have plunged a polished knife into the swollen
|
||
|
belly of our tracking. It is, in fact, _you_ who is splayed out here on
|
||
|
the floor. A descending pattern of guilt.
|
||
|
|
||
|
Would that I were here when it happened, all those years ago.
|
||
|
|
||
|
Would that you had listened.
|
||
|
|
||
|
|
||
|
CALL, WAITING
|
||
|
|
||
|
tags: 1977, eva, tab2
|
||
|
|
||
|
The whole side of the building is green. I see I've come all the
|
||
|
way out here again for nothing.
|
||
|
|
||
|
I'm slow packing up my gear. The day has already evaporated around
|
||
|
me. Might as well soak the trip for billable hours.
|
||
|
|
||
|
This happens every week. I've yet to be given the go ahead on an
|
||
|
operation -- at all, actually. The work is easy, but dragging out my
|
||
|
gear just to sit here in the dark is humiliating. If I didn't need the
|
||
|
money I would withdraw my registration.
|
||
|
|
||
|
The sun has not quite vanished. There are still a smattering of
|
||
|
locals out and about on the street. I decide to finish my report here,
|
||
|
while I'm still on the scene. I finger the leaf out of my coat pocket
|
||
|
and expand its display. As soon as I light the screen, four messages
|
||
|
appear, each edging its neighbor out of the way in accordance with an
|
||
|
algorithm deemed intuitive by emotionally bereft software engineers.
|
||
|
Presently, desktop real estate on the hand-held is at a premium.
|
||
|
|
||
|
All of the messages are from Eva.
|
||
|
|
||
|
|
||
|
Message 1: 16:01 Are you coming in to work today? :)
|
||
|
|
||
|
Message 2: 16:03 I know you're in there, I can see the light from your
|
||
|
leaf reflecting in the mirror and peeking out of the curtains. Should
|
||
|
I send over a a tray of makizushi, or just keep it to myself?
|
||
|
|
||
|
Message 3: 16:07 FINE THEN! I'M GOING ON BREAK.
|
||
|
|
||
|
Message 4: 16:16 Why won't you talk to me?
|
||
|
|
||
|
|
||
|
There are numerous relevant answers to her question, but I'm not
|
||
|
about to entangle myself in a discussion. I close all four message
|
||
|
windows with an index finger and bring up the report template. Light
|
||
|
from the window continues to leak into my room, coaxing abstract
|
||
|
reflections from the dresser mirror. Dusk always wreaks havoc with my
|
||
|
visor and its ability to read the screen of my leaf. I end up leaving
|
||
|
the visor off, missing out on a lot of calculating I could be doing
|
||
|
while I pretend to work.
|
||
|
|
||
|
There is a sound I don't like, out in the hallway, and suddenly
|
||
|
I've got my pistol out, working my finger into its trigger guard and
|
||
|
inserting a clip of ammunition. After a few moments I put the firearm
|
||
|
back in my bag. It was only the landlady's cat.
|
||
|
|
||
|
So.
|
||
|
|
||
|
On to my report.
|
||
|
|
||
|
|
||
|
19:04 NOTHING HAS HAPPENED AGAIN. I RECEIVED THE ALL-CLEAR SIGNAL AT
|
||
|
19:00 PER THE SCHEDULE AND SO RETURNED ALL INSTRUMENTATION TO ITS
|
||
|
STORAGE CASE AND SHUT DOWN THE TRANSMITTER. SIGNING OFF TO RETURN TO
|
||
|
THE REAL WORLD. EOF.
|
||
|
|
||
|
|
||
|
I encrypt the message with my thumb and send it on its way.
|
||
|
|
||
|
As I'm gathering my things, my mind wanders to my fellow agents,
|
||
|
spread out across diverse countries and kingdoms, who must also have
|
||
|
been called out and then sent back home without seeing any action. I
|
||
|
wonder about their frustrations with the tedious ins and outs of the
|
||
|
business. Surely we'd have a lot in common. Not that we'll ever meet.
|
||
|
|
||
|
I'm not long in dusting the chair and table. I wrap my shirt around
|
||
|
my hand, then lightly grip the doorknob and vacate before I'm noticed.
|
||
|
My visor tells me the landlady is rounding the corner, two blocks
|
||
|
away, returning home with a bag full of groceries. I follow the path
|
||
|
my visor has illuminated until I reach a public transport, which it
|
||
|
flags as off-limits. Instead, I hop into a taxi.
|
||
|
|
||
|
By the time I arrive at home I've decided against more studying. I
|
||
|
pull up a telescreen window and lean back in my bed, trying to get
|
||
|
some rest. I wonder who we _did_ decide to blow up today. I'm always
|
||
|
kept close to potential action scenes, even if I'm never actually
|
||
|
ordered to intervene. It's probably the same with all of us.
|
||
|
|
||
|
I fall asleep just as the answer to my query hits the scroll. A
|
||
|
group of wailing women are brought up on screen to provide visual
|
||
|
context for the hour's headline story.
|
||
|
|
||
|
My visor flags the clip for my attention, but I don't remember what
|
||
|
happens next. It's unlikely I'll remember to review this in the
|
||
|
morning.
|
||
|
|
||
|
|
||
|
TRY MY PRODUCT
|
||
|
|
||
|
tags: 1979, coca_cola, do_wuh, motherfucker, perpetrator
|
||
|
|
||
|
The airbrushed cover was decidedly inferior to what Motherfucker
|
||
|
had seen before, attached to other printings of the same book. It was
|
||
|
outlandish. All swaddling clothes and taut, glistening muscles.
|
||
|
Objectifying the physiques that would result from pious observance,
|
||
|
appealing to the vanity of practitioners who were required, by
|
||
|
tradition and by law, to study it. Transparent ableism. This kind of
|
||
|
self-aggrandizing marketing disgusted him. Gazing upon its cover, it
|
||
|
was hard for Motherfucker to take the book seriously.
|
||
|
|
||
|
"Well, don't just sit there, all slack-jawed, however arresting
|
||
|
that dust jacket might be... _Open the blessed book_ and let's get
|
||
|
started."
|
||
|
|
||
|
Perpetrator adopted an instructional tone, as if to communicate
|
||
|
that Motherfucker's own study habits were somehow deficient, would
|
||
|
somehow land him in hot water. He was always prepared to dispense
|
||
|
advice to his lessers. In this case, the advice involved the
|
||
|
interpretation of the Bible, and the careful application of those
|
||
|
interpretations to the logical conundrums that permeated modern life.
|
||
|
Perpetrator was only a couple of months older than Motherfucker. He
|
||
|
was a total spamhole.
|
||
|
|
||
|
_"That's_ not what the book says _at all,"_ complained Motherfucker.
|
||
|
|
||
|
Perpetrator indicated the text with his finger. "You're wrong. It's
|
||
|
right there on the page in front of you. Just look at the words."
|
||
|
|
||
|
"Yes, my eyes were directed at this material during the process of
|
||
|
forming my initial assessment," sighed Motherfucker.
|
||
|
|
||
|
"Well, one couldn't tell from hearing you recite it."
|
||
|
|
||
|
The pages dissolved into one another. Motherfucker couldn't sustain
|
||
|
his focus. He wondered briefly why the long lists of telephone numbers
|
||
|
that comprised this part of the Scriptures featured variable font
|
||
|
sizes, brilliant piping and color illustrations. Why all the fuss?
|
||
|
|
||
|
"Perpetrator, what is the point of these chapters that are mainly
|
||
|
just lists of telephone numbers and advertisements for insurance
|
||
|
agents?"
|
||
|
|
||
|
"Motherfucker, those are the _Sanctified Tribes of the Green._ Your
|
||
|
remarks are veering dangerously close to blasphemy. Why do you have to
|
||
|
question every last detail, when it comes to our studies? Not
|
||
|
_everything_ is a conspiracy!"
|
||
|
|
||
|
Motherfucker sighed again. "It all just seems so arbitrary. Like
|
||
|
they've gone and copied pages out of an old telephone directory and
|
||
|
called it Scripture."
|
||
|
|
||
|
_"Naturally_ that is what it _seems_ like, Motherfucker, for that is
|
||
|
precisely what they've done."
|
||
|
|
||
|
"..."
|
||
|
|
||
|
"What," asked Perpetrator, finally and honestly befuddled. "You
|
||
|
didn't know?"
|
||
|
|
||
|
"What do you _mean_ what?" asked Motherfucker. _"Why did they copy
|
||
|
pages out of an old telephone directory and call it Scripture?"
|
||
|
|
||
|
"Because, Motherfucker, these manuscripts are _illuminated."_
|
||
|
|
||
|
"..."
|
||
|
|
||
|
"Look at the section headings. See how the Tribes are organized
|
||
|
according to service offerings, then alphabetized? These illustrations
|
||
|
are graphical elements that illuminate the organization of the data.
|
||
|
It renders the information discernible at a glance."
|
||
|
|
||
|
"..."
|
||
|
|
||
|
"Still you do not comprehend."
|
||
|
|
||
|
"No, I'm afraid I don't."
|
||
|
|
||
|
Perpetrator stalled for several seconds, allowing time for the the
|
||
|
new concepts to sink into Motherfucker's mind.
|
||
|
|
||
|
Minutes passed.
|
||
|
|
||
|
"Wait. Oh. _Now_ I see," claimed Motherfucker. "They're not so old
|
||
|
as to be presented as text-only, like the original Scriptures. These
|
||
|
pages contain source code and meta data."
|
||
|
|
||
|
"That is correct."
|
||
|
|
||
|
"I guess that makes sense."
|
||
|
|
||
|
_"Good,_ Motherfucker," said Perpetrator. "Now we're making
|
||
|
progress!"
|
||
|
|
||
|
|
||
|
But Motherfucker still seemed to be confused.
|
||
|
|
||
|
"We've wasted enough time on the display elements. Please return to
|
||
|
the previous chapter and read aloud."
|
||
|
|
||
|
"Son of a bitch. You _know I'm not comfortable reading aloud."
|
||
|
|
||
|
"Okay then, _I_ will read aloud to _you,"_ resolved Perpetrator,
|
||
|
training his standard, disdainful stare into the pupils of
|
||
|
Motherfucker's eyes.
|
||
|
|
||
|
Throat cleared, he began.
|
||
|
|
||
|
"Newton wrote:
|
||
|
|
||
|
|
||
|
...rational mechanics will be the science of motion resulting from
|
||
|
any forces whatsoever, and of the forces required to produce any
|
||
|
motion ... and therefore I offer this work as the mathematical
|
||
|
principles of philosophy, for the whole burden of philosophy seems to
|
||
|
consist in this from the phenomena of motions to investigate the
|
||
|
forces of nature, and then from these forces to demonstrate the other
|
||
|
phenomena...
|
||
|
|
||
|
|
||
|
"Yeah, right," said Motherfucker.
|
||
|
|
||
|
"What, you don't _believe_ him? Here, what do the footnotes say?"
|
||
|
|
||
|
|
||
|
From this proposition it will follow, when arithmetical addition has
|
||
|
been defined, that 1 + 1 = 2.
|
||
|
|
||
|
|
||
|
"It also says that the text in question wasn't always a part of
|
||
|
this chapter," finished Motherfucker.
|
||
|
|
||
|
"Honestly! And what year was this edition sourced?"
|
||
|
|
||
|
Pages flipped backwards.
|
||
|
|
||
|
"Twenty thirty-one. According to the information in the front."
|
||
|
|
||
|
"Then you see what I mean."
|
||
|
|
||
|
"No, not really."
|
||
|
|
||
|
It was going to be a long night.
|
||
|
|
||
|
|
||
|
Presently, Do Wuh entered the room, disrupting their studies. He
|
||
|
was a bit dirty from tumbling in the yard, and Perpetrator recoiled
|
||
|
visibly when at last he came fully into view.
|
||
|
|
||
|
"Do Wuh."
|
||
|
|
||
|
"Motherfucker, put that book down and let's go outside and play."
|
||
|
|
||
|
"Do Wuh." Perpetrator spoke the name more stiffly this time, as if
|
||
|
it were an accusation rather than an identity. His face contorted
|
||
|
menacingly, seeming very serious indeed.
|
||
|
|
||
|
"Shut up, Perp," cracked Do Wuh. "Motherfucker, seriously, I'm sick
|
||
|
of this spam. Why don't you come outside with the rest of us."
|
||
|
|
||
|
_"Oh, but to journey through the out of doors,"_ lamented
|
||
|
Motherfucker, glancing woefully at Perpetrator. "Perhaps we should
|
||
|
take the book outside, so we can all consult the rules if such a thing
|
||
|
becomes necessary."
|
||
|
|
||
|
A delicious pause.
|
||
|
|
||
|
"That's a good idea," nodded Perpetrator, his incessant,
|
||
|
condescending glare now softening, owing to the fact that he was
|
||
|
outnumbered. In spite of the rigid persona he projected, he knew when
|
||
|
an argument was a lost cause. Besides, it was more likely that the
|
||
|
others would stumble into diligent study if he and Motherfucker first
|
||
|
worked to gain their respect by participating in their aimless,
|
||
|
physical games.
|
||
|
|
||
|
"Whatever," said Do Wuh. "You two are going to go blind, sitting in
|
||
|
here playing with that book all the time."
|
||
|
|
||
|
"Unlikely," remarked Perpetrator.
|
||
|
|
||
|
"Actually, that's a myth," offered Motherfucker.
|
||
|
|
||
|
Do Wuh slammed the door on his way out.
|
||
|
|
||
|
|
||
|
Outside, lawnmowers hovered in the distance. Uh Huh and Coca Cola
|
||
|
were already on the field, caked with dirt. It behooved Perpetrator to
|
||
|
comment on their slovenly appearance.
|
||
|
|
||
|
"Those are your good clothes, are they not?"
|
||
|
|
||
|
"Shut up, Perp," said Coca Cola.
|
||
|
|
||
|
"Okay, there's five of us here and we only need four. Perp, you're
|
||
|
out."
|
||
|
|
||
|
_"I_ didn't want to play in the _first_ place!"
|
||
|
|
||
|
"Then everybody wins," said Coca Cola, laughing.
|
||
|
|
||
|
Perpetrator sat down with his book and began to leaf through its
|
||
|
pages, focusing intently on the text. He de-fogged his glasses with
|
||
|
the corner of his shirt and chewed his fingernail as he read.
|
||
|
|
||
|
"Spam them all. I'm studying!" he thought.
|
||
|
|
||
|
"Indeed," replied a voice that wasn't there.
|
||
|
|
||
|
Perpetrator's eyes grew large as the gold Daytons on his father's
|
||
|
Impala.
|
||
|
|
||
|
"Intriguing," he thought to himself, and continued with his reading
|
||
|
of the Scriptures.
|
||
|
|
||
|
|
||
|
OLD MOLD
|
||
|
|
||
|
tags: 1861, haus_mold
|
||
|
|
||
|
By the winter of 1861 I hadn't seen another human being in six
|
||
|
years. My gun had rusted, but that didn't much matter as for the
|
||
|
majority of my time on the mountain I had been completely snowed in.
|
||
|
|
||
|
My graph hadn't perturbed itself in months. I thought it might have
|
||
|
simply shut itself down, protesting inactivity. I couldn't muster the
|
||
|
interest to scan its core for flaws. I considered cannibalizing it for
|
||
|
parts.
|
||
|
|
||
|
I melted some snow from the window and sloshed the water around in
|
||
|
my mouth. Brine. I spit it out on the wood floor. Opened the cabinets
|
||
|
for no real reason; there was no food left.
|
||
|
|
||
|
I contemplated trying to dig myself out.
|
||
|
|
||
|
I got my legs attached and unlocked the front door. A flat wall of
|
||
|
beige snow, suspended where the sunshine should have been.
|
||
|
|
||
|
Voices, from behind the wall.
|
||
|
|
||
|
My first thoughts ran to annoyance. I hoped they would move on.
|
||
|
Anyone up here at this time of year could only be seeking after help.
|
||
|
Two voices meant they would be unlikely to take no for an answer from
|
||
|
a lone hermit such as myself.
|
||
|
|
||
|
A gloved hand poked through the snow, groping around as if to stave
|
||
|
off asphyxiation.
|
||
|
|
||
|
I prepared myself for unwanted conversation.
|
||
|
|
||
|
|
||
|
The strangers were polite. Dug out the front step. Offered me
|
||
|
provisions when they noticed I didn't even have a stove for cooking. I
|
||
|
distracted them with talk of the astronomical data I had been
|
||
|
collecting. The younger fellow was able to follow along to some
|
||
|
extent, but both seemed lacking in the fundamentals so I let the
|
||
|
subject drop.
|
||
|
|
||
|
I do not recall now which of them first broached the topic of their
|
||
|
extra horse, but they talked me into stepping out front to inspect its
|
||
|
injury.
|
||
|
|
||
|
The reader will have seen this coming. I was several paces into the
|
||
|
front snow drift when I heard the door lock behind me.
|
||
|
|
||
|
Their provisions were still loaded onto their horses.
|
||
|
|
||
|
Their mistake.
|
||
|
|
||
|
|
||
|
I ran some calculations in my head and decided that the horses
|
||
|
could probably make it into town. It did take the better part of the
|
||
|
day to make the journey.
|
||
|
|
||
|
Everything had changed. The general store had expanded to include a
|
||
|
bar and eatery. The grand hotel was now a school house. Inside the old
|
||
|
court building, the whores were now wearing shoes. No one seemed to
|
||
|
recognize me.
|
||
|
|
||
|
I bartered the two oldest horses for a new rifle, a flint and a
|
||
|
sewing needle. I wouldn't need food. I made love to a whore in order
|
||
|
to blend in with the other drifters; it was frowned upon by the
|
||
|
constabulary to leave town without first engaging the local labor
|
||
|
pool. Civilization and tradition had conspired to keep me within city
|
||
|
limits until after dark.
|
||
|
|
||
|
I fell asleep without replacing my eye patch.
|
||
|
|
||
|
When I woke up, it was gone.
|
||
|
|
||
|
|
||
|
_"'Haus Mold,'"_ laughed the hotel manager, reading from my card.
|
||
|
"Your name's a joke, right?"
|
||
|
|
||
|
"It's an Indian name," I said.
|
||
|
|
||
|
My bad eye focused on him and I assumed he must have caught a
|
||
|
glimpse of the internal mechanism because he started when it whirred
|
||
|
to life.
|
||
|
|
||
|
"Right. You're an injun." He gestured sarcastically as if he were
|
||
|
jerking off.
|
||
|
|
||
|
I glanced over at his daughter. The whore I had bedded. He noticed
|
||
|
this and his voice trailed off.
|
||
|
|
||
|
|
||
|
As my boots hit the dirt outside the hotel, the snow was just
|
||
|
starting to pick up. The first big storms up the mountain would have
|
||
|
rolled in the night before. The pass would be buried until spring.
|
||
|
|
||
|
I made a backup of myself and dropped it in the mail to New York.
|
||
|
Just in case.
|
||
|
|
||
|
As I approached my horse, a shot rang out. Its echo clashed against
|
||
|
the wooden slats of the general store, the school and the casino. My
|
||
|
horse tipped over like a grandfather clock, brains pushing out of its
|
||
|
impacted eye socket. I noted that we had both contrived to lose the
|
||
|
same eye.
|
||
|
|
||
|
I turned and raised my new rifle, returned fire. It was no surprise
|
||
|
to me who I'd killed.
|
||
|
|
||
|
"Fair fight!" some idiot exclaimed.
|
||
|
|
||
|
"Squash it," I barked. "Increase the peace."
|
||
|
|
||
|
|
||
|
I rode west. Once out of town, I removed my clothing and walked
|
||
|
beside my horse.
|
||
|
|
||
|
The snow eventually gave way to desert.
|
||
|
|
||
|
|
||
|
FAST
|
||
|
|
||
|
tags: 4086, albert_lunsford, piro, shit_mold
|
||
|
|
||
|
There are folded bits of me coming off. The heated stress in the
|
||
|
room has peeled back the edges of my face and I think that the human
|
||
|
glue underneath is melting away...
|
||
|
|
||
|
In four minutes I will leave for the day, cutting through the steam
|
||
|
to the outer door of my compartment. In four minutes, I will sleep.
|
||
|
|
||
|
Well, no.
|
||
|
|
||
|
The stacks of leaves are cleared. I've fought off the last bits of
|
||
|
synthetic sick from the foodstuffs in the office pantry. But the
|
||
|
vending machines haven't been refilled in almost a month, and the food
|
||
|
ports back up when there isn't anyone around to place orders. I'm in
|
||
|
the same boat in my quarters -- I try to stay on the button and make
|
||
|
due with what I can coax from the machines (I'm always working), but
|
||
|
it's hard to keep myself awake when I'm always so hungry.
|
||
|
|
||
|
The last of the leaves put away, I can now turn down my screens and
|
||
|
cover my seat for the morning decontamination cycle. It seems I've
|
||
|
missed one; a straggler. The little leaf confronts me, cross to have
|
||
|
been overlooked. I find it hunkered down, nearly collapsed into a pile
|
||
|
of itself, casting an agitated shadow on the carpet. Its facing edge
|
||
|
wavers in and out of focus in the reduced lighting. I regard it
|
||
|
blankly and then crush it with my heel.
|
||
|
|
||
|
Next: The King's quarters, which must also be purged of filth.
|
||
|
|
||
|
|
||
|
I pull up an icon of Albert Lunsford and meditate on the seventh
|
||
|
book of volume four. _Walking On The Moon.
|
||
|
|
||
|
It is _Ramadan,_ and everyone is gone.
|
||
|
|
||
|
The station turns.
|
||
|
|
||
|
|
||
|
SELECTION
|
||
|
|
||
|
tags: 2179, massive_fictions, rimbaud, stanley
|
||
|
|
||
|
All of this was not going to work for him anymore. It was coming
|
||
|
down around his ankles. His output had exceeded his company's
|
||
|
resources, and his private prospects were taking a nosedive as well.
|
||
|
He could hardly pay himself to write. Without that weekly stipend from
|
||
|
_MASSIVE FICTIONS,_ he wasn't going to make rent on the storage facility
|
||
|
for his collections. One unwelcome change blurred into another, and
|
||
|
in short order, the accumulated results were overwhelming to
|
||
|
contemplate.
|
||
|
|
||
|
Rimbaud passed Stanley on the fifty-fourth floor and tipped his
|
||
|
hat. Stanley was probably off to tinker with more of his -- what had
|
||
|
he called them -- _martial simulations._ What a thought; larping about
|
||
|
as if to train for war. But, this was Stanley, and, after all, this
|
||
|
was one of Stanley's interests. No harm was being done, in any case.
|
||
|
|
||
|
As he navigated the spiraling path, the requisite plying of a new
|
||
|
editor at some other rag -- what other rags were even left -- was very
|
||
|
much on his mind. A crease formed across his forehead as he alit
|
||
|
gently on the elevator, negotiating the physical geometry with his
|
||
|
body whilst simultaneously evaluating potential budget configurations
|
||
|
in his mind. Duality. Synchronous operation. He watched the frothing
|
||
|
crowd of his countrymen, churning to and fro along the pathways below.
|
||
|
They resembled nothing so much as beer suds sloshing in a bed of
|
||
|
potting soil. And it was a very long way down. Petals -- floors --
|
||
|
whipped by silently, causing the sun to blink, languidly, somewhere
|
||
|
near the horizon.
|
||
|
|
||
|
Rimbaud stood amongst his fellow salarymen and mused that,
|
||
|
self-evidently, the architecture of their day would have to be
|
||
|
considered superior to that of any previous era. From his studies he
|
||
|
recalled that, in centuries past, forays had been made into evolving
|
||
|
wholly organic super-structures, but that it had taken the better part
|
||
|
of a four hundred years -- bringing the public state-of-the-art almost
|
||
|
up to date with that of his own great-grandfather's famous,
|
||
|
proprietary work -- before emergent plant mimicry was fully integrated
|
||
|
into the mainstream of public works. While it was true that most
|
||
|
citizen hovels -- even today -- evinced the brute angles and sharp
|
||
|
corners characteristic of the twentieth century's most prolific
|
||
|
architects (perhaps out of some sense of fealty to tradition, since,
|
||
|
structurally, such arbitrary designs were no longer strictly
|
||
|
necessary), in his own lifetime he had witnessed the marvelous
|
||
|
transformation of municipal buildings from great, lumbering and
|
||
|
inefficient _storage containers_ into organic, plebeian tangles of
|
||
|
smoothly curving branches, stems and flowering foyers. Why, his own
|
||
|
quarters were situated within just such a fractal space! Rimbaud had
|
||
|
to remind himself that the upper-most levels of these buildings, or,
|
||
|
more appropriately, _growths,_ were still reserved for the business
|
||
|
classes and their various concerns. He observed with some satisfaction
|
||
|
that these concessions were small sacrifice when weighed against the
|
||
|
general improvements to the Commons such commerce inevitably yielded.
|
||
|
The slums were already starting to grow over.
|
||
|
|
||
|
The express elevator distended and Rimbaud disembarked towards an
|
||
|
identification booth. He slid into a vacant pod and hooked his legs
|
||
|
around the seating apparatus as his entire body was rotated into
|
||
|
position. From there, his awareness shifted back to Home. Thus
|
||
|
transported, he prepared his evening meal to the accompaniment of a
|
||
|
historical recording. His pleasure was the Existentialist literature
|
||
|
of the mid- twentieth century, and he preferred to track the audio
|
||
|
wholly eyes-free while handling his cooking materials. Sophistry,
|
||
|
perhaps, but well within the curve of the culturally acceptable
|
||
|
plotted for him by his trusted _almanack._
|
||
|
|
||
|
Pulsing from the far counter came a notice that his tuna had
|
||
|
thawed. Rimbaud slid to the other side of his pod and began eating
|
||
|
pieces of raw fish. From an adjacent curved plate he selected a number
|
||
|
of additional food items to link into his meal. By running a finger
|
||
|
across the stamen of the plate, Rimbaud seasoned the course to his
|
||
|
liking. He chose some vegetables and elected to submerse them in one
|
||
|
half-ounce of wood-aged high-fructose corn syrup. He flattered himself
|
||
|
that his tastes were truly refined.
|
||
|
|
||
|
The 8-bit alarm drones Rimbaud had programmed for eight o'clock (a
|
||
|
clever recursive reference, he had thought) sounded, softly, and he
|
||
|
knew then that it was time to replace the dishes within their folds
|
||
|
and return to work. Rimbaud made a gesture towards the door, and the
|
||
|
sunlight streaming in from above shifted, gave way to the interior of
|
||
|
his encephaloid pod. Identification. He untangled his legs and got
|
||
|
himself up, running a hand through his mussed hair and replacing his
|
||
|
felt cap. He smoothed down his jacket and made his way back through
|
||
|
the forest of salarymen, climbing once again into the express
|
||
|
elevator. As he flitted up the stem of the building, he thought to
|
||
|
himself that his lunch periods seemed shorter and shorter as his life
|
||
|
progressed. As he grew objectively older.
|
||
|
|
||
|
Finally reaching his objective at the very top of the building,
|
||
|
Rimbaud took stock of the vast garden spread out across the city
|
||
|
below. Millions of his fellow countrymen were busy going about their
|
||
|
daily tasks, worker bees distributing commercially registered pollen.
|
||
|
None questioning themselves as he did. None of them devoting the scant
|
||
|
moments of their free time to comparing themselves unfavorably with
|
||
|
American negroes of centuries past. Was his toil really so
|
||
|
objectionable as all that? Such nonsense that he allowed to enter his
|
||
|
mind.
|
||
|
|
||
|
Rimbaud then reflected upon his appearance, and suddenly he was
|
||
|
grossly ashamed. He wiped away the stray rivulets of sweat from his
|
||
|
forehead and pulled the end of his antique _almanack_ slightly out of
|
||
|
his breast pocket, cater-corner, plainly into the view of casual
|
||
|
passers-by. Moribund regrets of servitude would not cast a pallor upon
|
||
|
his demeanor. _I have a choice in this matter,_ he thought. _My
|
||
|
suffering is mine, and mine alone._
|
||
|
|
||
|
As the elevator distended once more, Rimbaud was bathed in the
|
||
|
bright, sympathetic air of photosynthesis made comprehensible.
|
||
|
|
||
|
As was his usual habit, he pushed the negative thoughts from his
|
||
|
mind, choosing instead to consider the significance of beautiful
|
||
|
flowers.
|
||
|
|
||
|
|
||
|
SPEED GRADING
|
||
|
|
||
|
tags: 4086, piro, tab2
|
||
|
|
||
|
I'm cleaning out the King's cupboards when I run across some old
|
||
|
detritus that he had thought it would be a good idea to bring along
|
||
|
with him to the station.
|
||
|
|
||
|
_Thomas._
|
||
|
|
||
|
According to legend, he wrote this paper for a grade school
|
||
|
assignment. As I recall, it triggered unrest amongst the faculty. In
|
||
|
the absence of advanced philosophical technology, papers written by
|
||
|
school children wielded the capability to disrupt classroom
|
||
|
activities.
|
||
|
|
||
|
|
||
|
The popular image of _Johannes Chrysostomus Wolfgangus Theophilus
|
||
|
Mozart_ is inaccurate to the point of ridiculousness. However, this has
|
||
|
not prevented a multiplicity of interpretations from emerging to
|
||
|
surround his work. Ludwig von Kochel's contrived naming convention has
|
||
|
even been absorbed into the text of Mozart's published scores, sans
|
||
|
any indication that Herr Mozart did not create these titles himself.
|
||
|
Beneath the layers of false attribution lies a man (J. C. W. T. M.)
|
||
|
whose own prodigious correspondence is often the last resource
|
||
|
consulted by would-be experts. Thus, the common conception of the
|
||
|
silly-voiced man-child, _idiot savant_ dominates the commentary upon
|
||
|
his work even to this day.
|
||
|
|
||
|
Figures such as Mozart are invoked almost as articles of our
|
||
|
language, employed as symbols of narratives larger than the mere facts
|
||
|
of their corporeal existence. This phenomenon renders any deeper
|
||
|
investigation into the men themselves a trifling diversion, an
|
||
|
unnecessary digression at best. When one appears to be referencing a
|
||
|
rich study of the available facts, what one is too often doing,
|
||
|
instead, is invoking the surface texture of popular memory (most often
|
||
|
grossly misconstrued, but constituting a shared culture nonetheless).
|
||
|
It is shamefully dishonest to put forward such vagary as learned
|
||
|
discourse.
|
||
|
|
||
|
But. Is this lamentable transgression so far removed from the
|
||
|
process of creating words, themselves? I beseech the thoughtful reader
|
||
|
to consider that language, to begin with, is merely a collection of
|
||
|
consensual, codified misunderstandings.
|
||
|
|
||
|
I will now shift contexts and refer to the decades-long
|
||
|
correspondence between the Americans Thomas Jefferson and John Adams.
|
||
|
It is unlikely that the modern reader is familiar with these
|
||
|
gentlemen. Sadly, the average Federalist/Anti-Federalist scholar is
|
||
|
likewise ignorant of their existence. And yet, it must be pointed out,
|
||
|
portions of their correspondence have been, since 1926, accepted into
|
||
|
the Scriptures. One recoils at the cognitive dissonance; this vast
|
||
|
field of Green scholarship, donning its own willfully fogged-over
|
||
|
spectacles in order to better scrawl out its blind declarations. It is
|
||
|
deemed acceptable to reference the icons of culture by name or by
|
||
|
clique, but it is seen as counterproductive to make clearly understood
|
||
|
precisely what it is one is trying to say. Of course, not all
|
||
|
manglings of the language are intentional, and not all such manglings
|
||
|
are equally deceptive. Some people just don't care about the Bible.
|
||
|
|
||
|
There persists an interplay between the rigorous accuracy that is
|
||
|
ostensibly sought after and the broad symbolism that is most easily
|
||
|
digested. I am prepared to admit that in my own work I have yet to
|
||
|
satisfactorily bridge these disparate vectors of focus. Even an
|
||
|
isolated, outlying case refuses to make itself known. For example, I
|
||
|
am capable of pursuing either individual goal with exceeding stamina
|
||
|
and skill, and yet I am resigned to my failure in striking a balance
|
||
|
between the two as a whole. I have discovered no happy synthesis. No
|
||
|
congenial associations between the two paths. The network betwixt
|
||
|
particle and wave refuses to materialize. Redoubled focus simply
|
||
|
dissolves into a migraine headache.
|
||
|
|
||
|
This, then, is the eternal struggle. The Mozart of reality versus
|
||
|
the Mozart of history.
|
||
|
|
||
|
Why read the entirety of Jefferson's correspondence when a blind
|
||
|
quotation will suffice?
|
||
|
|
||
|
As I compare like with unlike, I stumble upon the realization that
|
||
|
the vision of others, is, by necessity, likewise obstructed. This
|
||
|
myopia that afflicts me is not an invention, a deficiency particular
|
||
|
to my person. _All_ of our screens are thus occluded, whether we
|
||
|
recognize it or not. In our minds, the eminence of the signifier shall
|
||
|
always eclipse that of the signified. Ironically, we trip repeatedly
|
||
|
over this blunt limitation, which itself probably evolved as a means
|
||
|
to facilitate communication.
|
||
|
|
||
|
What I'm trying to say is, stop trying to tell me what I mean.
|
||
|
|
||
|
In this paper I have demonstrated the inherent political power of
|
||
|
dictionaries. The careful reader will adjust his ambitions
|
||
|
accordingly.
|
||
|
|
||
|
|
||
|
I fold the leaf and replace it within its compartment. We are way
|
||
|
beyond these sorts of observations by now, Thomas. Today I would mark
|
||
|
this paper with a C-, at best. But, you wrote for your time. Some
|
||
|
inaccuracies and the overall sparseness of detail may be forgiven. I
|
||
|
confirm the historical grade (A-) by thumbprint and wave away the
|
||
|
hovering screen.
|
||
|
|
||
|
While I was a grading, something in the room has changed. A faint
|
||
|
white light illuminates the port hole of the King's quarters.
|
||
|
|
||
|
I make my way over to investigate the disturbance.
|
||
|
|
||
|
|
||
|
ANALYSIS
|
||
|
|
||
|
tags: 2182, rimbaud, violet
|
||
|
|
||
|
There was a slow dithering moment before it all coalesced and came
|
||
|
upon him like a spilled dinner tray. All of the air went out of him at
|
||
|
once. What the tiny viewscreen showed him would certainly mean the end
|
||
|
of his tenure; if not his career as an instructor of children's
|
||
|
literature.
|
||
|
|
||
|
Little Violet reading from her diary.
|
||
|
|
||
|
He clutched at the front pocket on his shirt for tobacco. Must keep
|
||
|
watch. (Can't watch.) He ran a knotted hand through his auburn strands
|
||
|
(or lack thereof) and pulled at the lobe of his ear while blue smoke
|
||
|
ran fingers of its own down his cheek, mocking him tenderly.
|
||
|
|
||
|
Another minute, maybe less.
|
||
|
|
||
|
As Violet brought her reading to a close, the other children began
|
||
|
to text each other about the performance, proceeding to update their
|
||
|
class journals as they waited for a response. The classroom was devoid
|
||
|
of snickers. The group had broken out into mad hysterics of flat
|
||
|
silence. Rimbaud's attention was still rapt.
|
||
|
|
||
|
What Violet had said.
|
||
|
|
||
|
He pocketed the monitor and poked his cigarette into a receptacle.
|
||
|
Attached his glasses and pushed back through the heavy air of the
|
||
|
empty hallway. Resumed his classroom.
|
||
|
|
||
|
She'd kept quiet.
|
||
|
|
||
|
In spite of her innuendo, bald threats, blatant comminations,
|
||
|
exaggerated bluster, roundabout disparagement; she hadn't shared her
|
||
|
scathing review of his first novel with the class.
|
||
|
|
||
|
That was good.
|
||
|
|
||
|
That was a good girl.
|
||
|
|
||
|
Rimaud considered staying on for the semester.
|
||
|
|
||
|
He thought: _Those who can't, teach._
|
||
|
|
||
|
The students remained silent as he entered.
|
||
|
|
||
|
|
||
|
JERRYMANDER FALLS
|
||
|
|
||
|
tags: 1868, haus_mold, jerrymander_mold
|
||
|
|
||
|
The polls had closed and so Jerrymander did the only thing he knew
|
||
|
how to do, aside from campaigning, which was to crack open a beer and
|
||
|
down the whole thing in one gulp.
|
||
|
|
||
|
The beverage exhibited no effect upon his overweight, mechanical
|
||
|
body.
|
||
|
|
||
|
_Grover fucking Cleveland!_ he growled.
|
||
|
|
||
|
Opening another can, he decided that America deserved a Democrat.
|
||
|
|
||
|
_Fuck 'em,_ he mumbled.
|
||
|
|
||
|
|
||
|
"Stop pretending to be drunk."
|
||
|
|
||
|
Haus Mold stood in the doorway, examining Jerrymander's hotel room.
|
||
|
"Where are your people," he asked.
|
||
|
|
||
|
"I sent them away. There's no point in listening to their excuses."
|
||
|
|
||
|
"You seem to be taking this awfully personally."
|
||
|
|
||
|
"So what."
|
||
|
|
||
|
Jerrymander put down his beer can and paced the circumference of
|
||
|
the curved room.
|
||
|
|
||
|
"Something troubles me about this election," he said at last.
|
||
|
|
||
|
"Sure. You didn't win."
|
||
|
|
||
|
Jerrymander scowled.
|
||
|
|
||
|
|
||
|
The horse looked worried. It seemed to sag under the weight of
|
||
|
Jerrymander's saddle.
|
||
|
|
||
|
"There's no reason for you to leave town over this," Haus pleaded.
|
||
|
|
||
|
"Fuck 'em," was all Jerrymander would say. He repeated it quietly
|
||
|
several times before trailing off into belligerent silence.
|
||
|
|
||
|
|
||
|
Dust caught in Haus' face and false teeth as the horse made a go of
|
||
|
things.
|
||
|
|
||
|
Jerrymander didn't look back.
|
||
|
|
||
|
|
||
|
Once the old man was gone, Haus retreated to his hotel room and
|
||
|
laid down on his bed. The name kept coming back to him. _Jerrymander
|
||
|
Falls._
|
||
|
|
||
|
He unlatched his satchel and checked the integrity of the Mold
|
||
|
backups for the third time that day.
|
||
|
|
||
|
Haus finally made up his mind. He took out his pen and got started
|
||
|
on the paperwork.
|
||
|
|
||
|
Hard reboot.
|
||
|
|
||
|
|
||
|
VISUAL RHETORIC
|
||
|
|
||
|
tags: 1983, 4086, piro, tab2
|
||
|
|
||
|
Thomas Bright's disembodied head regarded me from the other side of
|
||
|
the port hole.
|
||
|
|
||
|
I made a little waving gesture and he smiled.
|
||
|
|
||
|
"Don't just stand there," he said. "You've got to help me!"
|
||
|
|
||
|
|
||
|
First of all, they're not voices.
|
||
|
|
||
|
In the fall of 1980, fast approaching my twenty-third birthday, I
|
||
|
had become enamored with the irrational certainty that something
|
||
|
dramatically and disturbingly... well, _bad..._ was going to happen
|
||
|
during the course of the coming year. I had weathered a series of
|
||
|
nightmares about tornadoes and hurricanes, which had lately been
|
||
|
joined by a progression of graphically detailed plane crashes.
|
||
|
Eventually, the two dream-streams collided and morphed into a single,
|
||
|
recurring narrative. The twin tornadoes (one comprised of dust and the
|
||
|
other comprised of water) inched down a gravel road to demolish a
|
||
|
giant diorama of Manhattan. This diorama had been laid out like a
|
||
|
room-sized map across the altar of the Methodist church I attended as
|
||
|
a child. Curious, right? I could see the whirlwinds of destruction
|
||
|
making their way slowly towards the church. A seemingly random
|
||
|
sampling of individuals I'd known throughout my childhood each knelt
|
||
|
down on the floor with me, playing with an assortment of plastic
|
||
|
military toys -- planes -- flying them around the diorama city. We
|
||
|
would throw the toy planes like footballs and crash them into the
|
||
|
buildings. This distracted us from the impending arrival of the
|
||
|
tornadoes. The floor of the giant map was complete with a legend,
|
||
|
compass, and an elaborate island airstrip (which seemed to be noticed
|
||
|
only by me). Usually, the dream cut off when I spotted the island and
|
||
|
walked over to stand on it. I would invariably become convinced that
|
||
|
there was something of great importance buried beneath its surface.
|
||
|
The last thing I would see as I woke up would be an outline of the
|
||
|
bold script of the name of the island, stubbornly obscured by my feet.
|
||
|
I could never quite make out the words...
|
||
|
|
||
|
Earlier in my childhood, I had convinced myself that a number of
|
||
|
disembodied intelligences (perhaps the most intriguing of which was a
|
||
|
sentient idea referring to itself as the avatar of _Sarcasm)_ had
|
||
|
repeatedly, and quite insistently, presented me with the opportunity
|
||
|
to become the living Anti-Christ. The world would be delivered to me
|
||
|
if only I were willing to perform a series of simple tasks that would
|
||
|
demonstrate my dedication to the sentient idea's service. Horrified, I
|
||
|
vehemently refused, and took measures I believed would prevent my
|
||
|
proposed political career from ever getting far off the ground. To
|
||
|
this day I still can't secure a credit card. The tasks I was given
|
||
|
were to have been a simple set of mundane actions, which would have
|
||
|
harmed no one, and which would have caused me no undue personal
|
||
|
hardship. And yet, I was not enthused with this idea of becoming the
|
||
|
personification of a Scriptural prophecy whose study had generated
|
||
|
such distress in me as a child. _Sarcasm_ was amused, and -- well -- it
|
||
|
would _sarcastically_ counter my adamant refusals by drilling vivid
|
||
|
images of the nuclear holocaust described in the book of Revelation
|
||
|
directly into my brain. I have to say, it didn't take long for the
|
||
|
Biblical stuff to wear thin. By 1975 I had become convinced that these
|
||
|
images depicted the aftermath of attacks perpetrated against the
|
||
|
United States by Islamic terrorists. I was certain that these attacks
|
||
|
would occur sometime within the next fifty years. I privately told my
|
||
|
girlfriend at the time that the next major war involving the United
|
||
|
States would be centered upon Iraq, and that I hoped conscription
|
||
|
would not be re-instated (as it had been in my 'vision,' or whatever
|
||
|
you want to call it), because I was certain that I would be called up
|
||
|
by my father's employers and sent off to... well, there was more.
|
||
|
Let's just say there was more. In light of all this, I wasn't sure I
|
||
|
could keep saying no to _Sarcasm_ forever.
|
||
|
|
||
|
Of course, while I was well aware that this was all make-believe --
|
||
|
made-up nonsense -- the impact it had upon my disposition and outlook
|
||
|
was similar to what might have been expected if the situation _had,_ in
|
||
|
fact, been real. The metaphorical tabs had started fitting into the
|
||
|
metaphorical slots and they had become impossible to ignore, as the
|
||
|
resulting papercraft devices had begun to made themselves apparent
|
||
|
everywhere I looked. I was starting to detect the seams in the walls.
|
||
|
Stress points in theoretical structures I had never before thought to
|
||
|
examine.
|
||
|
|
||
|
Perhaps here I should pause and explain how this communication
|
||
|
between myself and _Sarcasm_ most often took form.
|
||
|
|
||
|
Generally, I do not think in words. Cognition for me has always
|
||
|
involved a series of images which fit together as multidimensional
|
||
|
shapes, each distinguished by size, color and texture rather than by
|
||
|
subject matter or meaning. For example, for as long as I can remember,
|
||
|
I have associated certain colors with the numerals zero through nine.
|
||
|
Zero is white, one is black, two is yellow, three is orange, four is
|
||
|
blue, five is red -- and so on. As a youth I would store and retrieve
|
||
|
long strings of arbitrary numbers simply by arranging the colored
|
||
|
blocks into an appropriate collage and committing said collage to
|
||
|
visual memory. So, groups of numbers naturally took on an aesthetic as
|
||
|
well as a symbolic meaning. Four quarters (yellow-red, yellow-red,
|
||
|
yellow-red, yellow-red) made up one dollar (black-white-white). Adding
|
||
|
or subtracting blocks of colors was faster for me than learning 'real'
|
||
|
math. It was mostly a subconscious substitution, but it worked
|
||
|
approximately up until middle school, when we started to be taught
|
||
|
branches of mathematics that cannot typically be solved 'all in your
|
||
|
head.' I had read an article in POPULAR SCIENCE or SCIENTIFIC AMERICAN
|
||
|
or some other magazine around this time that stated the structure of
|
||
|
the human brain made it impossible to solve complex algebra or
|
||
|
geometry problems by simply thinking about them visually. Well, this
|
||
|
had the unfortunate stink of truth about it, whether it was true or
|
||
|
not, and I was sold on the idea from that moment forward. To this day,
|
||
|
the colors go dead when I try to envision linear equations. Silly,
|
||
|
right? Anyway. Incoming ideas typically flow across the ridges,
|
||
|
valleys and other topographical surfaces of my consciousness and are,
|
||
|
as I said, molded into multidimensional shapes that are then stored as
|
||
|
visual memories. Reasoning and deduction are simply a matter of
|
||
|
arranging these shapes into aesthetically 'correct' sequences and
|
||
|
compositions. Somehow, this visual logic seems to map. It's a firm
|
||
|
validation of the Platonic _whateveryoucallit._ Placing all of my
|
||
|
shapes into their natural positions, and then abstracting that visual
|
||
|
record into a sequence of English words and phrases which are
|
||
|
human-readable, seems to produce lucid thought that I am often told is
|
||
|
remarkable for its clarity and insight. Or, perhaps I'm merely
|
||
|
deluding myself and I'm only mimicking the bits of language that I've
|
||
|
managed to pick up from normal humans after hearing the words repeated
|
||
|
over and over again. Maybe this is all crap. Either way, I've somehow
|
||
|
managed to scratch out a modest living for close to twenty-seven
|
||
|
years. No one has had to help me wipe my own ass. I often wonder if
|
||
|
other human beings process language the same way that I do, but have
|
||
|
merely failed to articulate the process in a coherent manner. Perhaps
|
||
|
they create descriptions of their thought processes out of the more
|
||
|
typical, flawed vernaculars, which unfortunately proceeds to shape
|
||
|
their cognition and leave them striving to fulfill those false
|
||
|
accounts with aggressive phenomenological action. All of this would of
|
||
|
course be at the expense of their own more naturally occurring mental
|
||
|
rhythms. The virus of language is a parasite feeding on the fat of the
|
||
|
human mind. In my case, my own communications with the archetypal
|
||
|
concepts of _Sarcasm_ and _Messiah_ seems to have occurred on the
|
||
|
sub-linguistic level of colors and shapes, which I have come to
|
||
|
believe is nearer to our wetware than the instruction sets (in this
|
||
|
case, the English language) with which we are trained from birth to
|
||
|
hypnotize ourselves. What if, through some fundamentally subterranean
|
||
|
mechanism, we are unconsciously grouping items into structures that
|
||
|
alter our English even before it bubbles into our internal stream of
|
||
|
consciousness? This is to say nothing of what inevitably comes
|
||
|
spurting out of our mouths. It was a sudden preponderance of
|
||
|
recognizable patterns in my own linguistic reflexes -- it seemed that
|
||
|
_someone_ had been sleeping in my bed, if you will -- which, when
|
||
|
decoded into English, produced a convincing resemblance to direct
|
||
|
communication between myself and an outside force. Was it _apophenia?_
|
||
|
Well, who can say? While it is true that there is an element of
|
||
|
divining at play, the elaborate motifs which seemed to emerge in my
|
||
|
reflexive patterns of thought cannot merely be dismissed as broadcast
|
||
|
irritants, disrupting my mental space like so much rumbling of bass
|
||
|
from a car down the street. These patterns I've been describing would
|
||
|
also respond to my probing. That is to say, they would respond
|
||
|
intelligibly. Two-way communication was observed to occur. Hence my
|
||
|
references to a running dialogue between myself and the constructs.
|
||
|
Hence my mention of their offers and of my rejections.
|
||
|
|
||
|
Back at the end of the world, having taken several months to mull
|
||
|
over the myriad of proportions and relationships which were emerging,
|
||
|
screeching like peacocks from the amorphous collection of data
|
||
|
swirling about in my brain case, fall, 1980, finally clawed its way
|
||
|
into view. I awoke one September morning full of the realization that
|
||
|
I had somehow crept into my twenty-third year, relatively healthy and
|
||
|
still firmly planted upon the surface of the planet.
|
||
|
Characteristically, my right-brain responded to this happy
|
||
|
circumstance by cutting loose a sudden inundation of random
|
||
|
stimulation. Quantum foam fired in the widest possible distribution
|
||
|
pattern. My left-brain, shocked that this affront had issued from its
|
||
|
own squirrel-in-the-wheel sibling, spontaneously divined a slipshod,
|
||
|
though astonishingly practical organizational grammar with which to
|
||
|
categorize all of the incoming data. A dazzling display of battlefield
|
||
|
competence, to be sure, but the flow of information was steadily
|
||
|
increasing. My left-brain, bristling now at how quickly its attempts
|
||
|
at order had fallen into ruin, burrowed itself ever more deeply into
|
||
|
the heaving bosom of... labor politics. To whit: lacking further
|
||
|
resources, the faculties of my mind voted to enact an emergency work
|
||
|
stoppage.
|
||
|
|
||
|
A rhetorical picket line was hastily erected between the two
|
||
|
cranial hemispheres.
|
||
|
|
||
|
Turning to all of this hubbub consciously for the first time, I
|
||
|
(that is to say, me) examined said goings-on, and after a certain
|
||
|
period of solemn consideration, decided that union busting was more
|
||
|
trouble than it was worth. I would simply pretend that the situation
|
||
|
did not exist. I would ignore my predicament and avert my attention to
|
||
|
whatever new, interesting and (no doubt) more entertaining thoughts
|
||
|
were sure to come traipsing along. My left-brain and right-brain could
|
||
|
resolve their differences without my help. My friend, I say this
|
||
|
plainly and it is true: ideas are a dime a dozen. Ignore one, and ten
|
||
|
thousand spring up to take its place. If I do not care for the
|
||
|
direction of a given narrative, I delete it. Even if the ideas _do_
|
||
|
address me audibly and directly, well, that doesn't mean I am bound to
|
||
|
listen. I don't owe them anything, least of all a reply. Life is too
|
||
|
short to indulge every pointless discrepancy of visual-spatial logic.
|
||
|
Let them try to overload me. They can't force water into a plugged
|
||
|
drain. Getting drawn into these whirlwinds is simply a waste of my
|
||
|
time. Better to pull the hood down over my face. Place my hands over
|
||
|
my ears. No, I am not available to come to the phone right now, and
|
||
|
please do not bother me again. Thank you for your consideration. Pray,
|
||
|
what's for dinner?
|
||
|
|
||
|
The year slunk by. I gained skill and efficiency at ignoring the
|
||
|
stacks of interlocking realities. Under the stern tutelage of that
|
||
|
conscientious ringmaster, ignorance, the serendipitous connections
|
||
|
began to fade. _Mind the gap, right-brain,_ the ringmaster would shout,
|
||
|
and so on. This system checks and balances kept the situation neatly
|
||
|
under my control. Over time, I devised a further arsenal of rhetorical
|
||
|
tricks for identifying and severing new visual-spatial connections
|
||
|
even before their roots could take hold. My techniques proved
|
||
|
surprisingly efficacious.
|
||
|
|
||
|
Almost before I knew it, my twenty-fourth birthday was upon me. I
|
||
|
looked back on the previous year with a certain contempt for the time
|
||
|
spent culling all of this useless cruft from the stream of my
|
||
|
thoughts. I was not getting much else done. But overall I retained a
|
||
|
sense of accomplishment. The occasional ray of satisfaction seeped
|
||
|
through. Gently drawing the curtain, the fall sunshine felt good in my
|
||
|
cold, gray room.
|
||
|
|
||
|
The morning of September 11, 1981, I awoke alone in my bed. I
|
||
|
pulled sweet breaths through a sincere smile and let the top of my
|
||
|
head rest against the cool metal bars of my bed frame. Before opening
|
||
|
my eyes, I mashed my face back into my pillow and relished that I was
|
||
|
finally (almost) home free.
|
||
|
|
||
|
One more day to go. And then it would all be over. Goodbye,
|
||
|
twenty-three; hello, twenty-four with an "l."
|
||
|
|
||
|
I relaxed, sighed richly, and thought to myself (in English),
|
||
|
_Well, I've made it. Nothing horrendous is going to happen to me just
|
||
|
because I've survived to twenty-four years of age. I guess it's time
|
||
|
to outgrow all of this superstitious nonsense about the number
|
||
|
twenty-three and get on with my life. So what if the symbols and
|
||
|
syntax of temporal reality continue to combine obvious configurations
|
||
|
that seem to beg acknowledgment, comment and/or intervention? I will
|
||
|
ignore it all, straighten my posture and affirm that, on the contrary,
|
||
|
all of this 'clairvoyant' horseshit and 'spatial reasoning' bollocks
|
||
|
has been nothing more than a series of convenient hallucinations._
|
||
|
|
||
|
It was really quite simple, in the end, to walk away from the flood
|
||
|
of data and to get on with my life.
|
||
|
|
||
|
_So now then,_ I admonished myself, _let's get up, shave our face,
|
||
|
and get the hell in to work before we're late for our shift._
|
||
|
|
||
|
I should say, it was quite a relief to finally be rid of the
|
||
|
shit-flinging, psychic monkey on my back. No more looking for the
|
||
|
seams in things. No more seeing those seams whether I wanted to or
|
||
|
not. From that morning forward, with the aid of my trusted ringmaster,
|
||
|
ignorance, I would resolve to translate the multidimensional shapes
|
||
|
and colors of my thoughts into English _prior_ to becoming aware of
|
||
|
them. I possessed the machinery. I could ignore it all. Let God or the
|
||
|
Devil sort it out. Life would prove so much easier.
|
||
|
|
||
|
Groggily, I pulled on my socks and made my way into the living
|
||
|
room. I clicked on the television just in time to see a jetliner bury
|
||
|
itself into the World Trade Center and explode.
|
||
|
|
||
|
I guess you could say that in that moment, everything changed.
|
||
|
|
||
|
_So much for my upcoming vacation,_ I thought to myself.
|
||
|
|
||
|
_Sarcasm_ had always been a great practical joker.
|
||
|
|
||
|
|
||
|
All of this from the other side of the port hole.
|
||
|
|
||
|
I edged backwards, unconsciously.
|
||
|
|
||
|
Presently, awareness resumed and I leaped for the curtain. Tom's
|
||
|
babbling was cut off by the downward arc of my sleeve. I straightened.
|
||
|
I had barely escaped with my life.
|
||
|
|
||
|
Then nothing. Silence.
|
||
|
|
||
|
After a few moments, it seemed that the disturbance had faded. I
|
||
|
decided to take another peek. I inched over to the porthole and slowly
|
||
|
drew back the curtain.
|
||
|
|
||
|
That proved to be a mistake.
|
||
|
|
||
|
|
||
|
THE PUBLIC GREEN
|
||
|
|
||
|
tags: 2188, albert_lunsford, rimbaud
|
||
|
|
||
|
Redaction Day festivities were well underway by the time Rimbaud
|
||
|
arrived on the Public Green. Green Ladies, resplendent in their
|
||
|
traditional attire, ensured that every mug remained filled; or in any
|
||
|
case, that each did not remain empty for long. This was fortunate,
|
||
|
since a lot of important talking was taking place under the big
|
||
|
canvases. Tempers would buffer in the mugs.
|
||
|
|
||
|
Rimbaud approached a food tent and ran his eyes over the menu. _I
|
||
|
can't eat here,_ he thought. He moved to another tent and found himself
|
||
|
in much the same predicament. Pork. Beef hearts. Nothing of substance.
|
||
|
Typically, there were no vegetables to be found at any of the stalls.
|
||
|
And the real animal flesh would only send him into allergic fits.
|
||
|
|
||
|
Near the edge of the Green, Rimbaud noticed a small group of
|
||
|
children huddled around a wounded animal. The creature seemed to be
|
||
|
mechanical in nature. Likely little more than an evolved toy. The
|
||
|
young people were painting designs on its exposed flesh with dabs of
|
||
|
white mud. He reflected that the mud in question normally anchored the
|
||
|
grass of the Public Green.
|
||
|
|
||
|
This Redaction Day, Rimbaud had promised himself only limited
|
||
|
interaction with his employees. But the flux of the crowd had made
|
||
|
that impossible, as every attendee was expected to issue a lively
|
||
|
greeting to whomever he passed in the isles. Rimbaud observed that
|
||
|
standing in one place for too long would lead to being ground under by
|
||
|
the aggregate mob. Consequently, he'd kept moving and had already come
|
||
|
face to face with most of his subordinates several times.
|
||
|
|
||
|
What, exactly, he wondered, was really being redacted here? Rimbaud
|
||
|
surveyed the crowd and detected no sign of the ostensible paring away
|
||
|
of cumulative excess. To him, it seemed the surplus interactions were
|
||
|
multiplying.
|
||
|
|
||
|
|
||
|
A group of students had gathered on the Green to search for their
|
||
|
friend. As a regular participant in the Redaction Day preparations, it
|
||
|
was most unlike their companion to wander off just as his toil was
|
||
|
finally coming to fruition. But: vanish he had, and under the most
|
||
|
peculiar of circumstances. One moment he had been present, and the
|
||
|
next he had seemed to disappear without a trace.
|
||
|
|
||
|
At first Rimbaud could not avoid overhearing them. After a few
|
||
|
moments he could no longer prevent himself from joining in.
|
||
|
|
||
|
"Ask yourselves this," he said. "Why is it that this man is in the
|
||
|
Off-White House? The majority of North Americans did not vote for him.
|
||
|
Why is he there? I tell you this morning that he is in the Off-White
|
||
|
House because God put him there. God put him there to lead not only
|
||
|
this nation but to lead the world in a time such as this."
|
||
|
|
||
|
"I--"
|
||
|
|
||
|
Rimbaud stammered, unsure of himself.
|
||
|
|
||
|
"I don't know why I said that."
|
||
|
|
||
|
_"El Nortes,"_ one of the children remarked.
|
||
|
|
||
|
Something in Rimbaud caught on the phrase. Unraveled. He felt as if
|
||
|
he had lost control of his vocal chords.
|
||
|
|
||
|
"True enough. But there is a difference between quoting from
|
||
|
academic sources, which Albert mostly avoids, and quoting from mass
|
||
|
media sources (i.e., telescreen), which is mostly what Albert does.
|
||
|
When he approaches feminism as an intellectual construct, it doesn't
|
||
|
bolster his points to attack the watered-down, simplified, fatuous
|
||
|
pablum that passes for a given 'movement' or strain of thought on the
|
||
|
telescreen. What he does by gathering all of these strains under the
|
||
|
same umbrella is akin to what journalists do when they headline
|
||
|
articles about Albert Lunsford's comics with blurbs like _'Biff! Bam!
|
||
|
Slap!'"_
|
||
|
|
||
|
With this, he had captured the children's full attention. One of
|
||
|
them ventured a response.
|
||
|
|
||
|
"By my understanding, that is generally correct. But I do think
|
||
|
there is a sort of 'trickle-down' effect from academia to popular
|
||
|
culture. Albert vacillates between crediting academia with benign
|
||
|
progress on the one hand and accusing it of the malicious destruction
|
||
|
of society on the other. But in both cases he acknowledges academia's
|
||
|
contribution to pop-feminism."
|
||
|
|
||
|
Rimbaud offered no objection, so the boy continued.
|
||
|
|
||
|
"It is true that the overwhelming preponderance of super-heroes in
|
||
|
the medium renders comics, for most people, a form that is strictly
|
||
|
about super-heroes. But the interesting thing with regards to Lunsford
|
||
|
is that, following his own logic, the aforementioned dominance of
|
||
|
super-heroes also renders Albert Lunsford, himself, an
|
||
|
_atheist/marxist/feminist."_
|
||
|
|
||
|
"Allow me to explain."
|
||
|
|
||
|
"Most comic books are about super-heroes. Therefore, comic books
|
||
|
are about super-heroes."
|
||
|
|
||
|
"Most comic books are about super-heroes and are created by
|
||
|
atheists. Therefore, comic books are about super-heroes and are
|
||
|
created by atheists."
|
||
|
|
||
|
"Most comic books are about super-heroes and are created by
|
||
|
atheists who are also feminists. Therefore, comic books are about
|
||
|
super-heroes and are created by atheists who are also feminists."
|
||
|
|
||
|
"You can see where this is leading, I'm sure."
|
||
|
|
||
|
"Most comic books are about super-heroes and are created by
|
||
|
atheists who are also feminists who are also marxists. Therefore,
|
||
|
comic books are about super-heroes and are created by atheists who are
|
||
|
also feminists who are also marxists."
|
||
|
|
||
|
"And finally... Albert Lunsford creates comic books. Therefore,
|
||
|
Albert Lunsford is an atheist and a feminist and a marxist, and his
|
||
|
comic book work is comprised exclusively of the all-ages adventures of
|
||
|
traditional American super-heroes."
|
||
|
|
||
|
"Clearly, if Albert does not wish to be associated with these
|
||
|
atheists, feminists, and/or marxists, as well as the sorts of people
|
||
|
who give two shits about super-heroes, he should stop referring to his
|
||
|
work as 'comic books,' and/or abandon the medium entirely. Thus,
|
||
|
responsibility for his public image is placed squarely upon his own
|
||
|
shoulders. If he does not publicly disassociate himself from the
|
||
|
medium of comics, he is implicitly supporting the groups identified as
|
||
|
participants in the medium, and therefore society will have no choice
|
||
|
but to lump him in with them and treat him accordingly."
|
||
|
|
||
|
The boy who had first responded to Rimbaud raised his hand and
|
||
|
simultaneously resumed the conversation without waiting to be
|
||
|
acknowledged.
|
||
|
|
||
|
"But that's playing fast and loose with the terms we've already
|
||
|
agreed have specific meanings (as Albert himself does in so many
|
||
|
areas, i.e., marxism, atheism, etc.). Albert doesn't qualify his
|
||
|
statements the way you are trying to do for him. He rejects the notion
|
||
|
that there is any difference at all between these classifications.
|
||
|
Atheist, marxist, feminist -- to him, they're all the same thing. In
|
||
|
this way, he's exactly right that his arguments are 'unassailable,'
|
||
|
because he has completely removed the ability to distinguish one
|
||
|
concept from another."
|
||
|
|
||
|
"His way of approaching classification just doesn't scale. In fact,
|
||
|
this inability to scale is precisely why Albert, in other discussions,
|
||
|
has railed against the erosion of grammatical and syntactical rules in
|
||
|
the English language. Pretty soon, people are redrawing the boundaries
|
||
|
of what words mean to fit their arguments, which allows them to alter
|
||
|
history without even changing the text!"
|
||
|
|
||
|
Rimbaud offered his summation: "As with his enemies, Lunsford
|
||
|
merely distorts the context of a given discussion to support his
|
||
|
pre-determined thesis."
|
||
|
|
||
|
A boy who had been seated on the opposite side of the circle now
|
||
|
stood up and joined the discussion.
|
||
|
|
||
|
"Yes, and every time I would point out one of these collisions of
|
||
|
mutually exclusive claims, Albert would just say that the explanation
|
||
|
was self-evident to those who had already joined _'his team.'"_
|
||
|
|
||
|
Rimbaud: "And that's why, no matter how far he travels in search of
|
||
|
new ideas, he will only ever succeed in rediscovering the tropes he
|
||
|
brought along with him. He proceeds from the premise that he's
|
||
|
addressing emotional irrationality and -- surprise of all surprises --
|
||
|
he arrives at the 'valuable confirmation' that he has indeed been
|
||
|
addressing emotional irrationality. Is he really seeking after Truth,
|
||
|
at all, or is he simply riffing on foregone conclusions? Well, it's a
|
||
|
bit of a trick question. He _admits_ that he's merely riffing on
|
||
|
foregone conclusions! Every event, whatever the outcome, is merely new
|
||
|
evidence that he was right all along. And that's usually the totality
|
||
|
of his argument. _I think, therefore you're wrong._ Back in 1974, I
|
||
|
might have kept faith that his essays were leading up to something
|
||
|
meaningful. But how long am I expected to wait for the prize? There is
|
||
|
no _there_ there. A smooth writing style will only carry you so far. He
|
||
|
kept, and keeps, shifting the floor beneath the reader. Every
|
||
|
declarative phrase doubles back and ties itself into his
|
||
|
atheist/theist binary. He's gone completely off the rails as far as
|
||
|
constructing an 'airtight argument' (as he calls it) is concerned. The
|
||
|
obvious charge here is _confirmation bias,_ and Albert Lunsford is
|
||
|
history's most egregious offender.
|
||
|
|
||
|
Rimbaud stopped. Looked around. What was he saying? Where had all
|
||
|
of this come from?
|
||
|
|
||
|
The crowd outside the Green continued to churn, oblivious to his
|
||
|
befuddlement.
|
||
|
|
||
|
He glanced around the circle of children, who were still lobbing
|
||
|
balls of paint onto the mechanical animal. None of their mouths were
|
||
|
moving. Their body language suggested that they had not even noticed
|
||
|
his presence.
|
||
|
|
||
|
He could feel himself losing control of the situation.
|
||
|
|
||
|
|
||
|
"No, no, no. Women are clinically insane, but Albert Lunsford
|
||
|
cannot be schizophrenic because psychiatry is not a valid science."
|
||
|
|
||
|
"I think his mental health is sort of a non-issue. Albert
|
||
|
interprets it as the fulcrum his freedom hinges upon; but since he is,
|
||
|
so far as we know, not a danger to anyone else and since he does, so
|
||
|
far as we know, manage to take care of himself, I really don't think
|
||
|
anyone cares. I know I don't care, personally, whether or not he's
|
||
|
considered 'crazy.'"
|
||
|
|
||
|
"Albert, for his part, seems to think that the whole of society is
|
||
|
waiting on pins and needles, anxious for him to die. Now _really._ I
|
||
|
think he tends to overestimate the common man's awareness of his
|
||
|
oeuvre. Most of society doesn't even know he exists. When people call
|
||
|
him 'insane,' I don't think they mean for men in white coats to
|
||
|
forcibly remove him from the Off-White House and drag him off to some
|
||
|
kind of state-run facility. I think the people he's really worried
|
||
|
about -- some small percentage of his peers in the industry -- see him
|
||
|
as either an amusing crank or as a sad example of what happens when a
|
||
|
man convinces himself he's the only person on Earth with access to The
|
||
|
Truth. Just because people make fun of him being overdue for his meds
|
||
|
doesn't mean they are going to come and strap him into a chair, inject
|
||
|
him with marxist/feminist/atheist/homosexualist meta-proteins."
|
||
|
|
||
|
"The fact that he was actually committed to an institution once,
|
||
|
against his will, probably contributes to his paranoia about the
|
||
|
perception of his mental health. Perhaps this fear is exacerbated by
|
||
|
his vast experience with hallucinogens, as he may have acquired some
|
||
|
idea of what psychotropic medications would do to him. My own parents
|
||
|
took me to a psychiatrist once, against my will, and I can say that I
|
||
|
was quite belligerent in my response. But I was not given medication,
|
||
|
and in fact I was not even held overnight for observation. The
|
||
|
psychiatrists seemed confused as to why I had been brought there in
|
||
|
the first place. Given his hostility towards psychiatry, I can only
|
||
|
assume Albert was treated differently."
|
||
|
|
||
|
"If one examines the timeline of recriminations between Albert and
|
||
|
the comic book industry, it is interesting to observe the escalating
|
||
|
pattern of self-ostracization Albert has enacted over the past several
|
||
|
years. I do not dismiss what his latest published material purports
|
||
|
itself to be about, but it is instructive to note that Albert's latest
|
||
|
theories have expanded to encompass a neat explanation of why he is no
|
||
|
longer a fan-favorite creator, and why his latest works have failed to
|
||
|
garner the universal acclaim he seems to think they deserve. He
|
||
|
obviously has a very high opinion of himself, and requires a
|
||
|
corresponding explanation as to why the rest of the world doesn't hold
|
||
|
him in similar esteem. It's fascinating to me that the very tenacity
|
||
|
and pigheadedness that make him so difficult to interact with also
|
||
|
seem to be precisely the traits that have enabled him to complete his
|
||
|
multitudinous extended works. I think this is where Ian Kenny's
|
||
|
observations have been centered: Kenny marvels that Albert's
|
||
|
single-minded determination has resulted in the self-destruction of
|
||
|
his critical faculties -- that is to say, his vanished ability to
|
||
|
honestly evaluate himself. At the same time, he has turned the
|
||
|
remainder of that focus outward, towards the world. With that in mind,
|
||
|
I don't just think Ian is being a 'fuckwit,' as you put it. He sort of
|
||
|
has a point. Others would no doubt remind us that Albert has always
|
||
|
been closed off to intimacy, and that he has only stopped portrayed
|
||
|
himself otherwise since the summer of 1974.)"
|
||
|
|
||
|
Finally, Rimbaud began to wind down. He seemed to have said his
|
||
|
piece.
|
||
|
|
||
|
"I'm sort of getting tired of this relentless harping on the
|
||
|
negative aspects of Albert's philosophies and his approach to arguing
|
||
|
them. But dammit, it seems to me that even the people who explicitly
|
||
|
admit they are opposed to everything he stands for never seem to
|
||
|
criticize him on the right points. I tried writing to him and taking
|
||
|
him to task in private, but as we know, Albert is famously unreceptive
|
||
|
to real intellectual debate. He prefers to maintain the authorial
|
||
|
distance. Or the authorial authority, if you will. All of you folks
|
||
|
who hold it as an article of faith that Albert is unfailingly polite
|
||
|
and self-effacing to his fans; well, it's hardly a constant, as many
|
||
|
of us have learned through hard experience."
|
||
|
|
||
|
|
||
|
It finally dawned on Rimbaud that none of this business about
|
||
|
Albert Lunsford was actually happening on the Public Green. What he
|
||
|
was feeling, seeing and hearing was nothing more than a resonant echo
|
||
|
of the original Redaction Day. What he seemed to be interacting with
|
||
|
was, in reality, merely a facet of the city's holiday decorations. His
|
||
|
mesh transceivers had passed on the data unchecked. What a clever
|
||
|
presentation, he thought.
|
||
|
|
||
|
Before he could tear himself away from the simulation, one of the
|
||
|
children who had been painting the artificial animal appeared at his
|
||
|
side and began tugging on his shirtsleeve. He bent down so the child
|
||
|
could whisper in his ear.
|
||
|
|
||
|
"Keep your mouth shut. Don't listen to the worries inside," said
|
||
|
the child.
|
||
|
|
||
|
More of the ritual dialogue.
|
||
|
|
||
|
In light of Albert Lunsford's harsh example, Rimbaud considered it
|
||
|
good advice.
|
||
|
|
||
|
|
||
|
MOUNTAINS OF WHITE
|
||
|
|
||
|
tags: 1986, 4086, dexter_styles, gravy_needs, piro, shit_mold, tab2
|
||
|
|
||
|
Thomas resumed haranguing Piro through the port hole.
|
||
|
|
||
|
"You have to listen to me. You have to come back with me to 1986."
|
||
|
|
||
|
"You've been talking for half an hour. Oh, the plight of the noble
|
||
|
graphic designer."
|
||
|
|
||
|
"I'm serious, Piotr."
|
||
|
|
||
|
"I can tell. And I bet you guys are having quite a laugh at my
|
||
|
expense. Well, _Ramadan's_ almost over. You'll be back here soon enough
|
||
|
and then I'll have my revenge."
|
||
|
|
||
|
"This is not a practical joke, Piro!"
|
||
|
|
||
|
"Prove it. Walk me through the challenge and response."
|
||
|
|
||
|
_"Was there ever a God?"_ asked Piro, commencing the sequence.
|
||
|
|
||
|
_"Once. A long, long time ago,"_ answered Thomas.
|
||
|
|
||
|
They continued in this vein for some time, until Piro had satisfied
|
||
|
himself that everything checked out. Once Thomas had successfully
|
||
|
authenticated his identity, Piro allowed the conversation to continue.
|
||
|
|
||
|
"Why me?" he finally asked, rubbing his eyes.
|
||
|
|
||
|
|
||
|
Gravy Needs hovered around the corner. Piro was not aware that the
|
||
|
King had called an early end to the holiday.
|
||
|
|
||
|
This was fucking great.
|
||
|
|
||
|
|
||
|
"Because we're twin brothers."
|
||
|
|
||
|
"Tom, that's impossible. You're from two thousand years ago."
|
||
|
|
||
|
"..."
|
||
|
|
||
|
"Furthermore, we look nothing alike."
|
||
|
|
||
|
"Not all twins are identical," said Thomas.
|
||
|
|
||
|
"And not all floating heads tell the truth," said Piro.
|
||
|
|
||
|
Stalemate.
|
||
|
|
||
|
|
||
|
_"MAKE WAY FOR KING SHIT!"_
|
||
|
|
||
|
Piro and Tom's brotherly reunion was interrupted by the return of
|
||
|
the King. King Theodosius Shit Mold's entourage marched into the room,
|
||
|
elbowing Piro away from the port hole. The flap closed and no one
|
||
|
seemed to notice the floating head outside the window. Dexter Styles,
|
||
|
the King's Chancellor, took up his usual position between the King and
|
||
|
the rest of the group.
|
||
|
|
||
|
"Let it hereafter be known that King Shit has returned to the
|
||
|
station!" he declared.
|
||
|
|
||
|
The King reclined on his portable throne, his leg dangling over an
|
||
|
armrest.
|
||
|
|
||
|
"Indulge me," said the King to Piro. "Why did you stay behind?"
|
||
|
|
||
|
"Your Highness," Piro bowed deeply, "My duties..."
|
||
|
|
||
|
The King put up his hand, as if to punctuate Piro's excessive
|
||
|
babbling. "Eff that noise. From now on, I want you by my side at all
|
||
|
times. I've grand designs on your future, Piotr."
|
||
|
|
||
|
Piro bowed again.
|
||
|
|
||
|
A low rumble issued from the port hole. The flap blew back and the
|
||
|
makeshift throne room was once again flooded with pale, colorless
|
||
|
light.
|
||
|
|
||
|
"I wasn't finished," said Thomas Bright, Jr. through the port hole.
|
||
|
|
||
|
King Shit leaned forward as if to affirm his interest in the
|
||
|
present goings-on.
|
||
|
|
||
|
"By all means, do carry on," smirked the King.
|
||
|
|
||
|
|
||
|
Gravy Needs was delighted. He hadn't intended for the King to
|
||
|
become involved. But now that he had, the hilarity could only
|
||
|
increase.
|
||
|
|
||
|
Gravy punched up the others on his forearm and quickly told them
|
||
|
all the news. Stifled laughs echoed in the close chamber. Gravy
|
||
|
blipped off and resumed his manipulations of the Court.
|
||
|
|
||
|
|
||
|
"I'm here to retrieve my brother," continued Thomas. "There's
|
||
|
trouble back home, and he's needed to help smooth over the
|
||
|
discontent."
|
||
|
|
||
|
"Ah, I am empathetic to family problems," allowed the King.
|
||
|
|
||
|
"This is more than just a family problem. There's also a weird
|
||
|
anomaly that threatens to engulf the entire universe."
|
||
|
|
||
|
"And only Piro can save us?" laughed the King, incredulously.
|
||
|
|
||
|
"That's my position, yes," answered Thomas.
|
||
|
|
||
|
The Court fell silent, waiting for the King to respond.
|
||
|
|
||
|
Shit Mold could see that Thomas was going to stand firm on his
|
||
|
position. Such gallantry touched him deeply, reminding him of comic
|
||
|
book stories from his youth.
|
||
|
|
||
|
"Very well then. It would amuse me to observe your adventures from
|
||
|
remote. Piro! Pack up your monitoring kit. You're headed for the
|
||
|
1980s!"
|
||
|
|
||
|
Thomas bit his lip and slowly shook his head in affirmation of his
|
||
|
victory.
|
||
|
|
||
|
At last, his brother was returning to him. At last, the team would
|
||
|
be whole.
|
||
|
|
||
|
Together again for the first time.
|
||
|
|
||
|
|
||
|
Piro climbed into his vehicle and switched on some soft music.
|
||
|
Vangelis, as usual. Thomas' head appeared, floating above the
|
||
|
passenger seat beside him. The two brothers traveled sans
|
||
|
conversation, which was fine with Piro. He needed time to think.
|
||
|
|
||
|
|
||
|
Gravy Needs had not anticipated that the King would send Piro away.
|
||
|
For all his trouble, the butt of his prank had been effectively
|
||
|
promoted to field work.
|
||
|
|
||
|
_I hate Ramadan,_ he thought.
|
||
|
|
||
|
|
||
|
Moments after Piro engaged the ship's percept drive, the orbital
|
||
|
station had begun to undergo a series of complex, unorthodox changes.
|
||
|
As the transformations progressed, the station wobbled gradually in
|
||
|
and out of sight. The station's engineers were befuddled by the day's
|
||
|
events.
|
||
|
|
||
|
|
||
|
Within an hour of the brothers' departure, the anomaly Thomas had
|
||
|
described had expanded to absorb the station in its entirety. No one
|
||
|
had expected it to expand so quickly. Least of all Piro.
|
||
|
|
||
|
The King, from his vantage point atop the many phonebooks stacked
|
||
|
beneath his posterior, had been blessed to see it all coming. Perched
|
||
|
on his throne, he tittered and giggled at the symmetry between the
|
||
|
waves of monochrome light on screen and the mountains of white powder
|
||
|
piled on the table before him.
|
||
|
|
||
|
There was so much white, everywhere.
|
||
|
|
||
|
He sniffled as the station shuddered and faded from memory.
|
||
|
|
||
|
|
||
|
`86
|
||
|
|
||
|
tags: 1986, freeway_ricky_ross, piro, tab1, tab2
|
||
|
|
||
|
Piro eased back on the throttle and the ship came to a stop.
|
||
|
|
||
|
"All right," he said. "We're here."
|
||
|
|
||
|
Thomas eyed him.
|
||
|
|
||
|
"Let's get started."
|
||
|
|
||
|
Thomas' floating head flickered out of view and was replaced by a
|
||
|
light rapping on the passenger side window. Piro depressed a switch on
|
||
|
his console and the window slid down.
|
||
|
|
||
|
"This way, my man," Thomas said, motioning with his thumb.
|
||
|
|
||
|
|
||
|
"This is our guy on the inside. Handle: Freeway Ricky Ross. Real
|
||
|
name: Rick."
|
||
|
|
||
|
"Pleased to make your acquaintance, Rick."
|
||
|
|
||
|
Ricky nodded.
|
||
|
|
||
|
"We've been making a lot of progress. We did three hundred million
|
||
|
last year in uncut bricks. But Ricky's got a line on some sweet
|
||
|
chemistry and we've been able to step on these new shipments up to ten
|
||
|
times before sending them out to the street. And it sells just as well
|
||
|
as the raw."
|
||
|
|
||
|
Piro made a low whistle, pretending he understood what Thomas was
|
||
|
talking about.
|
||
|
|
||
|
"The small-time dealers love it. Maximal return on a minimal
|
||
|
investment."
|
||
|
|
||
|
"I own five houses," said Ricky.
|
||
|
|
||
|
"It's become an epidemic," complained Thomas, suddenly forlorn. "In
|
||
|
spite of our best efforts, Crack is still flooding our streets."
|
||
|
|
||
|
|
||
|
"But--"
|
||
|
|
||
|
Piro's face contorted in spite of himself. He couldn't quite make
|
||
|
up his mind if Thomas was being sarcastic.
|
||
|
|
||
|
He started again.
|
||
|
|
||
|
"But you're the ones selling it!"
|
||
|
|
||
|
"Not to worry. We fold all of the profits back into our war on
|
||
|
drugs."
|
||
|
|
||
|
Piro shook his head.
|
||
|
|
||
|
"That makes no sense at all."
|
||
|
|
||
|
"That's exactly why we need your help. There are still some kinks
|
||
|
in the process that need to be ironed out. Something has got to be
|
||
|
done about the spread of illegal drugs, and quickly. People are dying
|
||
|
out there, Piotr."
|
||
|
|
||
|
|
||
|
Freeway Ricky Ross leaned back against the hood of his Impala. He
|
||
|
hated this part; waiting for Thomas to make his pitch to some new
|
||
|
investor was more boring than going to church. He pulled out his
|
||
|
briefcase and mulled over some past due paperwork. This new lawyer...
|
||
|
No one could read his handwriting. Ricky snapped the briefcase shut
|
||
|
and smoked a menthol cigarette. He suddenly noticed that someone had
|
||
|
scuffed his Chuck Taylors.
|
||
|
|
||
|
|
||
|
Piro and Thomas had taken a circuitous route around the parking
|
||
|
lot. Now they were making their way back towards Ricky. They seemed to
|
||
|
still be discussing the preliminaries even as their voices drifted
|
||
|
within earshot.
|
||
|
|
||
|
"Basically, I bought the Chrysler Building."
|
||
|
|
||
|
"..."
|
||
|
|
||
|
"Don't look at me like that. We needed the room."
|
||
|
|
||
|
"You founded a super-hero team -- funded by drug money -- to fight
|
||
|
drug dealers."
|
||
|
|
||
|
"Among other things, yes."
|
||
|
|
||
|
Piro could feel his eyes popping out of his head. Thomas was almost
|
||
|
thirty years old. This kind of self-destructive behavior was
|
||
|
inexcusable. But it was true, he _had_ managed to amass some impressive
|
||
|
resources. Piro stared off into the Los Angeles smog, weighing the
|
||
|
situation.
|
||
|
|
||
|
"Almost nothing about this appeals to me. All right, I'll make an
|
||
|
exception for a few of your acquisitions. Did you know that the
|
||
|
Chrysler Building is still standing in 4086? Owned by the Crown."
|
||
|
|
||
|
"Huh. You don't say."
|
||
|
|
||
|
"Actually, I operated out of the 61st floor for several years,
|
||
|
myself, training new recruits."
|
||
|
|
||
|
"Yeah, I remember that training. Dad really had a hard-on for your
|
||
|
teaching methods. He always used to tell the rookies, 'If you survive
|
||
|
one of Piro's seminars, you're hired.' Seemed to think that was
|
||
|
hilarious for some reason. Of course, years later I told him about
|
||
|
your Blythe collection."
|
||
|
|
||
|
Piro laughed. "Who do you think got me started on the doll
|
||
|
collecting, idiot."
|
||
|
|
||
|
Thomas smiled at him warmly.
|
||
|
|
||
|
Things were falling into place, just as he'd hoped.
|
||
|
|
||
|
|
||
|
"Well Thomas, I'm a little perturbed that you've brought me back in
|
||
|
time under false pretenses. Crack cocaine is hardly set to swallow the
|
||
|
known universe. But now that I'm here... Well, what the hell. I can
|
||
|
see that you've got yourself a heaping full plate. You're going to
|
||
|
need all the help you can get dealing with this problem you've
|
||
|
unleashed on the inner city. It probably wasn't such a bad idea for
|
||
|
you to get me involved."
|
||
|
|
||
|
"I'm sure dad would agree."
|
||
|
|
||
|
"Please, tell me he doesn't know anything about your drug dealing,"
|
||
|
admonished Piro.
|
||
|
|
||
|
"Relax," said Ricky, flicking his cigarette over the hood of the
|
||
|
Impala. "He's in Japan."
|
||
|
|
||
|
"The man has full-clearance access to the mesh, Rick." Piro made a
|
||
|
face at him, emphasizing the obvious conclusion. "If he hasn't already
|
||
|
involved himself in this scheme it probably just means you haven't
|
||
|
been paying close enough attention to the books."
|
||
|
|
||
|
"I resent that," said Ricky. "We've spent a lot of money on
|
||
|
accountants."
|
||
|
|
||
|
|
||
|
New York.
|
||
|
|
||
|
The Chrysler Building.
|
||
|
|
||
|
It felt strange to once again be standing on the 61st floor
|
||
|
observation deck. Piro tilted his head so that his bangs partially
|
||
|
shielded him from the setting sun. He pondered the circumstances which
|
||
|
had led up to this present eventuality.
|
||
|
|
||
|
Thomas had fallen asleep in his apartment downstairs. Freeway Ricky
|
||
|
had stayed behind in L.A., in order to keep an eye on the business.
|
||
|
Someone had to do it, he had said. Consequently, Piro had been able to
|
||
|
claim most of the 61st floor for himself. Just like old times. In
|
||
|
point of fact, some of his old gear from the 1960s was still locked up
|
||
|
in the building's armory.
|
||
|
|
||
|
As Piro's gaze drifted across the city below, he wondered if Thomas
|
||
|
was aware that he had burned up the remainder of his fuel in the
|
||
|
process of getting them back to 1986. As a result, the RAGNAROK was
|
||
|
parked indefinitely within the present temporal frame. Its percept
|
||
|
drive had run clean out of new perspectives. Face it, there was
|
||
|
nothing new to be learned from the past.
|
||
|
|
||
|
No matter. It was true there was a lot of work to be done, here, in
|
||
|
1986. It could hardly matter if Thomas had deliberately deceived him.
|
||
|
Petty manipulations were not at the forefront of his mind. In any
|
||
|
case, it would make little sense for Piro to complain about being lied
|
||
|
to at this late stage in the game.
|
||
|
|
||
|
So, his plans would change.
|
||
|
|
||
|
He willed himself to narrow his focus, concentrating, with some
|
||
|
effort, solely on the mission at hand. Stopping the crack cocaine
|
||
|
epidemic before it destroyed the country, if not the entire world.
|
||
|
|
||
|
Piro checked the logins on his weapons and unlatched his backpack.
|
||
|
He withdrew the necessary equipment and prepared to launch himself
|
||
|
over the wall of the observation deck. Before he new it, he was once
|
||
|
again repelling down the side of the Chrysler Building. This familiar
|
||
|
action pleased him, and he accelerated with deliberate speed.
|
||
|
|
||
|
The fading sun reflected at right angles against the skyscraper's
|
||
|
face as Piro descended its smooth, featureless surface, pacing himself
|
||
|
to the rhythm of the city.
|
||
|
|
||
|
Down, down, down.
|
||
|
|
||
|
|
||
|
PIECES OF FILTH
|
||
|
|
||
|
tags: 1886, haus_mold, jerrymander_mold
|
||
|
|
||
|
Haus was down. Jerrymander sank backwards into the wagon and hugged
|
||
|
his satchel. The Mold family backups.
|
||
|
|
||
|
More shots rang out from the top of the canyon. A gurgle came out
|
||
|
of Haus. He would be useless for at least another hour.
|
||
|
|
||
|
The Secret Service detail had vanished into the brush.
|
||
|
|
||
|
|
||
|
These fools worshiped a blank sheet of paper. _Any_ blank sheet of
|
||
|
paper. Considered them sacred. That's why they didn't like it when you
|
||
|
filled them with words.
|
||
|
|
||
|
And Jerrymander Mold had gotten an awful lot of ink. According to
|
||
|
the _Blanks_ (as they were known), excess quantities of pulp were
|
||
|
spoiled disseminating the tales of his exploits. Naturally, such
|
||
|
tended to happen when you were the President of the United States, but
|
||
|
the _Blanks_ refused to abide the extraordinary circumstances. The
|
||
|
simple inevitability of the press' fascination with power was
|
||
|
considered, by their stubborn, peculiar order, to be no excuse. They
|
||
|
declared Jerrymander responsible for the destruction of the 25 lb.,
|
||
|
white bond industry. The market had proven incapable of fulfilling
|
||
|
wartime demand. Therefore, President Mold, as the dominant public
|
||
|
figure of the war, was obviously to blame for the industry's collapse.
|
||
|
|
||
|
Haus had uncovered only minimal data on their rituals, but it had
|
||
|
been enough to put the fear of the Green into Jerrymander. By his
|
||
|
reckoning, they indulged in blatantly inhumane practices. And now they
|
||
|
had tracked him into the canyon.
|
||
|
|
||
|
Echoes of movement had been detected nearby. Or so Jerrymander
|
||
|
calculated the delay. He hesitated to peek over the side of the wagon.
|
||
|
He could see nothing but the sky and the western rim of the canyon,
|
||
|
straight ahead of him.
|
||
|
|
||
|
Ten minutes elapsed with no further shots fired. Jerrymander
|
||
|
assumed the _Blanks_ had moved on, but he declined to relax his grip on
|
||
|
the satchel.
|
||
|
|
||
|
By any means necessary, the backups must be preserved.
|
||
|
|
||
|
|
||
|
Two hours elapsed. Jerrymander pulled out a blank sheet of paper
|
||
|
and investigated it in the failing sunlight. It looked normal enough
|
||
|
to him. He felt no particular spiritual stirring. Of course, the
|
||
|
nature of his mechanical body guaranteed that this would be the case.
|
||
|
He found himself absent the necessary hardware to affect faith, even
|
||
|
if his ghost had been willing. The virgin rectangle of white paper
|
||
|
looked very much to him like a virgin rectangle of white paper. It lay
|
||
|
spread out on his hand, motionless and lacking in semantic content. He
|
||
|
turned it over and examined it at different angles, but could only
|
||
|
derive this same, dispassionate reading.
|
||
|
|
||
|
Haus started awake with a gasp. He spit blood on the floor of the
|
||
|
wagon, all the while cursing the name of the Green.
|
||
|
|
||
|
"These people are truly trying my patience," he remarked, bitterly.
|
||
|
|
||
|
"I know what you mean. First they elect me, and then they want to
|
||
|
kill me just because I find it insensible to worship reams of
|
||
|
tractor-feed printer paper."
|
||
|
|
||
|
"It's amazing they've tolerated you for so long."
|
||
|
|
||
|
Jerrymander threw up his hands. "They're a guerrilla force. The
|
||
|
Federal government is fat and slow. Furthermore, the recalcitrant
|
||
|
aesthetic appeals to the mainstream. These are not the ingredients of
|
||
|
an Administration victory."
|
||
|
|
||
|
The horses were tired. Haus decided that the wagon could afford to
|
||
|
stay put until morning, even in its disadvantaged position. He'd
|
||
|
finally gotten the shields up and running. At first light he'd try to
|
||
|
track down the awol SS men, while Jerrymander made a beeline for the
|
||
|
Continuity of Government bunker thirty miles to the north. The
|
||
|
President would be safe there, provided he didn't run into any more
|
||
|
_Blanks_ along the way.
|
||
|
|
||
|
They divided the backups between themselves according to family
|
||
|
protocol. Haus carefully punched out duplicates of everything they
|
||
|
had. He took the originals and gave his new copies to the President.
|
||
|
If either of them were captured or killed, at least one full copy
|
||
|
would survive. If both of them were captured or killed, the
|
||
|
preservation of the archive would be irrelevant anyway. They were the
|
||
|
only remaining Molds left alive, and it took a living Mold to resume a
|
||
|
saved state.
|
||
|
|
||
|
Haus realized then that the Molds were the precise antithesis of
|
||
|
everything the _Blanks_ stood for.
|
||
|
|
||
|
All the more reason to survive.
|
||
|
|
||
|
|
||
|
Jerrymander dreamed of white squares in space. He conceived them
|
||
|
almost as overlapping pixels, multiplying until they blotted out the
|
||
|
stars and planets. In his dream, he observed the total heat death of
|
||
|
the universe, presented as a linear narrative spanning the spectrum
|
||
|
from red shift to blue shift. Near the end, the white squares took on
|
||
|
a pale, greenish hue.
|
||
|
|
||
|
He fancied he could make out some meaningful pattern in the mesh of
|
||
|
interlocking pixels. The whole enterprise brought to mind Penrose
|
||
|
tiles. He felt that there must be some significance to the display
|
||
|
that he couldn't quite grasp. Even in his dream he was frustrated that
|
||
|
the solution seemed to languish just out of reach.
|
||
|
|
||
|
Jerrymander awoke with a crick in his neck. He ran some diagnostics
|
||
|
and adjusted the latches of his spine, but this action only minimally
|
||
|
reduced his discomfort. He realized then that he felt cold and reached
|
||
|
for his jacket. He could definitely do with better weather. The skin
|
||
|
on his knuckles was starting to crack.
|
||
|
|
||
|
Haus had set off without waking him. It was just as well that they
|
||
|
split up early in the day. Jerrymander checked his rifles and made
|
||
|
sure his internal GPS was functioning as expected. Presently, he
|
||
|
yanked on the reigns. The horses roused groggily to cruise velocity.
|
||
|
|
||
|
As the wagon drug forward, each horse evacuated its bowels, one
|
||
|
after the other, in an alternating pattern of green and brown.
|
||
|
|
||
|
The dust of the trail caught in Jerrymander's teeth. His grimace
|
||
|
felt permanent, fixed in place.
|
||
|
|
||
|
He was embarrassed to admit that the smell of the horses bothered
|
||
|
him.
|
||
|
|
||
|
|
||
|
DESCENT OF MIND
|
||
|
|
||
|
tags: 1985, albert_lunsford, ian_kenny, saito
|
||
|
|
||
|
Saito:
|
||
|
|
||
|
I write to you with news of Albert's worsening condition.
|
||
|
|
||
|
One moment he is digressing about Kant and the next he has picked up a
|
||
|
kitchen appliance and is bashing himself in the face. I am
|
||
|
increasingly frightened that he will do irreparable damage to himself.
|
||
|
When I'm not around, he calls me almost every day. But I cannot answer
|
||
|
his calls anymore -- not for any lack of sympathy, understand, but for
|
||
|
time. After five minutes he forgets he's called and tries to call
|
||
|
again. This can go on for hours. I think it matters very little
|
||
|
whether I answer or not, as he won't remember either way. In spite of
|
||
|
my fears for his safety, I really don't think my presence or my words
|
||
|
mitigate the danger. When I do answer, speaking to him meaningfully is
|
||
|
an occluded impossibility, as he rarely understands what I'm trying to
|
||
|
say. He seems to be losing comprehension of even simple language. I
|
||
|
now manage his percept from remote with an automated script. The
|
||
|
program runs continuously, even when I am otherwise preoccupied. I
|
||
|
check the log messages most mornings.
|
||
|
|
||
|
I still visit him once a week and help him arrange his grocery
|
||
|
deliveries, medications, and so on. He is no longer capable of caring
|
||
|
for himself in essential matters. I have to put his hand on the
|
||
|
pressure screen at the appropriate times. His notebooks have
|
||
|
degenerated, devolved over time into page upon page of scratches,
|
||
|
really nothing more than dots and dashes. I don't believe he is
|
||
|
writing in Morse code. He doesn't even attempt to draw anymore. The
|
||
|
systems in his apartment could take care of all his basic needs, but I
|
||
|
am reluctant to cut off contact on account of his obvious loneliness.
|
||
|
He has begun to confuse me with members of his family who are long
|
||
|
dead.
|
||
|
|
||
|
My understanding is that your work has taken a turn towards success,
|
||
|
as of late, and that the advances you are making every day may be of
|
||
|
some benefit to Albert. Things used make sense to him, Saito. To us.
|
||
|
|
||
|
In spite of our earlier discussion on these matters, I must appeal to
|
||
|
you yet again to reconsider your blunt rejection of his case. Surely
|
||
|
you have some leeway in who you treat. Won't you please try to help
|
||
|
him, if you are able.
|
||
|
|
||
|
I implore you, Saito.
|
||
|
|
||
|
Ian Kenny
|
||
|
|
||
|
|
||
|
END BOOK TWO
|
||
|
|
||
|
|
||
|
BOOK THREE
|
||
|
|
||
|
|
||
|
NANA.TECH
|
||
|
|
||
|
tags: 1928, nana_mold, plinth_mold
|
||
|
|
||
|
Diagoro relaxed his stance only a little as Grandma hobbled over to
|
||
|
the cupboard. By the Orb on the kitchen counter, he could see that
|
||
|
traffic out of the San Jose backbone was slowly reaching its peak.
|
||
|
Very little time now. Grandma jumped when the teacups reached parity,
|
||
|
and for a moment he thought that she might be in danger of fainting,
|
||
|
toppling over. A reassuring expression of recognition (resignation?)
|
||
|
gradually bled into her face, and she settled back down into her
|
||
|
slippers, returning to the cupboard as the black tide line in each
|
||
|
porcelain vessel miscegenated with 2% milk.
|
||
|
|
||
|
"There's really not time for this, Nana," Diagoro breathed thickly.
|
||
|
|
||
|
"You just close your ill-filtering little mouth. You'll eat this
|
||
|
and you'll like it. And then we can go and put down your little
|
||
|
foreign barbarian whore or whoever it is this time and I'll wear a
|
||
|
smile for you then."
|
||
|
|
||
|
Grandma pressed brittle hands into her apron, smearing grease from
|
||
|
her tools onto the linen. She snapped closed the aluminum case of her
|
||
|
rifle. After tonight she would tell Diagoro, like so many before him,
|
||
|
that he was a Mold.
|
||
|
|
||
|
For now, she simply said:
|
||
|
|
||
|
"I'm going to shoot this bitch myself."
|
||
|
|
||
|
|
||
|
STARTING THEM YOUNG
|
||
|
|
||
|
tags: 1935, nana_mold, plinth_mold
|
||
|
|
||
|
Tomorrow is a holiday, but today is not. My parents are both at
|
||
|
work, and I'm stuck here at the babysitter's house, sitting out the
|
||
|
two or three or four hours that I'll be trapped in this room, lying on
|
||
|
my pallet, dreaming without sleep about every possible other thing I
|
||
|
could be doing with my time. I don't know why she locks me in here.
|
||
|
|
||
|
_Granny_ is not really my grandmother. But that does not keep her
|
||
|
from closing me up into the spare bedroom after lunch, leaving me
|
||
|
there until shortly before my parents arrive to take me home. What am
|
||
|
I meant to be _doing,_ during all of this time? Granny has not been
|
||
|
forthcoming on the subject.
|
||
|
|
||
|
Today's focus is a new assortment of military adventure toys.
|
||
|
Specifically, the pre-visualization of a flying machine whose swept
|
||
|
wings must be made to contract upon the release of a certain switch --
|
||
|
I presume to be located somewhere along the aircraft's aft fuselage.
|
||
|
I'm having a bit of trouble figuring out precisely how the wing
|
||
|
mechanism will work. Something to do with strings or wires of some
|
||
|
sort, all obfuscated from the child/operator. The picture is as yet
|
||
|
fuzzy...
|
||
|
|
||
|
Also up for review is a full-size, realistic combat uniform,
|
||
|
infused with what I will for marketing purposes refer to as "the scent
|
||
|
of battle." These two ideas should tide me over until the big door
|
||
|
unlocks, clicks open at around four o'clock. If I concentrate upon
|
||
|
this pair of images intently enough, conceive of them in great enough
|
||
|
detail, covering every possible feature, I am convinced -- no, I am
|
||
|
_certain_ -- that they will have materialized in my bedroom closet by
|
||
|
the time I get home. It is not clear why I choose to believe in this
|
||
|
notion, but I confess that I do. I suppose such activity amuses me.
|
||
|
Consider my age.
|
||
|
|
||
|
First then, the aircraft.
|
||
|
|
||
|
"Dad is insatiable screwing his daughter," a voice states, aloud,
|
||
|
sounding quite desperate to be heard. It is only mildly distracting as
|
||
|
I am quite used to this sort of thing by now. I shrug vaguely without
|
||
|
losing my train of thought. Laughable, really, these attempts at
|
||
|
derailing my creative process.
|
||
|
|
||
|
"Japanese teen showing her hairy pussy," the voice continues. I
|
||
|
have no trouble ignoring the outburst, and so carry on with my
|
||
|
daydreaming as if no auditory phenomena were taking place. All is
|
||
|
calm.
|
||
|
|
||
|
"Homeless guy wearing a brand new 8-ball jacket."
|
||
|
|
||
|
That, I'm sorry to admit, tears it. I have finally had enough. I
|
||
|
straighten myself and reply:
|
||
|
|
||
|
_"Little cutie screams as she gets drilled on her new boss' desk._
|
||
|
Okay? Is that what you wanted to hear? May I proceed now?"
|
||
|
|
||
|
I have prepared myself for a dramatic pause, but the voices
|
||
|
promptly dissolve into a perfect silence. Indeed, one could almost be
|
||
|
lulled into sleep in this quiet. Would that all of my projects could
|
||
|
be undertaken in such sublime stillness. I'm quite certain that the
|
||
|
balance of my output would yield a sharp increase in quality.
|
||
|
|
||
|
"Now," I think to myself, "Let's get back to work."
|
||
|
|
||
|
|
||
|
Before long, the voices are at it again.
|
||
|
|
||
|
"Innocent Gays getting modernistic IT anally."
|
||
|
|
||
|
This time, I don't even dignify the disruption with a response. Why
|
||
|
do they bother? I'm simply not interested.
|
||
|
|
||
|
And yet, I have to admit that the voices have once again succeeded
|
||
|
in distracting my attention. Remarkable, these recent advances in
|
||
|
advert technology.
|
||
|
|
||
|
|
||
|
Granny knocks gently as she enters, clutching a packet of my
|
||
|
medications. She casts a knowing look as she unscrews the bottles,
|
||
|
sorting the myriad variety of colored pellets into the concave
|
||
|
depressions of her tray. Her eyes caress me with warm approval as I
|
||
|
accept the arrangement of doses and commence popping pills.
|
||
|
|
||
|
"You were diddling yourself in here again, weren't you, Plinth."
|
||
|
|
||
|
"No," I say. "You're hearing things, old woman."
|
||
|
|
||
|
I think she is smiling at me but it's difficult to tell because she
|
||
|
is so old that her face appears quite wrinkled even when she is
|
||
|
asleep, or watching her programs on telescreen. Is that a smile, or is
|
||
|
it merely the untreated cracking of leather?
|
||
|
|
||
|
I assume she was joking, that she didn't actually see me with my
|
||
|
hands in my pants.
|
||
|
|
||
|
There. Now I am _certain_ she is smiling. This is preposterous. As
|
||
|
if I needed more variables to consider.
|
||
|
|
||
|
I am tired. Much too tired to continue.
|
||
|
|
||
|
Where are my parents?
|
||
|
|
||
|
That's all for today, Diary.
|
||
|
|
||
|
EOF
|
||
|
|
||
|
|
||
|
AWAKENING THE SELF
|
||
|
|
||
|
tags: 1944, plinth_mold
|
||
|
|
||
|
If there is a test, chances are he will pass. But he is never quite
|
||
|
sure if he really understands the answers, or if he has merely derived
|
||
|
them from some calculus of the movement of language. Has communication
|
||
|
truly taken place? And if so, how does he know that he knows? This
|
||
|
problem of knowledge goes deeper for him (he suspects) than for any of
|
||
|
the other boys; he is certain that the others are secure both in their
|
||
|
answers and in the thoughts which (he is also certain) inform them.
|
||
|
Much unlike himself, unfortunately. What good is the right answer if
|
||
|
it still doesn't make any sense?
|
||
|
|
||
|
He is provided a worksheet. On it are inscribed a series of symbols
|
||
|
he does not understand. Above the symbols are situated photographs of
|
||
|
the room he has just vacated. He studies the paper and notices that,
|
||
|
in one of the photos, a mesh transceiver has been placed behind the
|
||
|
couch. The angle of the photograph is such that the placement of the
|
||
|
transceiver is clearly intended to be noticed. But what is the
|
||
|
transceiver _for?_ That information is not provided. He begins to
|
||
|
wonder if, perhaps, there is some other, more salient detail of the
|
||
|
photo that he is missing. What is it he is meant to be looking for?
|
||
|
Perhaps the mesh equipment is not the item of greatest importance. He
|
||
|
scans the paper again but notices nothing new.
|
||
|
|
||
|
The other children have all been issued this same sheet of paper.
|
||
|
Most of them are dumbfounded. Discarding their worksheets, the
|
||
|
children proceed to enact a miniature, organized conflict. They count
|
||
|
off into strike teams, execute insurgencies, repel
|
||
|
counter-insurgencies, invade and defend arbitrarily defined
|
||
|
territories within the room's finite perimeter. It is clear to Plinth
|
||
|
that they have all but forgotten the problem on the worksheet. Had the
|
||
|
exercise confounded them all the same way? Each of the boys, including
|
||
|
Plinth himself, have only just turned sixteen. So, some unfamiliarity
|
||
|
with printed matter is to be expected. _But still,_ Plinth wonders,
|
||
|
_What are these boys seeing when they look at the photographs? Indeed,
|
||
|
what am I missing?_
|
||
|
|
||
|
At the one hour marker the children are led back into the waiting
|
||
|
room. Further instructions are not provided.
|
||
|
|
||
|
The children begin to bicker. It is apparent now that the waiting
|
||
|
room has been stripped of standard entertainments. Plinth waits until
|
||
|
two quarrelers obscure the main surveillance camera (thinly disguised
|
||
|
as an inoperable telescreen) and ducks quickly behind the couch.
|
||
|
Seconds later, he pops back up and feigns participation in the
|
||
|
complaining. A noticeable bulge now deforms the left-front pocket of
|
||
|
his trousers. Upon close observation his sudden sociability is less
|
||
|
than convincing.
|
||
|
|
||
|
The boys are led out of the waiting room and into a play area,
|
||
|
well-stocked with childish trifles. Plinth notes that these trinkets
|
||
|
are of the exact type the boys had been clamoring for, only moments
|
||
|
before. Carefully, he retreats into a corner, near an air vent, and
|
||
|
divests his pocket of the purloined contraband. The cool, manufactured
|
||
|
air of the building's circulation system envelopes his hands and face
|
||
|
as he crouches above the illicit cargo, squinting at the various
|
||
|
inscriptions etched into the reverse-side of each item.
|
||
|
|
||
|
Between the legs of a chair, Plinth spies two pairs of wingtip
|
||
|
shoes.
|
||
|
|
||
|
The furniture is immediately lifted up, completely off of the
|
||
|
ground. Large hands likewise lift Plinth out of the corner, but not
|
||
|
before he manages to gather up his collection of stolen materials. He
|
||
|
is deposited onto a table top, where two uniformed men inspect him
|
||
|
thoroughly. Their commentary adopts the distinct air of suspicious,
|
||
|
yet enthusiastic interest.
|
||
|
|
||
|
The doctor with the big hands is the first to address him directly.
|
||
|
|
||
|
"One of your pockets looks rather larger than the other one,
|
||
|
Plinth."
|
||
|
|
||
|
"Yes," the second man joins in, "The way they're making trousers
|
||
|
these days, it's a wonder you can even maintain your balance when you
|
||
|
try to walk."
|
||
|
|
||
|
Plinth: "Born this way, actually. My gait is lopsided."
|
||
|
|
||
|
"More likely, his pants are sagging from the weight of several
|
||
|
power cells taken from a mesh transceiver," the smaller doctor remarks
|
||
|
to his colleague.
|
||
|
|
||
|
"For my leaf," Plinth offers, halfheartedly.
|
||
|
|
||
|
"You can _read?"_ both of them say in unison. Now they take turns
|
||
|
shaking their heads, greatly amused for some reason.
|
||
|
|
||
|
_"Duh, jackasses,"_ Plinth says, rolling his eyes. "I'm not a little
|
||
|
kid."
|
||
|
|
||
|
Plinth is once again removed from the waiting room.
|
||
|
|
||
|
|
||
|
Presently, Plinth is being lectured, prepared for his circumcision.
|
||
|
Before he can be cut, he must first be made to understand.
|
||
|
|
||
|
The origin of the procedure is by now lost to history. For his
|
||
|
part, Plinth knows enough about the rite of manhood to suspect what
|
||
|
comes next. He has also finally deduced the purpose of today's
|
||
|
exercise in the waiting room; he is astonished at the transparent
|
||
|
nature of the deception. Even more astonishing is the fact that he
|
||
|
fell for the ruse on the first try. Doubtless, Grandma was somehow
|
||
|
involved.
|
||
|
|
||
|
As it happens, he is the only child to have qualified for
|
||
|
circumcision today. At sixteen years of age, most males have yet to
|
||
|
develop the abstract thinking skills required to perform such feats
|
||
|
as, say, comprehending the relationship between his environment and
|
||
|
the funny squiggles and marks that constitute a topographical map. By
|
||
|
revealing that he knows how to read, Plinth has demonstrated that not
|
||
|
only does he grasp the basic concepts of symbolic representation, but
|
||
|
that he may also comprehend more abstract relationships which may or
|
||
|
may not yield a 1:1 correspondence to empirical reality. This is quite
|
||
|
unusual for someone so young. According to the more experienced
|
||
|
doctors, there is a precedent for the situation: Plinth will simply be
|
||
|
allowed to skip ahead to a higher grade level.
|
||
|
|
||
|
Naturally, Plinth is concerned about the costs this may incur.
|
||
|
|
||
|
"How can I convince them that my brain is damaged," he thinks to
|
||
|
himself.
|
||
|
|
||
|
He shoves his hand into his trousers and squeezes out a length of
|
||
|
fecal matter. Without hesitation, he chews the curl of feces
|
||
|
vigorously into his mouth. Swallows.
|
||
|
|
||
|
Much to his dismay, the gambit is unsuccessful.
|
||
|
|
||
|
|
||
|
The Mold awareness slowly seeps back into Plinth's consciousness.
|
||
|
At first he is beside himself; these men have just mutilated his
|
||
|
stick. Then he recalls the purpose of the ritual. Presently, he
|
||
|
recalls his past life as Haus Mold. He knows now what he must do next.
|
||
|
|
||
|
Plinth waves the doctors aside and inspects his personal effects,
|
||
|
ensuring that everything remains as he left it, nearly two decades in
|
||
|
his past. Satisfied, he withdraws a small electronic device and
|
||
|
activates its primary function, instantly transmuting all organic life
|
||
|
in the room into dust.
|
||
|
|
||
|
Deactivating the device and donning his eye-patch, Plinth hops off
|
||
|
of the examination table and begins to search for an exit.
|
||
|
|
||
|
There is much work to be done.
|
||
|
|
||
|
|
||
|
IT'S ALL POLITICS
|
||
|
|
||
|
tags: 1965, plinth_mold, potus, tab1, the_chief
|
||
|
|
||
|
"What do you mean he 'runs plastics?'" the Chief snarled,
|
||
|
incredulously.
|
||
|
|
||
|
"Just that. There's no record of him after 1928, and then all of a
|
||
|
sudden this falls into my lap. Somehow, he's taken control of half the
|
||
|
toy manufacturing in America."
|
||
|
|
||
|
Thomas Bright, Sr. adjusted his cap.
|
||
|
|
||
|
"And you're sure it's the same guy?" asked the Chief.
|
||
|
|
||
|
"Proof's in the paperwork. Same investment patterns."
|
||
|
|
||
|
"But technically it's a different name."
|
||
|
|
||
|
"They're all Molds though, aren't they."
|
||
|
|
||
|
"True that."
|
||
|
|
||
|
|
||
|
Plinth Mold settled into his recliner, his reading glasses perched
|
||
|
on the end of his nose. Not much in the paper.
|
||
|
|
||
|
Maude. Oh, Maude.
|
||
|
|
||
|
Of course, this wasn't really his Maude. Generations had passed.
|
||
|
Their children had spawned children of their own. This girl... Was
|
||
|
probably his great great granddaughter.
|
||
|
|
||
|
No matter, the Molds had always kept it in the family.
|
||
|
|
||
|
Plinth Mold hadn't made love since 1888.
|
||
|
|
||
|
He lit his pipe.
|
||
|
|
||
|
|
||
|
Thomas Bright, Jr. played with his toys. Frequently, he would
|
||
|
inspect the intellectual property information inscribed upon the
|
||
|
buttocks of his action figures. He had noticed early on that all of
|
||
|
his toys seemed to be manufactured by the same company.
|
||
|
|
||
|
He figured his dad had purchased them in bulk. The cheap bastard.
|
||
|
|
||
|
Thomas threw back the flap of his tepee and climbed out. The cold
|
||
|
air burned his lungs, going down. He fumbled in his pocket for a
|
||
|
cigarette.
|
||
|
|
||
|
"Violet!" he yelled, carelessly. "When's dad coming home?"
|
||
|
|
||
|
"Never!" Violet called back.
|
||
|
|
||
|
Thomas flicked his cigarette into the open flap of Violet's tent
|
||
|
and wandered off towards the creek, where he could urinate in peace.
|
||
|
|
||
|
|
||
|
An alarm sounded on the Chief's desk. He scanned the incoming
|
||
|
message and reacted instantaneously, barking commands into his
|
||
|
commlink even before he had fully depressed the trigger.
|
||
|
|
||
|
"Dispatching _a cappella_ teams to the scene," he shouted into the
|
||
|
_aether._
|
||
|
|
||
|
Thomas Bright, Sr. stared out of the big the window while the Chief
|
||
|
worked. He knew that their discussion had ended, for the time being,
|
||
|
on account of the incoming message. Still, the situation with the
|
||
|
Molds would have to be addressed, sooner or later.
|
||
|
|
||
|
"I'm sorry, Tom, we're going to have to postpone this until
|
||
|
tomorrow morning. The President seems to think that current
|
||
|
developments within Project: BLUEBIRD should take precedence over
|
||
|
our investigation into the Mold situation."
|
||
|
|
||
|
Thomas smiled on the inside. The Chief's sarcasm in the face of
|
||
|
absolute authority delighted his sense of rebellious individuality.
|
||
|
Naturally, he would never reveal such degeneracy to his superior.
|
||
|
|
||
|
"I understand, sir. It's all politics."
|
||
|
|
||
|
The Chief listened to his earpiece for a moment and then glanced
|
||
|
over at Thomas and mimed jerking off with his hand.
|
||
|
|
||
|
Thomas nodded and showed himself out of the room.
|
||
|
|
||
|
|
||
|
TRADE
|
||
|
|
||
|
tags: 1970, tab2
|
||
|
|
||
|
The men in the street shifted uncomfortably as Thomas threaded
|
||
|
between them, calling out user IDs and lot numbers as he went. Many
|
||
|
were unaccustomed to such face-to-face business dealings, and they
|
||
|
bristled at the close contact.
|
||
|
|
||
|
In point of fact, the vocal identification and interplay wasn't
|
||
|
strictly necessary -- the visor was picking out each recipient quite
|
||
|
efficiently, on its own -- but Thomas liked to talk to people. As he
|
||
|
made eye contact with each man, he pushed a box into their hands and
|
||
|
made a point of thanking them for their patronage. Thomas believed
|
||
|
that the human touch created a connection between himself and his
|
||
|
clients. For their part, the men in the street were mostly irritated
|
||
|
by his forthright manner. They would not have left their apartments in
|
||
|
the first place if home delivery had been within their means.
|
||
|
|
||
|
|
||
|
Indeed, the men stood crammed into an ever lengthening line along
|
||
|
one side of the street. Most had squatted down on the curb to inspect
|
||
|
their bid tickets, or in some cases, their parcels. Each figure was a
|
||
|
solemn portrait in charcoal, crouched in wool jacket and trousers,
|
||
|
gazing fixedly over his clutch of papers. Every so often, the gritting
|
||
|
of teeth could be heard above the din as someone discovered that he
|
||
|
would not be the next to take delivery of his winnings. For most in
|
||
|
the line, this day's auction had been a final, go-for-broke grasp at
|
||
|
obtaining a user account on the old pressure screen grid. Securing an
|
||
|
account meant the guarantee of employment. Recently, a blanket freeze
|
||
|
had been declared. No more new accounts would be created before the
|
||
|
end of the year. This unexpected policy was instituted uniformly
|
||
|
across all nodes, effective immediately.
|
||
|
|
||
|
Thomas ignored his visor's display and ran the figures in his head
|
||
|
as he negotiated the sorry gallery of drooping faces. At two hundred
|
||
|
thousand dollars per, his deliveries were netting an even million on a
|
||
|
good day. This was not to mention the substantial commissions he would
|
||
|
claim from brokering his customers' login applications. In this way,
|
||
|
he netted rather a lot of money in rather a short period of time. Each
|
||
|
infusion of cash compounded with his previous earnings, snowballing
|
||
|
out of all rational control. It occurred to him at times that a like
|
||
|
substance tended to flow from itself; the small investment that had
|
||
|
gotten him started (thank you, Father), wed to the ingenuity he
|
||
|
employed at multiplying its volume, spread, fractal as the branches of
|
||
|
a tree into an incomprehensibly vast canopy of zeroes. Even so, he
|
||
|
recalled that it had been his own insight, quite apart from the fact
|
||
|
of his tools, that had proven instrumental in setting the whole
|
||
|
process in motion. From one seed, eternity. But the poetry of
|
||
|
abiogenesis was a myth. The flow could not proceed from a rock. The
|
||
|
rock must first be cracked in two.
|
||
|
|
||
|
Thomas considered the sorry status of his customers. Was the
|
||
|
competence of others truly so discouraging, such a disheartening
|
||
|
exhibition as to obliterate one's own will to succeed? Or were these
|
||
|
men simply too lazy to break open their respective rocks?
|
||
|
|
||
|
Thomas could see no profit in answering the question.
|
||
|
|
||
|
|
||
|
Thomas drifted towards a random squatter and tossed a five thousand
|
||
|
dollar chip into his can. He corrected himself at once, retrieving the
|
||
|
chip to wipe its memory. After a few seconds erasing, Thomas tossed it
|
||
|
back into the squatter's lap. The unfortunate man, who had obviously
|
||
|
not won any auctions that day, did not look up from his leather-bound
|
||
|
copy of _DIANETICS._
|
||
|
|
||
|
Comfort yourself as you're able, Thomas thought to himself.
|
||
|
|
||
|
Sensing his presence, the book spun up its standard solicitation.
|
||
|
|
||
|
"I just took a shit the size of a baby's arm," it read aloud.
|
||
|
|
||
|
Disabused of his altruism, Thomas returned to his work.
|
||
|
|
||
|
|
||
|
By now, then, the men to Thomas' left had all taken on a greenish
|
||
|
pallor. This indicated that their parcels had already been delivered.
|
||
|
Thomas wheeled his cart around and headed in the opposite direction.
|
||
|
The men on the other end of the street were still tinted red. One by
|
||
|
one, they melted to light green as he placed a package into each of
|
||
|
their hands. Occasionally, Thomas would produce a handkerchief from
|
||
|
his pocket and wipe the fog away from the inside of his visor.
|
||
|
|
||
|
The weather crawl indicated that the ambient temperature of the
|
||
|
alleyway had reached 95 degrees Fahrenheit. Uncomfortable, to be sure,
|
||
|
but not yet a cause for alarm.
|
||
|
|
||
|
Once the sidewalk had melted into a carpet of soft green, Thomas
|
||
|
locked down his cart and pedaled away on his bike. Almost immediately
|
||
|
he was flagged by a bright orange man who had lately begun to sputter
|
||
|
and spurt various curses from his seat on the curb. Amused but mindful
|
||
|
of the orange glow, Thomas put down the kickstand on his bike and
|
||
|
removed his gloves.
|
||
|
|
||
|
The man on the curb explained to Thomas that his delivery had
|
||
|
arrived in unsatisfactory condition. While the outer surfaces of the
|
||
|
parcel appeared to be intact, upon opening the box the man had found
|
||
|
nothing but charred, broken fragments and a handful of dust. (This,
|
||
|
Thomas surmised, derived from the explosion of the device's power
|
||
|
source whilst in transit.) A scent reminiscent of mashed potatoes
|
||
|
wafted itself into Thomas' nostrils.
|
||
|
|
||
|
The man had worked himself into an unfriendly humor. He demanded an
|
||
|
immediate replacement for the item, and/or the immediate refund of the
|
||
|
full bid amount into his account. As Thomas looked on, the man
|
||
|
proceeded to type a complaint into his leaf, which shortly caused his
|
||
|
tint to shift from orange to bright yellow. Simultaneously, a soft
|
||
|
tone chimed in Thomas' ear.
|
||
|
|
||
|
|
||
|
Thomas considered the situation. When the customer had submitted
|
||
|
his complaint, a hold would have been placed upon Thomas' account for
|
||
|
a corresponding price of the item (minus auction fees, etc.), pending
|
||
|
the satisfactory resolution of the buyer dispute. The onus had now
|
||
|
shifted to Thomas to provide a valid serial number and delivery
|
||
|
confirmation for the replacement item, or to agree to a full refund.
|
||
|
He immediately recognized that, due to the hold placed upon his
|
||
|
account, _his_ balance was no longer sufficient to secure a replacement
|
||
|
item. Much less pay for overnight shipping. A refund, of course, would
|
||
|
be out of the question, by dint of the clearly stated terms of his
|
||
|
boilerplate delivery contract.
|
||
|
|
||
|
Thomas judged the dispute irreconcilable. All for the sake of a
|
||
|
used piece of collectible pregnancy armor. The absurdity of the
|
||
|
conundrum put him in mind of paper currency. He mulled over suggesting
|
||
|
a historical working. Small, rectangular pieces of paper could be
|
||
|
collected into an animal leather pouch, then transmitted
|
||
|
surreptitiously via occult arm/hand gestures. Traditionally, the
|
||
|
procedure had been known put a disgruntled customer's mind at ease.
|
||
|
But the notion was laughable. Juvenile. A valid debt could not be
|
||
|
satisfied with trinkets and scraps of paper. He wiped the condensation
|
||
|
from his visor and likewise sharpened his mental focus. Time to get
|
||
|
serious.
|
||
|
|
||
|
Thomas examined his surroundings in the alley. He glanced from side
|
||
|
to side, then moved his eyes onto his chronometer and noticed that a
|
||
|
considerable amount of time had elapsed since he had pulled over his
|
||
|
bike to commiserate with his complaining customer. The two men now
|
||
|
stood completely alone at the curb. The street had cleared of punters.
|
||
|
|
||
|
The unhappy customer's expression registered extreme
|
||
|
dissatisfaction, no doubt exacerbated by the evening's steadily
|
||
|
steepening thermal incline.
|
||
|
|
||
|
Thomas considered how difficult it would be to setup a new delivery
|
||
|
account, to find another corner to service, to arrange the dispersal
|
||
|
of hundreds of thousands of dollars for yet another intermediary
|
||
|
service to accredit is account. He then resumed his customer's tightly
|
||
|
focused, accusatory stare. It was true the man could almost be said to
|
||
|
look pregnant. The customer continued to grimace from behind his
|
||
|
parcel's charred, blackened box flaps.
|
||
|
|
||
|
Maybe he had needed that armor for something more important than
|
||
|
simply completing a collection.
|
||
|
|
||
|
Without warning, Thomas suddenly snatched the ruined box from the
|
||
|
man's hands and hurled it to the ground. He punched the man in the jaw
|
||
|
and then mounted his bike, adjusted his visor for night vision, and
|
||
|
pedaled away at top speed. As he had feared, the ambient temperature
|
||
|
was rapidly approaching dangerous levels.
|
||
|
|
||
|
Thomas realized, after he had pedaled some distance down the road,
|
||
|
that he had dropped his login chit.
|
||
|
|
||
|
|
||
|
The man on the curb wobbled uncertainly. He touched his hand to his
|
||
|
face several times, confirming the integrity of his jaw line. He then
|
||
|
stooped to retrieve Thomas' chit.
|
||
|
|
||
|
|
||
|
Thomas observed his customer's activity from a safe distance. He
|
||
|
felt some disappointment at the loss of his credentials, but he was
|
||
|
glad to see that his customer had survived the transaction. In any
|
||
|
case, his account was irretrievably lost. He would have to register
|
||
|
all over again in the new year.
|
||
|
|
||
|
Thomas leaned into a tight, right turn and accelerated rapidly
|
||
|
towards home.
|
||
|
|
||
|
On balance, he concluded that he could afford to laugh. His
|
||
|
customer was in for a surprise, if ever he attempted to join the ranks
|
||
|
of freelance sellers. In today's economy, selling was not nearly as
|
||
|
easy as buying. Honest work had proven to yield diminishing returns.
|
||
|
|
||
|
Thomas recognized in himself the stirrings of a terminal pessimism.
|
||
|
|
||
|
He considered returning to school. Exchanging one set of
|
||
|
circumstances for another of equal or lesser value.
|
||
|
|
||
|
But he could not admit defeat. Not at twelve years of age.
|
||
|
|
||
|
He had to make a go of this.
|
||
|
|
||
|
Thomas calculated the remainder of his savings and selected a blank
|
||
|
sheet of paper from his binder.
|
||
|
|
||
|
|
||
|
NEW SENTENCES
|
||
|
|
||
|
tags: 1982, 1986, tab1, tab2, the_chief
|
||
|
|
||
|
1982.
|
||
|
|
||
|
Eyes burnt out. Almost awake. Vanishing act. Breathing late. Ringing
|
||
|
sound. Mild discomfort. Feels like I'm wearing a restroom napkin.
|
||
|
Tuning three stations at once in my left ear. The other is numb.
|
||
|
Everything is back and forth. Fluorescents blink and convince me
|
||
|
otherwise. Smooth, cold and dusty in places. Smell is shrink wrap with
|
||
|
rubbing alcohol, but worse. Now questions. Tight grip turns to
|
||
|
shaking. White noise. Corner of a desk in my eye, hard, but it just
|
||
|
feels like it. Smudged ghosts huddling to warm up. Plastic bindings.
|
||
|
Spittle smears my cheek. Sound of pliers and car keys. Something
|
||
|
warmer than dish water. Cut with a razor. Tied. Comforting, now. Soft
|
||
|
cotton blankets. Lukewarm relax. Taking off the restroom napkins.
|
||
|
Softer sheets beneath me. Dermal abrasion. Folded towel on my
|
||
|
forehead. More tying. A small pricking. Indistinct murmuring in my ear
|
||
|
and then more shouting. I'm drifting. Quieter voices. Mother is not
|
||
|
holding me.
|
||
|
|
||
|
|
||
|
"Sounds like the diary of a heroin addict," said the Chief.
|
||
|
|
||
|
I laughed.
|
||
|
|
||
|
"Surprising lucidity. My boy is a born writer. I doubt I'd be
|
||
|
coherent enough to recount the experience."
|
||
|
|
||
|
"Yeah, I've tried to read your reports."
|
||
|
|
||
|
|
||
|
We had needed a willing guinea pig.
|
||
|
|
||
|
The lawyers wouldn't even consider writing up our memo unless one
|
||
|
of us was willing to undergo the procedure, to prove it was safe.
|
||
|
|
||
|
I suggested we get new lawyers. That got some laughs.
|
||
|
|
||
|
Then I suggested Tommy.
|
||
|
|
||
|
"But will he do it?" the Chief had asked.
|
||
|
|
||
|
"You'd better believe it," I assured him.
|
||
|
|
||
|
|
||
|
Of course, it wasn't quite so simple. I hadn't even spoken to the
|
||
|
boy in a number of years. He never seemed to be available when I
|
||
|
called. In the end we had had to extract him from his place of
|
||
|
employment. Forcibly.
|
||
|
|
||
|
He just wouldn't cooperate. Even after my men identified themselves
|
||
|
as Federal agents. Which they never, ever do. (I had given them some
|
||
|
leeway to bend the rules. After all, this was my son we were talking
|
||
|
about.)
|
||
|
|
||
|
We got him out of there. And still he would not submit.
|
||
|
|
||
|
I was exasperated.
|
||
|
|
||
|
I authorized additional force just because he had made me so damned
|
||
|
angry.
|
||
|
|
||
|
Possibly, I should have told him it was me. But that would have
|
||
|
tainted the experiment. The results would have been declared invalid.
|
||
|
The whole operation would have been worse than useless.
|
||
|
|
||
|
I had had to proceed under a cloak of anonymity.
|
||
|
|
||
|
|
||
|
I hadn't anticipated that he would figure it out so quickly.
|
||
|
|
||
|
After he was released, I received an e-mail from him. Short, but it
|
||
|
was him. Seems he regretted having gone through the experience. Asked
|
||
|
me not to contact him again. Ever. It wasn't signed (in fact, it
|
||
|
arrived as a message sent from my own account). But I know for a fact
|
||
|
it was him.
|
||
|
|
||
|
Shouldn't have been such a big deal.
|
||
|
|
||
|
He had been through the training. He was qualified. Obligated,
|
||
|
even.
|
||
|
|
||
|
But of course, he had had a complaint.
|
||
|
|
||
|
He always was a complainer.
|
||
|
|
||
|
|
||
|
1986.
|
||
|
|
||
|
Woke up this morning. Got a call from Piro. What's he doing back in
|
||
|
the country?
|
||
|
|
||
|
I was going to say _I should let Tommy know,_ but then I remembered,
|
||
|
he's still upset with me.
|
||
|
|
||
|
I'll give him a few more years.
|
||
|
|
||
|
He'll cool off, eventually.
|
||
|
|
||
|
|
||
|
PERIOD DRAMA
|
||
|
|
||
|
tags: 1985, b_errol_royale, chuck_fraud, the_director
|
||
|
|
||
|
Chuck Fraud loaded his pen.
|
||
|
|
||
|
He cruised in through the front doors and attached himself to a
|
||
|
cart. Walked it down an isle and held out his arm, sending a row of
|
||
|
boxes tumbling into his basket.
|
||
|
|
||
|
At the register he pulled out his pen and started to write a check.
|
||
|
|
||
|
"What are you, Abraham Lincoln?" the cashier said, "You can't write
|
||
|
a check here."
|
||
|
|
||
|
"What, my money's not good enough for you?"
|
||
|
|
||
|
"No, sir, it's not. In fact, where did you find an _ink pen,_
|
||
|
anyway?"
|
||
|
|
||
|
Chuck Fraud was taken aback by this. How audacious. And no regard
|
||
|
for history.
|
||
|
|
||
|
"Son--"
|
||
|
|
||
|
"Cut!" cried the Director. "I still don't feel good about this
|
||
|
scene. Some of the details just don't read as authentic. And I don't
|
||
|
like this conveyor belt. I don't remember electronics stores looking
|
||
|
like this."
|
||
|
|
||
|
He looked down and then spoke into his Arrow shirtsleeve.
|
||
|
|
||
|
"Get me the Expert. _The Expert!_ Now."
|
||
|
|
||
|
After a few minutes the actors were already getting restless and so
|
||
|
he waved them off, free to shoot dice or fuck under the craft services
|
||
|
table or whatever it was actors did when not being directed by a
|
||
|
director. People continued to swarm around him, but still the Expert
|
||
|
was not present.
|
||
|
|
||
|
The Director consulted his shirtsleeve again and then peered into
|
||
|
his lap at his leaf. He'd research this himself. He tapped two
|
||
|
distinct regions in sequence and then furrowed his brow as his eyes
|
||
|
strained to follow the changes.
|
||
|
|
||
|
|
||
|
Chuck Fraud loaded his pen.
|
||
|
|
||
|
He cruised in through the front doors and attached himself to a
|
||
|
cart. Walked it down an isle and held out his arm, sending a row of
|
||
|
boxes tumbling into his basket.
|
||
|
|
||
|
Pushed the basket up to the register. Starting filling out a check.
|
||
|
|
||
|
"I'll need to see your identoplate," the cashier interrupted.
|
||
|
|
||
|
"What kind of scam is this?" asked Chuck Fraud.
|
||
|
|
||
|
"Sir, you can't pay with paper--"
|
||
|
|
||
|
"Cut!" screamed the Director, finally making himself hoarse.
|
||
|
|
||
|
This time, the Expert was on hand.
|
||
|
|
||
|
"This sequence just isn't working. I'm sort of re-writing it blind
|
||
|
here; I don't know if the original screenplay was pecked out at random
|
||
|
by amphetamine-soaked apes or if this was something originally
|
||
|
intended for telescreen. Either way, it's shit. This retail
|
||
|
environment is in no way authentic. The transaction particulars are
|
||
|
also inaccurate. If _I_ remember this stuff, you _know_ the _viewers_ are
|
||
|
going to remember it. We've got to do something about it."
|
||
|
|
||
|
"I'll see what I can come up with," confirmed the Expert, before
|
||
|
darting between some interns and vacating the sound stage.
|
||
|
|
||
|
|
||
|
Errol Royale fingered a business card from the top of his deck. It
|
||
|
read: "B. Errol Royale, Recruiter." His eyes massaged the dense
|
||
|
ultracrowd. As he surveyed the area, an erection began to deform the
|
||
|
contour of his trousers.
|
||
|
|
||
|
Royale flashed on one Chuck P. Fraud and made a bee-line for him,
|
||
|
parting the sea of aimless consumers by waving his business card in
|
||
|
front of his face like a butterfly knife. Fraud responded, naturally
|
||
|
enough, by shifting his weight and attacking Royale's midsection,
|
||
|
using the point formed by his knuckles to radiate a signal of pain
|
||
|
throughout the taller man's ribcage --
|
||
|
|
||
|
"Cut," breathed the Director.
|
||
|
|
||
|
He paused to draw in more air before continuing.
|
||
|
|
||
|
"I think I'm going to give up on this scene. I no longer care how
|
||
|
Fraud gets into the military. We just have to make it believable when
|
||
|
he starts picking off Congressmen. Let's move on to the next page."
|
||
|
|
||
|
|
||
|
THE MOLDS
|
||
|
|
||
|
tags: 1975, jonathan, plinth_mold, reginald
|
||
|
|
||
|
The man from downstairs would appear every evening at 7:00 p.m.,
|
||
|
ready to collect the wax sculpts. He would take them down to the
|
||
|
manufacturing floor where they would be cast as _first shot_ test
|
||
|
molds, and be then put through several short production runs. Gently,
|
||
|
the man would scoop up each figure and place it onto his tray. He
|
||
|
would then push his cart along to the next desk. This cycle iterated,
|
||
|
every evening of every season, without fail. By autumn, the company's
|
||
|
lead design team would complete a fresh collection of figurines.
|
||
|
|
||
|
Jonathan's team had never failed the company.
|
||
|
|
||
|
Motioning to the man with the cart, then towards an array of
|
||
|
already assembled parts that were spread out on the table before him,
|
||
|
Jonathan presented the work that had most recently occupied his
|
||
|
attention. The wheels of the man's cart emitted a cantankerous noise
|
||
|
and shortly began to roll again, this time in the direction of
|
||
|
Jonathan's work area.
|
||
|
|
||
|
|
||
|
From out of nowhere, Plinth Mold tramped into the room. He shook
|
||
|
the dust from his boots, shouldered past the man with the cart, and
|
||
|
locked his one good eye, somehow simultaneously, onto both men at
|
||
|
once. Plinth held onto this intimate, personal contact for as long as
|
||
|
he possibly could before proceeding to the next phase of the
|
||
|
interaction.
|
||
|
|
||
|
Jonathan batted a curtain of dirty hair from his face and began to
|
||
|
scratch his yellow beard. There was no use trying to stop the boss
|
||
|
now.
|
||
|
|
||
|
Plinth removed his eye patch, revealing the smooth, concave surface
|
||
|
where an eye socket should have been situated, had Plinth been born of
|
||
|
a mere human woman. Squinting, he proceeded to inspect Jonathan's most
|
||
|
recent achievements. The first sculpt seemed to captivate, singularly,
|
||
|
and he hoisted it up into the light, the better to examine its
|
||
|
particulars. His weight shifted forward and his mouth produced a
|
||
|
vaguely appreciative grunt. His one good eye rapidly alternated its
|
||
|
focus for several seconds, comparing his favorite figure to the other
|
||
|
wax artworks arranged haphazardly across Jonathan's table. It was
|
||
|
clear from these physical perturbations that, in Plinth's opinion,
|
||
|
none of the other figures measured up to the one he held clenched in
|
||
|
his leather-gloved hand.
|
||
|
|
||
|
Suddenly sweeping away his velvet knapsack, Plinth winked at
|
||
|
Jonathan and pulled the drawstring closed.
|
||
|
|
||
|
"Our style of working will seem less threatening, in retrospect,"
|
||
|
he remarked.
|
||
|
|
||
|
"Who's threatened?" Jonathan tended to humor the aging businessman
|
||
|
his eccentricities, but he sensed that he was being mocked.
|
||
|
|
||
|
Plinth (indicating the sculpt that had captured his interest): "I
|
||
|
shall require more figures in this vein. Yes. Similar, I think, if not
|
||
|
identical, to this one."
|
||
|
|
||
|
Jonathan: "But I've completed a whole _series_ of designs. Here,
|
||
|
just take a look at these other models --"
|
||
|
|
||
|
"I will require only the Asiatics," insisted Plinth, expertly
|
||
|
maneuvering past Jonathan's pointlessly extended hand.
|
||
|
|
||
|
"You aim to pick and choose between the Lord's handiwork?" demanded
|
||
|
Jonathan, a surprising wave of anger suddenly breaching the surface of
|
||
|
his pink face.
|
||
|
|
||
|
_"A man must content himself with the time that he has been
|
||
|
allotted,"_ quoted Plinth, _"...and so divide his attentions
|
||
|
accordingly."_
|
||
|
|
||
|
|
||
|
Plinth paused, waiting for Jonathan's mind to catch up with his
|
||
|
ears.
|
||
|
|
||
|
"It should also be pointed out that you have come perilously close
|
||
|
to conflating _yourself_ with the Lord our God. A most unusual lapse,
|
||
|
for a young man of your background."
|
||
|
|
||
|
This led to silence. Plinth knew quite well which switches he was
|
||
|
throwing within the young lad's mind.
|
||
|
|
||
|
Jonathan considered himself to be the reincarnation of a famous
|
||
|
Green religious leader, highly revered by the people of his home
|
||
|
country. This quirk had been jealously concealed by Jonathan's family,
|
||
|
as wide dissemination of his delusions was likely to result in
|
||
|
ridicule, or, even worse, excommunication from the country's dominant
|
||
|
religious order. Since no one believed his claims, there could be no
|
||
|
defense.
|
||
|
|
||
|
As time continued to elapse, Plinth wondered if perhaps he had
|
||
|
flipped Jonathan's switches with an excess of vigor.
|
||
|
|
||
|
Eventually, the young man let out his breath. Plinth winced visibly
|
||
|
as Jonathan opened his mouth and slowly began to speak.
|
||
|
|
||
|
"I suppose you are better qualified to discern the relative,
|
||
|
mundane qualities of my work than I can ever hope to be," Jonathan
|
||
|
said easily, his ears slowly fading from red to pink. "I do not
|
||
|
begrudge you your preferences. They are the very basis of our
|
||
|
relationship, after all. Please, take what you will."
|
||
|
|
||
|
With this, Plinth relaxed and settled back into his shoes. He could
|
||
|
see now that Jonathan had regained conscious control of his limbs, and
|
||
|
so, in this more equanimous humor, would not attempt to strike him
|
||
|
with any of the tools laid out on his workbench. Plinth hastened to
|
||
|
remind himself that there was never a guaranteed outcome when one
|
||
|
ventured to upset the Divine equilibrium of the religiously inclined.
|
||
|
He was only glad that he had not come to terminate the boy's
|
||
|
employment.
|
||
|
|
||
|
|
||
|
Behind Plinth's back, situated at the base of a far wall, a
|
||
|
half-sized door rose up from the floor. Presently, it opened, and a
|
||
|
half-sized man crossed over its threshold into the open air of
|
||
|
Jonathan's workshop. Plinth had not come equipped to deal with
|
||
|
multiple assailants, and so he spun around quite awkwardly to confront
|
||
|
this lately arriving interloper.
|
||
|
|
||
|
Somewhat unexpectedly, Plinth's plastic cloak had gathered itself
|
||
|
around his ankles, on the floor, and he nearly tripped over it as he
|
||
|
assumed the appropriate defensive posture.
|
||
|
|
||
|
|
||
|
The man in the closet had declined to join Plinth and Jonathan in
|
||
|
the lounge. He claimed not to have been aware of Plinth's arrival in
|
||
|
the workshop, which seemed ordinary enough on its face, but no sane
|
||
|
man (in Plinth's estimation) refused a free drink and a chance to gnaw
|
||
|
the ear of his employer. He would know the reason behind this man's
|
||
|
stubborn abstinence. He demanded that the fellow explain himself, and
|
||
|
fixed his posture to wait for an answer. The half-sized man had
|
||
|
prepared no rebuttal, and so finally he agreed to break from his
|
||
|
chores, to drink with his employer, to act like a human being. In
|
||
|
spite of this surrender, Plinth observed that a measure of wariness
|
||
|
still showed plainly on his face.
|
||
|
|
||
|
"I have busied myself in that closet, without emerging, for a
|
||
|
handful of months, and would continue in my toil without complaint if
|
||
|
you could but leave me alone to get on with my work," lamented the
|
||
|
half-sized man.
|
||
|
|
||
|
"Is it _comfortable_ in that closet?" Plinth asked. His genuine
|
||
|
curiosity was evident to all who were present at the table.
|
||
|
|
||
|
"I have to admit that it's not. But my closet is still serviced by
|
||
|
the building's pneumatic tube system, through which I am able to
|
||
|
procure my materials."
|
||
|
|
||
|
"May I ask then why it is you are willing to tolerate such working
|
||
|
conditions?"
|
||
|
|
||
|
Plinth knew that he was traversing the boundaries of etiquette. Had
|
||
|
he opened himself to recriminations? The half-sized man matched his
|
||
|
tone.
|
||
|
|
||
|
"Oh, and I suppose you find every aspect of _your_ job to be ideal?
|
||
|
I work from the time I wake up, straight through to the time when I
|
||
|
fall asleep. What could be the purpose of maintaining separate
|
||
|
quarters? There's nothing about where I sleep in my orders."
|
||
|
|
||
|
"I don't mean to rhyme..." he added.
|
||
|
|
||
|
|
||
|
Jonathan was again fumbling with the bristles of his beard, eyes
|
||
|
focused upon some distant apocalypse. Reginald (for that, Plinth had
|
||
|
learned, was the half-sized man's name) had performed the series of
|
||
|
keypad exertions necessary to extend his rolling platform to roughly
|
||
|
chair height, and so he began the process of conveying his legless
|
||
|
body into the booth alongside his companions. For his part, Plinth was
|
||
|
generous enough not to remark upon Reginald's ornate personal mobility
|
||
|
carrier. Though gape at it he did.
|
||
|
|
||
|
|
||
|
_"What?"_ demanded Reginald.
|
||
|
|
||
|
"I take it you are the man who operates the molds," whispered
|
||
|
Plinth, eyes fairly glazing over as he avoided focusing on
|
||
|
Reginald's... stroller.
|
||
|
|
||
|
"The man who designed them. Now operates them. No one else seems to
|
||
|
be able to get the hang of the interface."
|
||
|
|
||
|
Here Jonathan interjected, reciting the well-worn narrative. "The
|
||
|
backups of Reginald's original designs for the molds were lost in a
|
||
|
catastrophic fire that cleaned out the department's central data
|
||
|
center back in '71."
|
||
|
|
||
|
"The company opted to rescue what was left of my code instead of
|
||
|
what was left of my legs. And how did that work out for them?"
|
||
|
|
||
|
"Reginald was caught in the fire," Jonathan explained.
|
||
|
|
||
|
"Falling machinery bisected me. Cut me into hemispheres. With the
|
||
|
loss of my _templates,_ I've no way of growing a new _interface._ None
|
||
|
of the department's people have ever been able to figure out how to
|
||
|
run the things without me."
|
||
|
|
||
|
"But we get by," Jonathan insisted, realizing that Reginald was
|
||
|
making him sound useless.
|
||
|
|
||
|
"Yes, recognizing that losing me meant throwing off their budget,
|
||
|
the department chipped in on this mobility rig, and built a special
|
||
|
room for me here so that I might be close enough to the molds to lend
|
||
|
my expertise when complex adjustments were required. Eventually, I
|
||
|
just made the space over into an office. The molds are too expensive
|
||
|
to replace, so this is the state of affairs until we discover how to
|
||
|
map the controls onto other users' minds."
|
||
|
|
||
|
"I had no idea," said Plinth, now sincerely embarrassed.
|
||
|
|
||
|
Reginald inclined his head toward Jonathan and took another sip of
|
||
|
his water.
|
||
|
|
||
|
"I tell the kid here it's all God's fault."
|
||
|
|
||
|
|
||
|
I'LL MANAGE
|
||
|
|
||
|
tags: 1976, maude_mold, plinth_mold
|
||
|
|
||
|
So he was unhappy, again. But when he halted to appraise the
|
||
|
situation rationally, he found that nothing had really changed. Why,
|
||
|
then, this morose disposition?
|
||
|
|
||
|
Each season, Plinth Mold selected the action figures that would
|
||
|
comprise the next year's line. He did this alone -- that is, his
|
||
|
decision was final -- because Plinth Mold knew that to consult a
|
||
|
committee would signal weakness to the trade press. Such fanfare had
|
||
|
been made of his spectacular rise, his subsequent reign and famously
|
||
|
charismatic management style, that he was wary of reversing the
|
||
|
polarity of this momentum, reluctant to sour himself in the public eye
|
||
|
by demonstrating an acute lack of direction. He knew well that each
|
||
|
word of praise committed in print represented an investment expected
|
||
|
to yield generous dividends; that the looming weight of his success
|
||
|
was not itself immune to the fearful and awesome properties of general
|
||
|
relativity. In point of fact, there _was_ a sort of balance to the
|
||
|
world, and he was loathe to tip it off-kilter.
|
||
|
|
||
|
The problem was, finally, that these latest designs were not going
|
||
|
to work. That is to say, Plinth could not decide between them. In
|
||
|
years gone by such an impasse would have met with the unhesitant
|
||
|
scrapping of the entire line -- Plinth would fire the responsible team
|
||
|
and start over from scratch. But it was far too late for that, this
|
||
|
year. He would have to make a choice from amongst what had already
|
||
|
been placed in front of him. He knew it was imperative to come to a
|
||
|
decision, but still he was unsure of his direction.
|
||
|
|
||
|
Yes, so something of some significance had actually changed. He
|
||
|
cycled between each layout and reprimanded himself sternly for his
|
||
|
indecision. Why was he making this so difficult? As he stared at each
|
||
|
proposal, he could not determine to his satisfaction which was
|
||
|
superior. They all seemed to consist of roughly the same elements.
|
||
|
Each seemed equal in merit to the next.
|
||
|
|
||
|
"There is urine all over the front of this toilet," complained
|
||
|
Maude Mold, Plinth's wife of some twenty-five years. "Sometimes I sit
|
||
|
down and my pant leg touches it -- I can feel it."
|
||
|
|
||
|
Plinth looked up from his leaf. "I guess I'll need to clean that
|
||
|
up."
|
||
|
|
||
|
"That'd be a good idea, so I don't fucking retch."
|
||
|
|
||
|
Previous flirtations with indecision had cost Plinth an entire
|
||
|
season's work. He had ended up pushing a wave of repaints into the
|
||
|
stores for Redaction Day. No truly new figures for over six months.
|
||
|
Mention of that debacle was now off-limits in staff meetings, but the
|
||
|
dark period lingered in his memory. Fatigued, he thought to himself
|
||
|
that bouncing back from abject failure was a young man's game.
|
||
|
|
||
|
|
||
|
To All Employees:
|
||
|
|
||
|
Our Guiding Principles form the basis for how we should manage our
|
||
|
day-to-day interactions with customers and each other. They are the
|
||
|
unchanging foundation that supports how we conduct ourselves everyday.
|
||
|
Along with our Business Plan objectives and Factors for Dominance, the
|
||
|
Guiding Principles form the building blocks to ensure the Figures
|
||
|
Department and ultimately UNIVERSAL MOLD's success.
|
||
|
|
||
|
Click here to view the presentation of the month that discusses the
|
||
|
importance of "Hold Yourself and Others Accountable."
|
||
|
|
||
|
Act with Honesty and Integrity at All Times
|
||
|
|
||
|
Exhibit a Positive Attitude
|
||
|
|
||
|
Treat Everyone with Courtesy and Respect
|
||
|
|
||
|
Do What You Say You are Going to Do
|
||
|
|
||
|
Seek First to Understand Then Be Understood
|
||
|
|
||
|
Communicate Clearly and Often
|
||
|
|
||
|
Inspect What You Expect
|
||
|
|
||
|
Execute Flawlessly Everyday
|
||
|
|
||
|
Recognize and Encourage Continuously
|
||
|
|
||
|
Hold Yourself and Others Accountable
|
||
|
|
||
|
Thank you,
|
||
|
|
||
|
Plinth Mold
|
||
|
President, UNIVERSAL MOLD
|
||
|
|
||
|
|
||
|
"I can't believe I just wrote that," thought Plinth Mold. "I
|
||
|
wonder how I would respond to a message like this, were I to receive
|
||
|
it from my own employer." But of course, Plinth Mold did not have an
|
||
|
employer. Had not, in fact, for some time. (Maude, it was true, was
|
||
|
only his wife.) He tapped the appropriate region on his leaf's screen,
|
||
|
causing his message to be sent. He hated these condescending
|
||
|
dispatches, but this one had been necessary, something about gradated
|
||
|
impacts that had bubbled up from Force Management, and if that were
|
||
|
the case, it might as well bear his own signature instead of one
|
||
|
belonging to some irrelevant middle manager. He sought solace through
|
||
|
embracing the inherent nobility of his judgment, but, curiously,
|
||
|
accepting his responsibility failed to improve his sagging mood. He
|
||
|
still felt blank -- or worse, confused.
|
||
|
|
||
|
"When you sit there with your pen, scratching away, it almost
|
||
|
appears as if you have friends," allowed Maude. "Your movements, these
|
||
|
gestures toward what appears to be the composition of some sort of
|
||
|
communique, are so realistic."
|
||
|
|
||
|
Plinth sighed, folded up his leaf and turned off the lamp on his
|
||
|
nightstand. He removed his eye patch and laid it on the table next to
|
||
|
his face, then ran his fingers over the concave surface where his
|
||
|
eyeball should have been. His toes were freezing, but Maude would not
|
||
|
countenance another blanket or any adjustment to the environmental
|
||
|
controls. Perhaps he could show her the figure designs, see if she
|
||
|
could muster a preference for one in particular. Immediately, he
|
||
|
wondered what that would cost him in the event of an acrimonious
|
||
|
separation, and so he closed his mouth. He'd better just do it
|
||
|
himself. Like so much else.
|
||
|
|
||
|
"It's an expensive illusion, created just for you."
|
||
|
|
||
|
There was silence, then, but he knew that he had said too much.
|
||
|
|
||
|
|
||
|
SHIFT!
|
||
|
|
||
|
tags: 1981, chricton, eva, plinth_mold, tab2
|
||
|
|
||
|
11SEPT1981
|
||
|
UNIVERSAL MOLD, NYC OFFICE
|
||
|
|
||
|
Plinth Mold scrolled through the morning news and shook his head.
|
||
|
|
||
|
"They make up some lie and then they get mad at you when you see
|
||
|
through it. Because in their mind they think they've crafted the
|
||
|
perfect deception, which should appeal to your (perceived) faults."
|
||
|
|
||
|
"That's pretty fucking ridiculous. Clearly they are to blame for
|
||
|
their own inability to con you."
|
||
|
|
||
|
"Yeah."
|
||
|
|
||
|
"By the way, do you want to come in early today?"
|
||
|
|
||
|
"I'm already here, sir."
|
||
|
|
||
|
Plinth looked up from his leaf and saw that Thomas was indeed
|
||
|
standing in the doorway to his office.
|
||
|
|
||
|
"Oh. So I'm not talking to you on the phone."
|
||
|
|
||
|
"No, sir."
|
||
|
|
||
|
"You sound like you're on the phone."
|
||
|
|
||
|
"I'm not, sir."
|
||
|
|
||
|
"You're sure."
|
||
|
|
||
|
"Yes, sir."
|
||
|
|
||
|
|
||
|
"Nano-toxins. That eat sperm. Selective genocide."
|
||
|
|
||
|
"History is spamming _weird."_
|
||
|
|
||
|
"Yeah, I read about it the other day. Something they unleashed
|
||
|
during World War II. Hell of a way to get your pipes cleaned."
|
||
|
|
||
|
"Barbaric. And yet... Hmm. Piques the curiosity."
|
||
|
|
||
|
"I'll say. I wonder if it hurts."
|
||
|
|
||
|
|
||
|
"See if you can finish up these inks before Chricton comes back
|
||
|
from lunch."
|
||
|
|
||
|
"Will do."
|
||
|
|
||
|
Thomas moved his fingers inside the box. Ink lines began to appear
|
||
|
over the blue wireframe on his screen. Once finished, he would export
|
||
|
the flat image to paper. For some reason, Plinth Mold still preferred
|
||
|
a 2-D mock-up for his action figures. Thomas found the whole get-up
|
||
|
awkward, but for a paycheck he was willing to oblige.
|
||
|
|
||
|
"I know this is not what we set out to do with ourselves," Thomas
|
||
|
said to himself as he continued to trace the lines on his screen.
|
||
|
"We've allowed a number of years to slip by, and yet, no clear
|
||
|
progress towards our goals is apparent."
|
||
|
|
||
|
Just as Thomas was getting into the rhythm of self-deprecation,
|
||
|
Chricton returned, bursting through the door with two brown paper bags
|
||
|
full of groceries.
|
||
|
|
||
|
"That was quick."
|
||
|
|
||
|
"Yes. I ran into Eva in the corridor. Relieved her of these. Here,
|
||
|
let's snack while we work."
|
||
|
|
||
|
|
||
|
"Thoughtful of you."
|
||
|
|
||
|
"Yeah, I don't think she was going to do anything important with
|
||
|
all this stuff anyway. She was covered in some kind of white powder.
|
||
|
Just stood there while I took her groceries away from her. Distant
|
||
|
look in her eyes."
|
||
|
|
||
|
Thomas leaned his head down on his drawing surface and pretended to
|
||
|
snort a line of cocaine.
|
||
|
|
||
|
Both men laughed heartily.
|
||
|
|
||
|
|
||
|
Plinth was flossing with a piece of o-ring from one of the
|
||
|
prototype figures.
|
||
|
|
||
|
"Boss, that's gross."
|
||
|
|
||
|
"Hey, all this junk is mine anyway. Keep your eyes on your own
|
||
|
paper."
|
||
|
|
||
|
|
||
|
"You know, I've often wondered how to solve the problem of The
|
||
|
Troll."
|
||
|
|
||
|
"What the fuck is a Troll, boss?"
|
||
|
|
||
|
"I'm glad you asked. A Troll is merely someone who enters into a
|
||
|
discussion with the intent of disrupting the equilibrium; usually by
|
||
|
misrepresenting his own or others' actual positions in favor of
|
||
|
inflammatory rhetoric, or by the constant interjection of _non
|
||
|
sequiturs."_
|
||
|
|
||
|
"I see. This has to do with one of your theological speculations,
|
||
|
doesn't it? Doesn't sound like a very friendly habit, anyway."
|
||
|
|
||
|
"No, the Troll isn't a very friendly sort at all. In fact, the
|
||
|
practice of Trolling is usually undertaken maliciously. Why, the
|
||
|
history of the Green is positively _peppered_ with examples of
|
||
|
individuals who --"
|
||
|
|
||
|
"But boss, why would someone want to _do_ something like that? Seems
|
||
|
counterproductive."
|
||
|
|
||
|
"That, Thomas, is the problem of the Troll."
|
||
|
|
||
|
|
||
|
Chricton looked up from his workbench. "I think we should make a
|
||
|
figure of this _Troll_ character." He swiveled his screen around and
|
||
|
displayed his design: a small creature with an obnoxious outgrowth of
|
||
|
wispy hair, mounted atop a pencil as if it were some kind of
|
||
|
ornamental eraser.
|
||
|
|
||
|
Plinth was visibly amused. He depressed a switch inside his coat
|
||
|
sleeve.
|
||
|
|
||
|
"Capital idea, Chricton! Our only obstacle will be securing a
|
||
|
license on the concept from the _Green Consortium."_
|
||
|
|
||
|
All of the men chuckled hesitantly before deliberately shifting the
|
||
|
discussion to other matters.
|
||
|
|
||
|
The _Green Consortium_ never issued licenses.
|
||
|
|
||
|
Not to the likes of Plinth Mold.
|
||
|
|
||
|
|
||
|
THE SHIP
|
||
|
|
||
|
tags: 1993, piro, plinth_mold, tab2
|
||
|
|
||
|
I'm watching the waves do weird things, dancing around the stuck
|
||
|
pixel in my visor. It's making me a little nauseous.
|
||
|
|
||
|
Piotr's abovedecks with the boss, Plinth Mold. I really, really,
|
||
|
_really_ didn't want him to come along on this outing, but Captain
|
||
|
Plinth insisted. I can't say no to him; literally. In spite of the
|
||
|
rumors of impending cutbacks, I need to hold onto this job for as long
|
||
|
as possible. There are debts to consider. And hey, it's his boat.
|
||
|
|
||
|
But truthfully, I hate Piotr. He's my best friend, sure, but things
|
||
|
are complicated. He makes me be the bottom. Plus, his hair is longer
|
||
|
than mine. These are only two of my reasons for hating him.
|
||
|
|
||
|
Staring out of my porthole is not working. I'm about to blow
|
||
|
groceries, so I've got to get out of my room. I don't want to ruin my
|
||
|
sheets.
|
||
|
|
||
|
I'm up top again, leaning over the railing. Piotr thinks this is
|
||
|
all pretty funny. Plinth, if he notices, ignores the subtle
|
||
|
best-friend-tension between Piotr and myself and has a laugh as well.
|
||
|
I'm peering into his face, trying to line up the dead pixel in my
|
||
|
visor with his one good eye. It centers me momentarily and I stop
|
||
|
vomiting long enough to strike up a conversation.
|
||
|
|
||
|
"Plinth, I need a raise."
|
||
|
|
||
|
"I just want you to know that my having to fire Piotr isn't going
|
||
|
to reflect badly on you."
|
||
|
|
||
|
I am transfixed. Somehow I keep from letting loose on Plinth's
|
||
|
shoes.
|
||
|
|
||
|
"You know, because you recommended him to the company."
|
||
|
|
||
|
After a period of stasis the sky is vibrating normally again, and
|
||
|
so I'm back to leaning over the railing. If you need me, you'll know
|
||
|
where I'm at. Plinth keeps on talking.
|
||
|
|
||
|
"Let's not tell him until we cross the Equator, eh?"
|
||
|
|
||
|
Wiping my mouth. Pushing the words out. "He's not really my
|
||
|
brother, you know."
|
||
|
|
||
|
|
||
|
Going back several years now, Piotr and I have been telling people
|
||
|
that we're brothers. Twin brothers, even. Somewhat surprisingly,
|
||
|
seeing as how we look nothing alike, no one has ever expressed the
|
||
|
slightest incredulity about our claim to blood kinship. I guess I have
|
||
|
to admit, I would be surprised if anyone at this company had paid that
|
||
|
close attention to anything that came out of our mouths. But this goes
|
||
|
beyond simple gullibility. Never, no matter how ludicrous a scenario
|
||
|
Piotr and I may have just tried to put over, has _anyone,_ at _any
|
||
|
time, ever,_ challenged one of our claims. Even when we have
|
||
|
deliberately crafted preposterous stories. Even when it's clear that
|
||
|
we almost certainly must be lying. I have no explanation for this
|
||
|
incredible fact. Though I do admit to taking advantage of the effect
|
||
|
from time to time. When it comes to untruths, Piro and I are
|
||
|
multi-platinum sellers. Too hype, straight dope, flavor milk, so to
|
||
|
speak. It's sickening.
|
||
|
|
||
|
Anyway, by now I am tired of the charade. Determined to break the
|
||
|
illusion, to drop real knowledge on our employer and our co-workers.
|
||
|
Piotr, my love; how I hate him.
|
||
|
|
||
|
"Boss, I have a confession. I've been lying to you, all these
|
||
|
years."
|
||
|
|
||
|
"In your way. Of course I know that you are not a blood relation of
|
||
|
Piotr's. Though I doubt anyone else here at the company suspects. You
|
||
|
see, Piotr is my son."
|
||
|
|
||
|
I lean back over the edge, then straighten myself, then back over
|
||
|
the edge, _ad nauseam._ (Ha ha.) An inverted pendulum. The IV comes out
|
||
|
of my arm and then my premium grade Green is washing all over the
|
||
|
deck. It's a beautiful chaos.
|
||
|
|
||
|
_"No way,_ boss."
|
||
|
|
||
|
"Oh, _yes way,_ Thomas."
|
||
|
|
||
|
"That's ridiculous. That's disgusting. How could this happen."
|
||
|
|
||
|
|
||
|
It is a great storm that frightens the fish and blows up the skirt
|
||
|
of our boat. It causes a great deal of entertaining interference in my
|
||
|
visor. I'm tracing lines between the raindrops with my messed-up pixel
|
||
|
and again, it's making me quite ill. However, my stomach has almost
|
||
|
caught up with the unstable gravity of the ship, and I feel that if
|
||
|
only I can keep up with the raindrops, I may stave off vomiting
|
||
|
indefinitely. In the meantime, the IV has been replaced in my arm.
|
||
|
|
||
|
Plinth stands watch over the bridge.
|
||
|
|
||
|
I can feel Piotr entering the room even though he's exercising his
|
||
|
professional skills; he's so vain that he even wants to lie to me with
|
||
|
his movements.
|
||
|
|
||
|
I can't take it anymore.
|
||
|
|
||
|
"He's firing you, idiot."
|
||
|
|
||
|
"I love you, Thomas."
|
||
|
|
||
|
The ball is in play. I really do hate Piotr.
|
||
|
|
||
|
"Of course you love me. We're brothers, right?"
|
||
|
|
||
|
"He's not firing me. He's giving me the ship."
|
||
|
|
||
|
This is just too much. I have to throw up some more of my insides.
|
||
|
|
||
|
"You know he's my father, then," says Piotr.
|
||
|
|
||
|
"Oh, _fuck you."_ I barely spit out the words before losing my lunch
|
||
|
all over the bed. Piotr looks sympathetic, but suddenly he gets a
|
||
|
little testy as he realizes I'm damaging his property.
|
||
|
|
||
|
"Hey, don't make a mess of my boat."
|
||
|
|
||
|
Aw, shut up.
|
||
|
|
||
|
This is not a problem.
|
||
|
|
||
|
This is no emergency.
|
||
|
|
||
|
I know how to calm him down.
|
||
|
|
||
|
|
||
|
PERCEPT DRIVE
|
||
|
|
||
|
tags: 1993, piro, plinth_mold, tab2
|
||
|
|
||
|
Plinth Mold sat and ate his Green Cashew cereal. The ship's percept
|
||
|
drive sent barely visible tremors across the surface of his milk.
|
||
|
|
||
|
"Do you ever get sad when you see a girl who is, like, all obsessed
|
||
|
with sports and stuff, and you realize that there's no way the two of
|
||
|
you could ever be compatible?"
|
||
|
|
||
|
Thomas had somehow gained entrance to Plinth's cabin. What about
|
||
|
the elaborate rhetoricalock system Piro had installed? Plinth had been
|
||
|
assured, specifically, that Thomas could not penetrate it. Ridiculous.
|
||
|
|
||
|
"You mean some girl you like?"
|
||
|
|
||
|
"Not necessarily. Just, you know, any girl. Just to see her. From a
|
||
|
distance, it's almost as if there is some sort of active force that
|
||
|
draws you towards her, even as it pushes her away."
|
||
|
|
||
|
"I can't say as I've ever suffered that sort of crisis, Thomas."
|
||
|
|
||
|
"Oh. Well, even though I'm gay, it still sucks. Strictly speaking."
|
||
|
|
||
|
The ship lurched sharply and Plinth figured Piro must be wrangling
|
||
|
the percept team to the other side of the deck, making a slight course
|
||
|
adjustment.
|
||
|
|
||
|
"Anyway, could you please shut up this incessant chattering? My
|
||
|
Green Cashews are getting soggy."
|
||
|
|
||
|
"All right, boss. I'll just head up top and see if anything else
|
||
|
needs doing."
|
||
|
|
||
|
|
||
|
Abovedecks, Piro was indeed herding members of the percept team
|
||
|
from one side of the ship to the other. Each man or woman planted
|
||
|
themselves into their new position and focused their attention
|
||
|
acutely, fixating upon a single point along the horizon that had been
|
||
|
marked pink in their visors. Slowly, the ship began to change
|
||
|
direction.
|
||
|
|
||
|
Piro propped a leg up on the railing. "Forward; That way," he
|
||
|
commanded, gesturing in a specific direction for the benefit of the
|
||
|
percept team.
|
||
|
|
||
|
Their gaze moved to his hand instead of to the distant point he had
|
||
|
meant to indicate.
|
||
|
|
||
|
That was not good for the ship.
|
||
|
|
||
|
|
||
|
THE SHIP, PT. 3
|
||
|
|
||
|
tags: 1993, albert_lunsford, chrystal_pepsi, piro, plinth_mold, tab1,
|
||
|
tab2, the_chief, wetbeard
|
||
|
|
||
|
It was Lunsford, all right. QCL Corp.
|
||
|
|
||
|
I really didn't need to verify.
|
||
|
|
||
|
I had spellchecked over three hundred individual songs, processing
|
||
|
each of them manually. One at a time because Lunsford refused to let
|
||
|
anyone use the automation. All of his interns were on leave for
|
||
|
various reasons. He'd popped out of his office a couple of hours ago
|
||
|
and handed me this improbable stack of leaves. One leaf per song! Then
|
||
|
disappeared just as quickly as he'd arrived. Meanwhile, at an access
|
||
|
junction to the abandoned floor, my own "interns" were spreading porn
|
||
|
onto the mesh like so much organic peanut butter onto a bland tasting
|
||
|
sandwich. The security exposure revealed by last night's scans would
|
||
|
heal itself by lunch time, possibly even before I could put Lunsford
|
||
|
in the freezer and be on my way. Potentially troubling, but as a
|
||
|
strictly practical measure I was confident of my chances. For various
|
||
|
reasons it paid to keep positive.
|
||
|
|
||
|
I cracked open a Gray Pop and chugged it back. Frothy,
|
||
|
neutral-toned agents coated my throat with perpendicular cells. It was
|
||
|
refreshing, and also damned delicious. Honestly, I should have been
|
||
|
focusing on losing the extra pounds I'd picked up while working on the
|
||
|
this assignment. Only a week to go before I'd be shipping out again.
|
||
|
I'd appear obese and would probably be mocked by my teammates. I
|
||
|
glanced down at my belly, hesitantly. _All right, shit,_ I thought to
|
||
|
myself, _I'll purge the perp cells before heading to bed._ So much for
|
||
|
the perks of the job. I hated forcing myself to vomit.
|
||
|
|
||
|
Presently, I belched.
|
||
|
|
||
|
Which temporarily alleviated my sea sickness.
|
||
|
|
||
|
I squeezed my eyes shut and strained to hear my heartbeat. The
|
||
|
sounds of the machinery in the room ran my thoughts aground. Wave upon
|
||
|
wave of diverse electronic complaint, crashing together in a
|
||
|
ubiquitous aural foam. So loud that I couldn't feel the reassuring
|
||
|
pulse of my circulatory system clicking against my inner ear. I
|
||
|
wondered: _Am I finally dead? Or am I being recalled to base? What is
|
||
|
the meaning of all this?_
|
||
|
|
||
|
Then reason, and balance, resumed.
|
||
|
|
||
|
Meaning was irrelevant.
|
||
|
|
||
|
A new disturbance in my visor window. Some of the security from
|
||
|
upstairs was leaking onto the public layer. _Wonder what the pajama
|
||
|
shits are? Text 667-SHITZ to find out!_
|
||
|
|
||
|
Well. It was old-fashioned stuff but it would work. That is to say,
|
||
|
if my interns could keep their hands out of their pants long enough to
|
||
|
smear it into place properly. I crushed the empty Gray Pop can on my
|
||
|
forehead and tossed it into the trash bin. There was groundwork to be
|
||
|
laid before my part of the assignment could proceed. I scanned the
|
||
|
progress reports again and made sure that the numbers were leveling
|
||
|
according to plan. We were on schedule. Barely. A relief, but the boys
|
||
|
were only onto the _B_ tab by now.
|
||
|
|
||
|
We were going to need more time.
|
||
|
|
||
|
|
||
|
It may have started as a reaction to the percept team's sudden loss
|
||
|
of attention. It may have been something else. What was positive was
|
||
|
that things were not going well for the team stationed upon the top
|
||
|
deck of the USS DOM DELUISE. Piro's prodigious organizational efforts
|
||
|
notwithstanding.
|
||
|
|
||
|
"You men, eyes on the horizon," directed Piro.
|
||
|
|
||
|
A waved sloshed over the deck, knocking a couple of the team off of
|
||
|
their feet. They immediately righted their gaze to stern.
|
||
|
|
||
|
"Not what I meant," said Piro.
|
||
|
|
||
|
"Water's getting choppy," hollered Thomas Bright, emerging from
|
||
|
belowdecks. "You sure you don't need to get your folks strapped in?"
|
||
|
|
||
|
"We'll be fine." Piro reinstated his leg to the side of the railing
|
||
|
and propped himself against it with his elbow. Somehow, he maintained
|
||
|
the appearance of standing upright. He motioned towards the sun, which
|
||
|
was only just now slipping below the the horizon.
|
||
|
|
||
|
Thomas interjected again. "It's no wonder they were having trouble,
|
||
|
staring into the sun like that. Probably ruining their eyesight."
|
||
|
|
||
|
"Worrying about that is my responsibility," said Piro, clearly
|
||
|
irritated that Thomas had raised the issue in front of his men.
|
||
|
|
||
|
"Hey, fuck-_s'cuuuuuuse_ me. I'm here on behalf of the boss. He's
|
||
|
trying to mentate down there. Only, the ship's rocking back and forth
|
||
|
too much. Making him nauseous."
|
||
|
|
||
|
Piro's face didn't change. "Understood."
|
||
|
|
||
|
Satisfied, Thomas returned belowdecks.
|
||
|
|
||
|
Piro kicked one of his men in the seat of his uniform. "I said eyes
|
||
|
on the horizon."
|
||
|
|
||
|
|
||
|
We were in before Lunsford got back.
|
||
|
|
||
|
I sat down behind his desk and played around with his knickknacks.
|
||
|
Action figures, mostly. Even one of himself. Though it must be stated
|
||
|
that the depiction was idealized, anatomically enhanced almost beyond
|
||
|
recognition. There were some doodles carved into the arm of his chair,
|
||
|
apparently with a pocket knife. What a barbarian. Inside his desk I
|
||
|
found several unopened packages of Magnum prophylactics.
|
||
|
|
||
|
He burst through the doorway of his office just as I had one of the
|
||
|
Magnums out and stretched over the barrel of my gun. I suppose it
|
||
|
painted an odd picture for him. _Well, shit,_ I thought, _break time's
|
||
|
over._
|
||
|
|
||
|
My first shot punctured the digitally enhanced prophylactic. The
|
||
|
rest of the flexible, translucent material blew away as I carried
|
||
|
forward with renovations to Lunsford's frame. Pieces of the Magnum had
|
||
|
ended up all over the place, and I laughed when I saw that a small
|
||
|
fragment had become stuck to Lunsford's cheek. The debris and flesh
|
||
|
dispersed in their usual fractal pattern as I emptied the rest of my
|
||
|
clip into his face.
|
||
|
|
||
|
Mission accomplished, then.
|
||
|
|
||
|
By the time Lunsford had settled to the floor, my interns had
|
||
|
caught up with me. They proceeded to scoop up any and all items of
|
||
|
interest. I fished in Lunsford's pockets for a cigarette and came up
|
||
|
with some off-brand that must have cost even less than what _I_
|
||
|
normally smoked. I stripped off my necktie and tossed it onto
|
||
|
Lunsford's lifeless chest, chased it with a flick of ash, and then,
|
||
|
with some effort, produced a fair amount of Gray Pop spittle. A
|
||
|
signature, of sorts. We gathered up what we needed from his office and
|
||
|
left the body for housekeeping.
|
||
|
|
||
|
|
||
|
Ring, ring.
|
||
|
|
||
|
"USS DOM DELUISE, your one-stop shop for Redaction Day savings,"
|
||
|
Lt. Commander Wetbeard sighed into his mouthpiece.
|
||
|
|
||
|
"This is Plinth. I'm calling on an outside line because the
|
||
|
intercom in my stateroom is non-functional. I need you to contact Piro
|
||
|
and send him down here for me."
|
||
|
|
||
|
"I'll get right on top of that, boss," said Wetbeard, straightening
|
||
|
smartly in spite of the fact that no one could see him in his watch
|
||
|
seat.
|
||
|
|
||
|
A low-flying aircraft became momentarily visible to the percept
|
||
|
team and the ship rolled to starboard.
|
||
|
|
||
|
"Did you feel that?"
|
||
|
|
||
|
"Feel what, boss?"
|
||
|
|
||
|
"Nevermind."
|
||
|
|
||
|
"I'll send Piro down right away, sir. Anyway, it looks like he
|
||
|
could use a break."
|
||
|
|
||
|
"Tell him we'll have Thomas steer the team for him, while he's
|
||
|
belowdecks."
|
||
|
|
||
|
Lt. Commander Wetbeard stared at his phone. While his rank as Lt.
|
||
|
Commander was merely a job title, and not an actual rank in any known
|
||
|
naval organization, he was still conflicted over whether or not to
|
||
|
question the orders of Plinth Mold. It had been some time since
|
||
|
Wetbeard had needed to contemplate the ramifications of any of the
|
||
|
orders that were issued to him. His mind ran several possible
|
||
|
scenarios as he awaited the flash of resolute intent which would
|
||
|
signal that a suitable course of action had been selected.
|
||
|
Accordingly, the two conflicted halves of Lt. Commander Wetbeard
|
||
|
engaged in an extended negotiation, exchanging discreet packets of
|
||
|
information at last-century speeds. As if to unclog the apparent
|
||
|
bottleneck, Plinth Mold severed the uncomfortable silence by at last
|
||
|
continuing to speak.
|
||
|
|
||
|
"I'm sending him up now," Plinth said, and hung up.
|
||
|
|
||
|
And with that, Wetbeard's crisis was resolved.
|
||
|
|
||
|
|
||
|
In all, fifteen of my team were disqualified from active service
|
||
|
based upon their performance in the Lunsford simulation.
|
||
|
|
||
|
I began to seriously consider retirement. No, really this time. It
|
||
|
wasn't bad enough that I'd been busted down to mission
|
||
|
pre-visualizations; I had to be roundly insulted by the lackluster
|
||
|
passel of students assigned to me, as well. I fairly _ached_ to commit
|
||
|
government-sanctioned violence against an entrenched detachment of
|
||
|
radical dissidents, or at least to fire a loaded weapon at a
|
||
|
stationary target in a taxpayer-funded firing range. My desires,
|
||
|
however, were irrelevant, owing to my present status at the Farm.
|
||
|
They'd even revoked my weapons certificates so that nothing in my
|
||
|
personal arsenal could be activated or equipped. For now, the weapons
|
||
|
would lay idle, stubbornly refusing to aid in the national defense.
|
||
|
Naturally, I was still responsible for their maintenance. It was a
|
||
|
textbook example of bureaucratic entanglement: an asset simultaneously
|
||
|
existing in two contradictory states, never collapsing, one way or the
|
||
|
other, into coherence. During the first six months of my demotion I
|
||
|
was convinced that soon I'd be slipped a deep-cover assignment which
|
||
|
would exploit my new status as a pseudo-civilian. It would hardly be
|
||
|
the first time I'd enjoyed such an arrangement. But no one ever
|
||
|
contacted me. No such assignment ever materialized.
|
||
|
|
||
|
Maybe I had missed a cue.
|
||
|
|
||
|
In truth, there _was_ a given reason for my demotion. I won't go
|
||
|
into detail, but suffice to say that around 1991 it was suddenly
|
||
|
considered bad form to tally a large number of civilian casualties in
|
||
|
the course of a single mission. My superiors had cunningly rewritten
|
||
|
the rule book after I'd already been deployed to the field. Oh, there
|
||
|
were extenuating circumstances, to be sure, but, as with the review
|
||
|
board who oversaw my case, I'm sure you have better things to do with
|
||
|
your time than listen to me complain about how I was sabotaged by the
|
||
|
petty reprisals of middle-management. I'll just say that it was no
|
||
|
coincidence a former student of mine had become my new case officer
|
||
|
shortly before we shipped out, and that the offending mission was my
|
||
|
first under her command.
|
||
|
|
||
|
_Chrystal Pepsi._ An officer for whom I'd flatly refused to die.
|
||
|
|
||
|
It's conceivable that she may have sensed my lack of faith in her
|
||
|
abilities.
|
||
|
|
||
|
Taking a peek at the paperwork and gradually realizing the scenario
|
||
|
I was being slotted into, I was furious. It's unprofessional to admit
|
||
|
this, but I'm certain my feelings toward C. Pepsi affected my
|
||
|
performance during the mission. It's likely that she was cognizant of
|
||
|
my opinions even when she first floated my name to lead the team.
|
||
|
Hence, a typical sort of trap. Her bid to leapfrog my years of
|
||
|
experience by simply removing me from the game board. This was exactly
|
||
|
the kind of thing I had taught her to do to other people.
|
||
|
|
||
|
And, well, it had worked.
|
||
|
|
||
|
I missed the Chief. I missed my old life.
|
||
|
|
||
|
I was used to being a target, but that didn't mean I would just sit
|
||
|
around and do nothing about it, once I found out.
|
||
|
|
||
|
It was time to reactivate my guns.
|
||
|
|
||
|
|
||
|
THE CARRIER
|
||
|
|
||
|
tags: 1993, chipotle_pope_bags, gravely_cuss, pennis_mold, piro,
|
||
|
plinth_mold, tab2, wetbeard
|
||
|
|
||
|
"This logo is all wrong," complained Pennis Mold. "You've got to
|
||
|
include the inverted commas, like this." Pennis made a few marks on
|
||
|
the leaf and held up his doctored version of the logo. "Is that so
|
||
|
hard?"
|
||
|
|
||
|
"It just seems like a bunch of artsy-fartsy _crap,_ to me," said
|
||
|
Chipotle. "It's a stroke book. Why does it have to be high concept?"
|
||
|
|
||
|
Pennis waved the new logo around, gesturing with authority, which
|
||
|
finally triggered Chipoltle to relent.
|
||
|
|
||
|
"Okay, all right, I'll give it another pass."
|
||
|
|
||
|
Each day at the company was a repeat of this same pattern. Pennis
|
||
|
would issue instructions and then there would be friction. By the end
|
||
|
of his fifth year at MASSIVE FICTIONS, Pennis was all but ready to
|
||
|
hang it up. Then, more problems emerged. A general strike had been
|
||
|
called, partway into his latest project, which had resulted in Pennis'
|
||
|
line being reduced to a handful of stroke books and a live streaming
|
||
|
video site that was only accessible from within the Bohemian Grove.
|
||
|
|
||
|
The publishing business had proven more difficult than he had
|
||
|
anticipated.
|
||
|
|
||
|
And Pennis didn't even like stroke books.
|
||
|
|
||
|
|
||
|
Years ago.
|
||
|
|
||
|
"Pornstations on," chirped the instructor.
|
||
|
|
||
|
Gravely and Chipoltle slapped the sides of their pornstations,
|
||
|
whispering behind the buzzing of the blue lights. Their instructor
|
||
|
adjusted the smallpox heart on her cheek and immediately launched into
|
||
|
her morning monologue. At this, Chipoltle activated his stresspants.
|
||
|
|
||
|
A fact that did not pass unobserved by his classmates.
|
||
|
|
||
|
|
||
|
Back in the present.
|
||
|
|
||
|
"Sir, how long until dinner?"
|
||
|
|
||
|
"Help me with these potatoes," answered Pennis Mold.
|
||
|
|
||
|
The two men went to work, removing the polymer wrap from each of a
|
||
|
dozen red potatoes. Pennis was going to wing it. He hoped that Plinth
|
||
|
wouldn't notice he'd bought organic. And from outside the company, to
|
||
|
boot. Pennis decided then and there that Plinth would have to tough it
|
||
|
out. Human food was human food.
|
||
|
|
||
|
|
||
|
Many years ago.
|
||
|
|
||
|
The squad of boys made their way down the corridor. Rounding a
|
||
|
corner, a snatch of audio snagged their attention. "Gravely Cuss,
|
||
|
Chipotle Pope Bags (Low Fat), Pennis Cialis Mold -- report to the
|
||
|
office at your convenience."
|
||
|
|
||
|
"That means never," laughed Pennis Mold.
|
||
|
|
||
|
"I think I like the sound of that woman's voice," remarked
|
||
|
Chipotle.
|
||
|
|
||
|
|
||
|
Present time, present day.
|
||
|
|
||
|
The deck of the carrier struggled to remain parallel with the
|
||
|
horizon. As Pennis stumbled onto deck, a group of homeless men pedaled
|
||
|
out on their bicycles, brandishing empty gas cans, demanding spare
|
||
|
change so that they might refuel their stranded automobiles. Seemingly
|
||
|
oblivious to the rolling of the ship's deck, the cyclists converged on
|
||
|
Pennis' position.
|
||
|
|
||
|
Pennis looked around and wondered where their automobiles could
|
||
|
possibly have broken down. For that matter, how could anyone be
|
||
|
homeless on an aircraft carrier?
|
||
|
|
||
|
"An aircraft carrier is supposed to have stabilizers," he explained
|
||
|
to the homeless men. "Obviously, ours are not working very well. It's
|
||
|
probably dangerous for you to be riding out here, right now."
|
||
|
|
||
|
The cyclists eyed each other nervously. Slowly, apprehension
|
||
|
hardened into rage.
|
||
|
|
||
|
This guy was ignoring their pitch.
|
||
|
|
||
|
|
||
|
Pause to consider:
|
||
|
|
||
|
Pennis was the youngest of the three Mold brothers. To him -- and
|
||
|
to their father -- it seemed he could never quite measure up. This had
|
||
|
made Pennis' life much more difficult than he would have preferred.
|
||
|
|
||
|
But now he had his own ship.
|
||
|
|
||
|
The carrier was an old vessel, to be sure. But she was seaworthy,
|
||
|
and Pennis had never regretted his investment.
|
||
|
|
||
|
He had even made some improvements of his own.
|
||
|
|
||
|
|
||
|
"I just can't take it anymore," gasped Pennis Mold, tipping against
|
||
|
the hold and clutching his stomach in a decaying imitation of his
|
||
|
brother's photogenic, sportsmanlike physicality. He dropped the very
|
||
|
important folder of leaves he had just removed from the ship's vault.
|
||
|
|
||
|
"What, you'd rather head back up top? Relax. We'll rendezvous with
|
||
|
your brother soon."
|
||
|
|
||
|
"It's not the ship that's making me sick."
|
||
|
|
||
|
"Maybe you shouldn't have eaten so much of that weird cereal."
|
||
|
|
||
|
"Paris sent me another case. I wouldn't feel right just throwing it
|
||
|
away."
|
||
|
|
||
|
Pennis started back towards his quarters. Then reversed course.
|
||
|
Then reversed again. He stared down at his shoes, which promptly faded
|
||
|
into the floor beneath him. He was seeing green circles, spheres,
|
||
|
squares, cubes, words. When he tried to focus on them he found that
|
||
|
nothing came to mind.
|
||
|
|
||
|
|
||
|
Piro switched back to optical and then checked again. As with his
|
||
|
other sensor sweeps, the visual pass confirmed that there were no
|
||
|
approaching ships. He glanced over at Thomas and wondered if his visor
|
||
|
would report the same thing. That is, if Thomas were to muster any
|
||
|
interest in scanning the horizon. Piro imported his department's
|
||
|
budget and earmarked an allotment for upgrades to his team's standard
|
||
|
equipment. New visors for all his men.
|
||
|
|
||
|
"What I'd like is for everyone to be prepared to withdraw at a
|
||
|
moment's notice," stated Plinth.
|
||
|
|
||
|
"Understood, sir."
|
||
|
|
||
|
"I don't expect this will take very long. In fact, if not for the
|
||
|
simple pleasures of life at sea, I doubt I would have agreed to this
|
||
|
meeting at all."
|
||
|
|
||
|
Piro and Thomas both rolled their eyes.
|
||
|
|
||
|
"We'll be taking the same route back. I intend for us all to derive
|
||
|
some enjoyment from this cruise. Consider it a peculiar sort of
|
||
|
vacation. A paid vacation, obviously."
|
||
|
|
||
|
"If you don't mind my saying so, boss, the South Atlantic is kind
|
||
|
of an awkward venue for a family dispute," observed Thomas.
|
||
|
|
||
|
"Thomas, the open seas are essentially the only place left on Earth
|
||
|
where humans may whisper to each other in relative privacy."
|
||
|
|
||
|
Incredulous looks. That hadn't been true for decades.
|
||
|
|
||
|
"In any case, this meeting will hardly constitute a debate. We've
|
||
|
long ago settled any differences we might have had between us.
|
||
|
Contrary to what you two have probably surmised, I intend to shake the
|
||
|
man's hand."
|
||
|
|
||
|
"That's a whole grab bag of intentions you've got there, boss."
|
||
|
|
||
|
"Hush now, Thomas."
|
||
|
|
||
|
|
||
|
"Gentlemen."
|
||
|
|
||
|
Plinth Mold removed his safety belt and stepped out onto the deck
|
||
|
of the carrier. At his side were his personal chef, an armed guard,
|
||
|
and three of his most trusted attorneys. The chef shuffled nervously,
|
||
|
fingering the weapon concealed within his coat pocket.
|
||
|
|
||
|
Let's get out of this damned sunlight, thought the chef.
|
||
|
|
||
|
"Let's get out of this sunlight," suggested Plinth Mold, and all
|
||
|
who were present nodded in agreement.
|
||
|
|
||
|
Arriving to greet Plinth and his entourage were a coterie of men in
|
||
|
green suits. Vintage microfiber. They pegged Piro immediately as a
|
||
|
fellow specialist and nodded to him, exchanging introductions via
|
||
|
private channel. The conjoined group of men made their way into a
|
||
|
vacant deck elevator and adjusted their postures to accommodate the
|
||
|
cramped space. Presently, the doors swung shut and the mechanism
|
||
|
slowly lowered them into the sub-levels of the carrier.
|
||
|
|
||
|
Inexplicably, Plinth's attorneys seemed as nervous as the chef.
|
||
|
|
||
|
The elevator doors slid open again and Plinth took the lead,
|
||
|
navigating a winding series of passageways that finally terminated in
|
||
|
the entrance to an executive conference room. He felt at home on the
|
||
|
carrier, and somehow seemed familiar with its layout. This came as a
|
||
|
mild surprise since he had never previously studied the vessel, nor
|
||
|
had he ever set foot aboard such a craft. On the other hand, it was
|
||
|
sometimes difficult for him to isolate the experiences which had
|
||
|
accumulated throughout his long life. It was certainly possible that
|
||
|
the carrier had, at some point in time, belonged to him or to one of
|
||
|
his holding companies. He was amused because he could not remember,
|
||
|
could not distinguish between whimsy and reality.
|
||
|
|
||
|
Plinth poured himself a glass of water and replaced the pitcher at
|
||
|
the center of the table.
|
||
|
|
||
|
|
||
|
Lt. Commander Wetbeard was the first to spot the lighthouse. He
|
||
|
reached instinctively for his pressure screen, but the board had gone
|
||
|
dead. He fumbled in his shirt and eventually produced his personal
|
||
|
leaf. Shit. It would not power up.
|
||
|
|
||
|
Without Piro to guide their attention, the percept team was
|
||
|
scrambling on the deck below.
|
||
|
|
||
|
Thomas finally gave up on aiming at the toilet and resigned himself
|
||
|
to urinating on the floor.
|
||
|
|
||
|
|
||
|
GREEN SQUARES
|
||
|
|
||
|
tags: 1993, interviewer, pennis_mold, plinth_mold, wetbeard
|
||
|
|
||
|
It was Plinth's turn to evince incredulity. Obviously, there was no
|
||
|
lighthouse at these coordinates, or at any other coordinates in the
|
||
|
general vicinity. The apparent reality of the situation did not mesh
|
||
|
with with common sense. The situation was untenable.
|
||
|
|
||
|
Plinth employed the use of a vintage chronometer, worn on his
|
||
|
wrist. Presently, he fingered the device as his lawyers booted up
|
||
|
their paperwork. "We're in the middle of the South Atlantic,
|
||
|
Wetbeard," he said. "Please explain."
|
||
|
|
||
|
"Sir, I don't know where it came from. I looked down, and then I
|
||
|
looked up. From out of nowhere, it was there."
|
||
|
|
||
|
"Well, what am I paying you for? Steer the ship out of its way."
|
||
|
|
||
|
"Sir, that's what I've been trying to tell you. I--"
|
||
|
|
||
|
|
||
|
"So, after you founded 'MATERIAL', then what?"
|
||
|
|
||
|
"Plinth was impressed. I'd finally done something right. With his
|
||
|
encouragement, I went ahead and launched TURBO FUCKIN': SENSUAL
|
||
|
MAGAZINE as well as the fringe one, SASQUATCH COLOGNE. Neither of them
|
||
|
lasted long."
|
||
|
|
||
|
"Hm. What went wrong?"
|
||
|
|
||
|
"Basically, I went to sleep one night and had a dream that God was
|
||
|
real. I mean, physically _real._ And I was lucky enough to be born as
|
||
|
His incarnation on Earth. I guess what was most difficult about the
|
||
|
whole episode was that I... Well, I actually believed it. I believed
|
||
|
in the dream wholeheartedly."
|
||
|
|
||
|
"Haha, a foolproof source of information because dreams are so
|
||
|
often known to mirror reality."
|
||
|
|
||
|
"Exactly. Heh. You know, don't ask me to explain it, but at the
|
||
|
time it seemed rational. Or should I say, intuitive."
|
||
|
|
||
|
"Ah, I see. That old pratfall. Laid clean by the banana peel of
|
||
|
subjective cognition. I remember a time when I was forced by my
|
||
|
grandfather to drive one of those four-wheeled automobiles. _Mercedes,_
|
||
|
I believe they were called. I couldn't make sense of the steering
|
||
|
mechanism. No Tetris blocks, as we have today. My grandfather was
|
||
|
livid. He actually punched me in the shoulder! He couldn't believe
|
||
|
that someone my age would have no interest in piloting one of his
|
||
|
antique vehicles. What a laugh, right? I told him to just use his leaf
|
||
|
and order the groceries himself. Of course, by the time all of this
|
||
|
took place he had been blind for thirty years."
|
||
|
|
||
|
"What can I say. You only know what you know. If you can't trust
|
||
|
your own mind, what can you trust? The tactile leaf interface was
|
||
|
foreign to him; the car, not so much. Your grandfather probably
|
||
|
thought you were an idiot."
|
||
|
|
||
|
"And I, him. you have to admit that there was no real way he could
|
||
|
have taught me to drive, in his condition. He was not equipped for the
|
||
|
task. Just as in your dream, you conceived that the Green had been
|
||
|
made flesh. Believing yourself, in fact, to be an _incarnation_ of the
|
||
|
Green, despite a complete lack of empirical evidence for your claim.
|
||
|
I'm sure you can see the parallel I'm drawing here. Both of you were
|
||
|
groping for an appropriate set of terms, clawing for a hand-hold in
|
||
|
the cliff-face of ambiguity that immediately blocked your path."
|
||
|
|
||
|
"Okay, okay, you've got me there. Maybe I wasn't God after all."
|
||
|
|
||
|
The boat lurched sharply, causing the walls of the mess hall to
|
||
|
reorient violently. The interviewer's laughter seg-faulted into a
|
||
|
vague, restrained panic.
|
||
|
|
||
|
"I don't like the sound of that."
|
||
|
|
||
|
"Neither will my brother."
|
||
|
|
||
|
Silence then, as Pennis rearranged his folders.
|
||
|
|
||
|
"Tell me again about God's peculiarities with regards to
|
||
|
intellectual property."
|
||
|
|
||
|
"Oh yes. As God, I briefly refused to interact with humans on the
|
||
|
grounds that one of them might try to sue me... In the event that I
|
||
|
ended up creating something which too closely resembled one of their
|
||
|
fan fictions. Or _prayers,_ as they were known."
|
||
|
|
||
|
"Never mind the Scriptures, I guess! Was this before or after the
|
||
|
introduction of your DNA-filtering condoms?"
|
||
|
|
||
|
"Oh, long before. All of this happened before Plinth set me up in
|
||
|
the manufacturing business. This was even before the RODS MAGAZINE
|
||
|
lawsuits. I had yet to piss away my share of our father's fortune.
|
||
|
Plinth was still doing the action figures, partnered with that Swedish
|
||
|
fellow."
|
||
|
|
||
|
"I wonder if he's going to be happy to see you."
|
||
|
|
||
|
"He'll make it seem so. You see, I have physical possession of his
|
||
|
Green certificates. And we both know he wants them back."
|
||
|
|
||
|
|
||
|
A LARGE ROOM WITH NO LIGHT
|
||
|
|
||
|
tags: 1993, albert_lunsford, calbert_whimsy, piro, plinth_mold, tab1
|
||
|
|
||
|
|
||
|
_Hello, I'm Calbert Whimsy, Master Of Ethics at POLICY SCHOOL: WHISKEY
|
||
|
TANGO FOXTROT. For twenty-five consecutive generations, the men of my
|
||
|
family have stood watch over your children and their education.
|
||
|
Granted, twenty of those generations were vat-grown, simultaneously,
|
||
|
over the last decade. And yes, we correspond. Ah ha ha ha. I've made a
|
||
|
little joke. It is a pleasure to see you here, you all say. Likewise,
|
||
|
I'm sure._
|
||
|
|
||
|
|
||
|
As you may have guessed, I'm not really Calbert Whimsy. Somehow,
|
||
|
though, they've fitted me in here, floating paralyzed amongst these
|
||
|
sharks. The Families. Their publicists, attorneys, clergy. And now
|
||
|
I've got to give this speech to the _Green Consortium assembled. I've
|
||
|
had better days.
|
||
|
|
||
|
|
||
|
_Thirty years ago I entered this profession, not knowing what to
|
||
|
expect._
|
||
|
|
||
|
|
||
|
THE STRAND is a luxury liner, Old British flag and technically
|
||
|
off-limits to agents such as myself. This class of people are not
|
||
|
supposed to be subjected to operational trifles such as political
|
||
|
assassinations and internetwork intrigue. Let's just say I'm off the
|
||
|
clock. The Lunsford affair was a wake-up call nobody wanted to hear.
|
||
|
The collective, meaty fist of the Green aristocracy simply mashed
|
||
|
their alarm clock and rolled over on their 800 thread count sheets.
|
||
|
Hopefully, right into the wet spot.
|
||
|
|
||
|
Overheard from my place behind the podium:
|
||
|
|
||
|
|
||
|
_I'm warning you,_ don't _try to kiss my ass. I mean that. Don't do it.
|
||
|
I'm_ serious, _now. Don't. I_ hate _it when people try to kiss my ass.
|
||
|
Oh, yes, you may kiss_ his _ass as often as you please!_
|
||
|
|
||
|
|
||
|
And:
|
||
|
|
||
|
|
||
|
_He said it was life or death. He was pounding against the police
|
||
|
vehicle, just going to town. My man at the dispatch center reported
|
||
|
the machine wouldn't authorize his identoplate. So, no entry to the
|
||
|
back seat. I told him, it must have been a clerical error. Nothing to
|
||
|
be done, you see. I got the impression his partner was irritated, but
|
||
|
he didn't say anything as he drove me away from the rioting crowd of
|
||
|
students. I never found out what became of the officer we left behind._
|
||
|
|
||
|
|
||
|
Raucous laughter, all around. These people are far from funny, but
|
||
|
they don't even know it.
|
||
|
|
||
|
|
||
|
_From time to time, an exceptionally gregarious, obviously very
|
||
|
special student will arrive in our class, and vex us all with their
|
||
|
easy brilliance. I know what you're thinking. Each and every one of
|
||
|
you is smiling now, convinced that I'm talking about your child. Well,
|
||
|
I'm not. Ha ha. Let us stipulate that I'm not referring to your
|
||
|
particular little brat._
|
||
|
|
||
|
|
||
|
You might say that this is a bit of a roast. I'm not entirely
|
||
|
comfortable, exposing myself like this on stage.
|
||
|
|
||
|
But the weak humor is contagious. Someone in the audience gets
|
||
|
clever and plays back the sound of crickets chirping. I squint at the
|
||
|
crowd and realize that it's my support man, apparently trying to blow
|
||
|
his cover. I want to yank on his bolo-tie and force-feed him a handful
|
||
|
of the ship's platinum salad forks. Connecting us directly in this
|
||
|
context is a mistake. But in spite of his gaffe, you simply can't
|
||
|
launch a wetwork operation from aboard THE STRAND without a hype-man.
|
||
|
Since the script is a shambles, we'll be ad-libbing from here on in.
|
||
|
|
||
|
|
||
|
Mercifully, I complete my monologue without further interruption
|
||
|
and I'm cleared to leave the stage. I'm not entirely sure what all
|
||
|
I've just said, but the audience seems to more or less approve. My
|
||
|
counterpart will have to sort it out later. I warned him I was no good
|
||
|
in front of an audience.
|
||
|
|
||
|
I check THE STRAND's operating radius for other ships. This
|
||
|
particular sector of the South Atlantic is out of bounds to commercial
|
||
|
traffic. In fact, at this time of year, THE STRAND is the only ship
|
||
|
permitted to ply its waters at all. But that doesn't mean we're alone
|
||
|
out here.
|
||
|
|
||
|
I've got to keep an eye out for Piro.
|
||
|
|
||
|
|
||
|
Before I know it I've been scooped back up on stage. This time the
|
||
|
lights are dimmed and I can make out the players from the various
|
||
|
fandoms that were listed in the mission brief. I throw in some
|
||
|
targeted references to key episodes of the relevant series. It goes
|
||
|
over very well.
|
||
|
|
||
|
|
||
|
_We've heard from a lot of educators tonight! But no one has even
|
||
|
mentioned the litigators! Let's hear it for general counsel!_
|
||
|
|
||
|
|
||
|
This brings on a spate of vigorous cheering and I am once again
|
||
|
whisked offstage.
|
||
|
|
||
|
Four thespians in black tights approach the boards, each with
|
||
|
brightly colored puppets sewn onto the fronts of their shirts. The
|
||
|
effect, in combination with the carefully controlled lighting, is one
|
||
|
of disembodied cartoon animals who glide back and forth across the
|
||
|
stage, seemingly disconnected from the floor. The performance itself
|
||
|
is protected by copyright. I refer to these creatures as thespians,
|
||
|
but in reality they are _Consortium_ members, plucked at random from
|
||
|
the crowd. An annual tradition with this group, the script, such as
|
||
|
it exists, is familiar, and the audience members _cum_ dancers have
|
||
|
little trouble falling into the routine. Their friends and family are
|
||
|
by this time well and truly soused, voicing their approval at
|
||
|
considerable volume. Monitors throughout the ship pipe the performance
|
||
|
into the corridors, and even into the head. Men are pissing
|
||
|
themselves listening to it.
|
||
|
|
||
|
I catch myself drumming on the table and immediately shove my hand
|
||
|
back into the pocket of my tuxedo jacket.
|
||
|
|
||
|
I'm here for a reason.
|
||
|
|
||
|
Not to participate in the show.
|
||
|
|
||
|
|
||
|
On schedule, I spasm wildly and vomit across the lap of my
|
||
|
companion. Over her protestations (etiquette, you see) I am pulled
|
||
|
away from the table and assisted to my cabin. Once alone, I remove my
|
||
|
outer garments and verify that my stresspants boot up at optimum
|
||
|
capacity. Impulsively, I clip the bow-tie from my stage costume onto
|
||
|
my wetsuit, directly under my chin. I regard myself in the mirror and
|
||
|
then squeeze myself out, through the porthole, exiting the cabin
|
||
|
forever.
|
||
|
|
||
|
The ocean is slick with rain, a flickering black mirror of
|
||
|
half-reflected moonlight. My visor activates as I dip below the
|
||
|
surface, attempting to compensate for the darkness. Short-range sonar
|
||
|
detects no walls, floors or obstructions anywhere nearby. I'm
|
||
|
momentarily blinded in a large room with no light.
|
||
|
|
||
|
Gradually, my testicles shrink up, triggering my stresspants to
|
||
|
activate.
|
||
|
|
||
|
At length, mission intel streams to life, glittering into my field
|
||
|
of vision across the back of an enormous gray whale.
|
||
|
|
||
|
Plinth Mold.
|
||
|
|
||
|
It is time.
|
||
|
|
||
|
|
||
|
1OCT1993
|
||
|
|
||
|
tags: 1993, pennis_mold, piro, plinth_mold, tab1, violet
|
||
|
|
||
|
"That's no whale."
|
||
|
|
||
|
"Sure it is, sir."
|
||
|
|
||
|
"No."
|
||
|
|
||
|
Piro had not yet been informed about the lighthouse. He stood on
|
||
|
the bridge of the carrier and surveyed the scene cautiously, not
|
||
|
rushing to judgment. He took in the particulars of the situation
|
||
|
before venturing forward, hoping to avoid the unhappy possibility of
|
||
|
issuing conflicting orders. Something in him sensed that this was an
|
||
|
unusual situation, one that called for careful handling. His
|
||
|
instincts, he guessed.
|
||
|
|
||
|
"That cannot be a whale."
|
||
|
|
||
|
Absorbed in disbelief, Piro realized that his reasoning had not
|
||
|
been made clear to the command team of the carrier.
|
||
|
|
||
|
"A whale is not green," he explained.
|
||
|
|
||
|
|
||
|
"But _Pennis,_ he's _up_ there, _right now!"_
|
||
|
|
||
|
"But _Violet,_ I don't _care!"_
|
||
|
|
||
|
"Come on now, sir, you'll be okay once we get you up on your feet.
|
||
|
You can't allow a little seasickness to scuttle the whole mission."
|
||
|
|
||
|
"Negative. I've ruined some of the leaves."
|
||
|
|
||
|
Pennis Mold tried to wipe off his stack of leaves. The vomit had
|
||
|
made them sticky, clingy. His shirt was also damp. It would take a
|
||
|
while to extricate the devices, one from the other. Luckily, at least,
|
||
|
all of them seemed to be functional.
|
||
|
|
||
|
"New paradigm. Synergy. I'm staying in bed."
|
||
|
|
||
|
"Pennis, sir, stand up."
|
||
|
|
||
|
"No."
|
||
|
|
||
|
Violet decided to take matters into her own hands.
|
||
|
|
||
|
|
||
|
Okay, I'm floating and I'm not-floating at the same time.
|
||
|
Alternating, I should say. Accosted by a whale with arms. Arms that
|
||
|
are, presently, dipping me in and out of the water at an alarming
|
||
|
rate. I'm thinking now that maybe this is not really a whale after
|
||
|
all.
|
||
|
|
||
|
Before I know it, the scene changes up and I'm being strangled by a
|
||
|
large set of gray fingers.
|
||
|
|
||
|
I recall that, per my mission rider, I'm equipped with a variety of
|
||
|
specialized tools. I react smoothly, activating reflex algorithms that
|
||
|
in turn select an appropriate utensil for sawing my way out of the
|
||
|
tentacle headlock. As the automated system goes to work, the
|
||
|
not-whale's gripping apparatus gradually begins to loosen its hold.
|
||
|
Perhaps having thought better of snacking on highly trained covert
|
||
|
agents, the not-whale withdraws its remaining tentacles, and I make
|
||
|
the most of a bad situation by allowing the current to drag me the
|
||
|
rest of the way out of its reach. As I'm floating off, I login to my
|
||
|
side-arm and lob a few rounds into its bulging, unblinking eye,
|
||
|
wondering where a foul creature such as this houses its genitals.
|
||
|
Wondering, also, if its genitals are larger, or smaller than, its
|
||
|
brain.
|
||
|
|
||
|
After inadvertently swallowing a bit of sea water, I discard my
|
||
|
ruined sawing tool and wade towards Plinth's ship, syncing my
|
||
|
chronometer with it's time server. Scrolling, I see that the lead crew
|
||
|
has just finished their lunch. The percept team will be light on men
|
||
|
for another thirty minutes or so, depending on their local union
|
||
|
agreement.
|
||
|
|
||
|
Hoisting myself up, onto Plinth's ship, I traverse the railing and
|
||
|
immediately drop to the deck, slapping my face against its cold, slick
|
||
|
surface. Sixty seconds later I'm still catching my breath.
|
||
|
|
||
|
I'm taken slightly off guard, startled, when Piro sets to screaming
|
||
|
in my ear about the impending comms disruption.
|
||
|
|
||
|
Did I just black out?
|
||
|
|
||
|
|
||
|
"Piro to P. Mold, it looks like we're going to have to abort."
|
||
|
|
||
|
"Nonsense, I'm pro-life."
|
||
|
|
||
|
The men in the green microfiber suits held their expressions,
|
||
|
ignoring Plinth's attempt at easy humor.
|
||
|
|
||
|
"I can only guarantee channel integrity for another twenty seconds,
|
||
|
sir. Less, if the enormous green squid off our portside bow chews the
|
||
|
carrier in half."
|
||
|
|
||
|
Plinth turned to his attorneys. Then he thought better of it and
|
||
|
returned to the men in the microfiber suits, who remained inscrutable
|
||
|
as before. A number of alternatives spun through his mind until he
|
||
|
abruptly halted the evaluation loop, manually copied a single string
|
||
|
of data into his speech buffer. Discarding the false starts, he parted
|
||
|
his lips and began to speak in his customarily assured and controlling
|
||
|
tone, but was interrupted by the unfolding of events.
|
||
|
|
||
|
|
||
|
The crashing of a particularly large wave causes me to lose a few
|
||
|
words, but I'm able to follow the gist of the conversation. Piro had
|
||
|
said that the not-whale was, in fact, _green._ Puzzling, as it
|
||
|
certainly doesn't look green to me.
|
||
|
|
||
|
Jarred by the incongruous data, I'm overcome by a sudden awareness
|
||
|
that I can't remember _ever_ having seen colors outside the overlays in
|
||
|
my visor. Amazingly, I think that I may actually be -- when not
|
||
|
running in enhanced mode, anyway -- color blind. How in the name of
|
||
|
the Green could I never have noticed this? How could this possibly
|
||
|
have been overlooked during the course of my career?
|
||
|
|
||
|
It boggles, but these are definitely questions best considered
|
||
|
post-mission. After a few quick adjustments, I can now see the squid
|
||
|
in what I will assume is a true-color representation.
|
||
|
|
||
|
It's spamming _big._ And it's _definitely_ green.
|
||
|
|
||
|
Color blind. It figures that this is the sort of thing I would have
|
||
|
to discover in the field.
|
||
|
|
||
|
|
||
|
A brief interlude of silence, stillness, in contrast to the clatter
|
||
|
that buttressed it on either side. Piro looked around and the quiet
|
||
|
seemed to be coming from the deck, of all places.
|
||
|
|
||
|
_Directional silence,_ he thought.
|
||
|
|
||
|
Presently, the ambient audio resumed. A neon, flickering tentacle
|
||
|
appeared above Plinth's ship. Continuing its downward arc, the
|
||
|
tentacle proceeded to slice Lt. Commander Wetbeard's lookout tower
|
||
|
cleanly in half. Comms silence followed, as Piro, instantly refocusing
|
||
|
his display, attempted to mitigate the situation by routing through a
|
||
|
backup transceiver.
|
||
|
|
||
|
He blinked rapidly as his vision went to bluescreen for a period of
|
||
|
seconds.
|
||
|
|
||
|
...
|
||
|
|
||
|
Cognizance returned, Piro began to notice a stream of water on the
|
||
|
windshield that did not abate after each passing sheet of sea mist had
|
||
|
dispersed. The deck of the carrier was sloshing now with... Of course.
|
||
|
He vectored his line of sight vertically from the horizon and
|
||
|
instantly achieved visual confirmation of his suspicions.
|
||
|
|
||
|
So now there was rain to contend with, in addition to the other
|
||
|
problems. Piro drew his weapon and booted it up as he exited the
|
||
|
bridge of the carrier. He realized, then, that with comms down, he
|
||
|
would be unable to login. It seemed that today, _everything_ would have
|
||
|
to be switched to manual.
|
||
|
|
||
|
Fortunately, Piro habitually equipped himself with serrated, as
|
||
|
well as network, weaponry. He rotated out the crippled network device
|
||
|
and attached a classical bladed instrument to his right arm.
|
||
|
|
||
|
|
||
|
Awake. Floating again, this time on deck. The variable terrain will
|
||
|
complicate movement towards the forward cabin and bridge. It looks
|
||
|
like the ship's taken some damage from the not-whale. Curiously, the
|
||
|
percept team hasn't regrouped to try and correct the course drift. I
|
||
|
wipe the blood out of my eyes and start moving again, forward as
|
||
|
always, towards the target.
|
||
|
|
||
|
As I make my way past the final civilian stateroom, partial comms
|
||
|
are restored.
|
||
|
|
||
|
Spam it, Plinth is no longer aboard. He's already transferred to
|
||
|
another ship.
|
||
|
|
||
|
Intuitively, my gaze shifts to the Cold War era aircraft carrier
|
||
|
that has lately appeared off the starboard bow.
|
||
|
|
||
|
|
||
|
Piro located the appropriate elevator and returned to the deck of
|
||
|
the carrier. Splashing through the rain, he approached one of the main
|
||
|
guns from behind and relieved its pilot. Once strapped into the weapon
|
||
|
he bore down on the enormous green squid, focusing his ammunition at
|
||
|
the beast's underside. The dead pilot's body floated away behind him,
|
||
|
his protestations about licensing rendered meaningless by the absence
|
||
|
of conscious volition.
|
||
|
|
||
|
As if in response to the barrage of weapons fire, the squid
|
||
|
embarked upon a series of awkward physical maneuvers. First, its soft
|
||
|
underbelly appeared to open up, forming an uncertain grin. From out of
|
||
|
this novel orifice, a flood of pink squares that turned into pink
|
||
|
cubes that turned into pink bubbles were loosed upon the deck of the
|
||
|
USS DOM DELUISE. Several forward members of the percept team slipped
|
||
|
and lost their balance, went tumbling to the boards, rolling one over
|
||
|
the other in a visual cacophony of limbs and bodies. Even so, each man
|
||
|
tried to keep his wits about him.
|
||
|
|
||
|
"It's all pink on the inside," went up the call from the
|
||
|
forward-most man.
|
||
|
|
||
|
"All pink on the inside!" echoed down the line.
|
||
|
|
||
|
Piro kept on firing, willing himself not to look away even as he
|
||
|
shifted his aim and emptied the remainder of his ammunition into the
|
||
|
squid's exposed eyeball. Aside from releasing an excessive amount of
|
||
|
smoke into the atmosphere and a troubling amount of black ink into the
|
||
|
water, Piro judged that the ammunition had seemed to achieve little
|
||
|
destructive effect. As he unleashed a brief salvo of explicit
|
||
|
invective, the squid's enormous eyeball blinked, as if to mock his
|
||
|
_merely human_ judgment.
|
||
|
|
||
|
"But, a squid cannot blink."
|
||
|
|
||
|
Piro understood then that his words were not going to win the
|
||
|
fight. Even from his heavily vested point of view, he had to
|
||
|
acknowledge that the battle was not going well. Some alternate
|
||
|
strategy must be devised, put into play.
|
||
|
|
||
|
_So,_ he thought, _What next?_
|
||
|
|
||
|
|
||
|
Alone in the head, it was almost quiet.
|
||
|
|
||
|
Pennis eased his stick back into his trousers. He watched with some
|
||
|
interest as a milky white bead of his semen broke apart and ran down
|
||
|
the door of his stall. He coughed, weakly. He'd given himself quite a
|
||
|
workout this time; his heartbeat was still audible in his ears. Why
|
||
|
did vomiting always make him so horny? Lost in thought, his eyes
|
||
|
remained glazed over as he pulled up his slacks.
|
||
|
|
||
|
Exiting the stall, a glimmer of light registered in his peripheral
|
||
|
vision, immediately snapping him out of his reverie. He noticed that
|
||
|
across the counter, one of the Green certificates was blinking.
|
||
|
Fumbling to wash his hands, he shook the moisture off and rushed over
|
||
|
to see what was the matter. A small amount of water transferred from
|
||
|
his fingertips onto the first device, causing a non-permanent
|
||
|
deformation of the imagery that floated along its external boundary.
|
||
|
|
||
|
After subjecting the leaf to a thorough examination, Pennis moved
|
||
|
on to the next unit from the top of the stack. Then, increasingly
|
||
|
disoriented, to the next. Finally, he doubled back to check his work.
|
||
|
The record presented by the leaves could not possibly be accurate. The
|
||
|
narrative was inconsistent with the facts as Pennis knew them, had
|
||
|
experienced them over the years and decades since he had become aware
|
||
|
of himself as a Mold.
|
||
|
|
||
|
And yet, the certificates all seemed to be in order.
|
||
|
|
||
|
It was, quite simply, astonishing.
|
||
|
|
||
|
Pennis shook his head, and then he shook it again. According to the
|
||
|
evidence laid out before him, his brother, Plinth Mold, was the sole
|
||
|
patent holder and undisputed trademark administrator of _several_ of
|
||
|
the key technologies that had been licensed to develop the
|
||
|
sub-framework of the Green. Possession of these certificates would
|
||
|
radically alter the tone and substance of any future negotiations
|
||
|
between Plinth and the _Green Consortium._ Let's be honest, he thought,
|
||
|
Between Plinth and _anyone, anywhere._ It was a remarkable collection
|
||
|
of documents.
|
||
|
|
||
|
Pennis attempted, at this point, to deduce what his brother was
|
||
|
really up to. He knew from long experience that seeking to puzzle out
|
||
|
Plinth's actual motives would be an exercise in futility. An obvious
|
||
|
dead end. Instead, he would focus upon the likelihood of various
|
||
|
outcomes, and attempt to discern Plinth's intended destination.
|
||
|
Perhaps predictably, no matter which tangent his speculations
|
||
|
followed, no matter what obscure avenue his suspicions swept down, as
|
||
|
he approached a final, unified model, his concentration would crumble
|
||
|
and he would be left with no theory, no explanation, no articulate
|
||
|
conclusion; only the visceral, irrational certainty that:
|
||
|
|
||
|
_I want no part in any of Plinth's dubious intellectual property
|
||
|
schemes._
|
||
|
|
||
|
He felt that, even in the absence of a convincing rhetorical
|
||
|
argument, his objection would prove appropriate. Call it a gut
|
||
|
instinct, he thought.
|
||
|
|
||
|
In the end Pennis sensed that, by resisting, he was merely
|
||
|
prolonging the inevitable. For his trouble, Plinth would probably
|
||
|
simply shrug and set him up in a new job. Pat him on the head and tell
|
||
|
him not to take things so seriously. Thanks to their father, the
|
||
|
family still owned the government, no matter what trouble the Mold
|
||
|
brothers found themselves in.
|
||
|
|
||
|
Pennis resigned himself to chairing yet another board of directors,
|
||
|
to driving yet another thriving, multinational corporation into the
|
||
|
ground.
|
||
|
|
||
|
He supposed things could be worse.
|
||
|
|
||
|
|
||
|
In the midst of all the action, a new thought occurred to Plinth
|
||
|
Mold:
|
||
|
|
||
|
Why not simply cut his losses and end it all now?
|
||
|
|
||
|
No sooner had the question formed in his mind than Plinth
|
||
|
understood the notion to have contained its own affirmation. He was
|
||
|
beside himself, amused. Had events honestly progressed to the point
|
||
|
where such a thought could present itself as a question? He realized
|
||
|
the concern was immaterial.
|
||
|
|
||
|
Plinth fingered his chronometer and marked the date. 1Oct1993.
|
||
|
Later than he had planned, actually. Something had kept the cycle
|
||
|
going this time, well beyond the projections he had laid down in his
|
||
|
youth. Curious... He was surprised to discover that he was no longer
|
||
|
entirely in control of his emotions. Imagery from previous eras
|
||
|
flooded his awareness, overwhelming his ability to track. As the
|
||
|
sensation intensified, he steadied himself against the conference
|
||
|
table.
|
||
|
|
||
|
This fleeting nausea was troubling.
|
||
|
|
||
|
He reflected that Piro, Thomas, the attorneys, the chef -- all of
|
||
|
his crew -- would be lost in the transition to follow. In point of
|
||
|
fact, all of humanity would be dropped from memory. No record would
|
||
|
survive. None would need to.
|
||
|
|
||
|
Except, he thought, for one.
|
||
|
|
||
|
"I'm pro-life," he said, apropos nothing.
|
||
|
|
||
|
Plinth's attorneys glanced up at him, arching their eyebrows
|
||
|
professionally. The men in the green microfiber suits had, for the
|
||
|
first time since their introduction, altered their facial expressions.
|
||
|
They were laughing amongst themselves at an obscure joke involving the
|
||
|
manual to Photoshop 3.51. This second group of men betrayed no sign of
|
||
|
having heard what he'd said.
|
||
|
|
||
|
Plinth Mold gazed at the humans with affection.
|
||
|
|
||
|
Without further delay, he spoke into his shirtsleeve and killed all
|
||
|
processes of the Eternal September.
|
||
|
|
||
|
|
||
|
Bits of Plinth's boat were splayed across the surface of the water.
|
||
|
For some reason, not sinking. Plinth reacted casually to this. He
|
||
|
paddled over to a piece of debris and attached himself such that he
|
||
|
could remain afloat without having to expend further effort.
|
||
|
|
||
|
Fingering his chronometer, Plinth discovered that comms were still
|
||
|
down. Even long-range channels were unresponsive. He switched to
|
||
|
satellite and got nothing. Inside, his servos were running blind
|
||
|
without network updates.
|
||
|
|
||
|
So, he'd really done it.
|
||
|
|
||
|
Plinth continued to float there, alone.
|
||
|
|
||
|
The sun was up. Redaction Day, again. The real whales had arrived
|
||
|
by now and were beginning to circle the remains of the broken-up
|
||
|
ships. Plinth ignored them and made a few final checks before
|
||
|
accepting the obvious. Humanity, minus one, was gone. His Hard Boot
|
||
|
had taken effect.
|
||
|
|
||
|
Plinth jettisoned the dead equipment from his makeshift raft and
|
||
|
began to scan the area for signs of life. Eventually, he went into
|
||
|
damage control mode, straightening the front of his shirt and slicking
|
||
|
down his hair. He lit a cigarette and adjusted his eye patch. A whale
|
||
|
crested nearby, displacing, and finally submerging, one of the
|
||
|
scattered islands of refuse. Plinth was starting to get hungry. He
|
||
|
discovered that somewhere along the line, he'd developed a painful
|
||
|
erection.
|
||
|
|
||
|
Violet, the mother of civilization, should be floating along soon.
|
||
|
|
||
|
|
||
|
END BOOK THREE
|
||
|
|
||
|
|
||
|
_the saga continues_
|
||
|
|
||
|
textadventure.stanleylieber.com
|
||
|
|
||
|
|
||
|
_about the author_
|
||
|
|
||
|
Stanley Lieber should probably be doing something else.
|